Listen: Nitty Gritty / Gladys Knight & The Pips GladysNitty.mp3

What’s really proof of this record’s power: the most addicted to any other genre of music fan can’t resist instant curiosity when ‘The Nitty Gritty’ powers through a set of speakers. I had quite the time spinning singles at Brooklyn Bowl last Sunday with Lord Wardd, playing mostly 60′s – present, basically tomorrow’s sound today stuff – even the one’s from the 60′s and 70′s, when released, would have been considered that: The Small Faces, T. Rex, or X. So it’s really fun to watch a younger but musically informed crowd light up when some down and dirty funk or soul hits. Even better, a whole bunch of parents and their young kids, out bowling for a fun afternoon, suddenly doing an about face toward the DJ booth with that ‘Oh my God, I remember this’ look burned onto their face.

Gladys Knight could belt it out every time, when she was given the green light that is. Looking back on a few gems like ‘The Nitty Gritty’ need only one listen to show us why.

Some friends stuck with her from the Motown move to Buddah. Suddenly she was sounding a touch buffed around the edges for my tastes, but the pre ‘Midnight Train To Georgia’ era, all that Tamla/Norman Whitfield stuff, there’s no topping it.

Listen: Yes I’m Ready / Barbara Mason BarbaraMasonReady.mp3

Listen: Shackin’ Up / Barbara Mason BarbaraMasonShackin.mp3

Basically, a Philly girl who came up through Gospel. ‘Yes I’m Ready’ reached #5 in ’65, with an intro the had me believing it was the soundtrack to being drunk. Her delivery drew me right in with that imaginery alcohol slur. Like Barbara Lewis from around the same time, she was one of the soul voices that sat nicely between all the English Invasion songs on Top 40 radio.

You wouldn’t know she was a church girl from some of her 70′s output, like the great ‘Shackin’ Up’. Not unlike Millie Jackson, and produced by Don Davis (Eddie Floyd, Bobby Womack, Albert King, The Dramatics, Carla Thomas, Johnnie Taylor, Little Milton), it just sums up liberated female voices during the mid 70′s and deserved a way higher Billboard chart placing than #91.