Listen: A Little Bit Hurt / Julien Covey & The Machine
A Little Bit Hurt / Julien Covey & The Machine

I guess you might call them a supergroup. Julien Covey, real name Phil Kinorra, played with Brian Auger in his early days. As well as fronting the band vocally, he also drummed. Amongst it’s members were John Moreshead on guitar, who played with Johnny Kidd & The Pirates, The Shotgun Express and The Ansley Dunbar Retaliation. In addition, the band included Peter Bardens (Them, Camel), Jim Creagan (Blossom Toes, Family) and Dave Mason at various times. Their lone release, ‘A Little Bit Hurt’, was co-written and produced by Jimmy Miller in ’67, who brought along his freshly used prodcution techniques, successful on The Spencer Davis Group’s ‘Gimme Some Lovin” and applied them to The Kinks ‘You Really Got Me’ riff, to help create this now, Northern soul classic, according the Northern soul classic experts.

Listen: Green Door / Wynder K. Frog
Green Door / Wynder K. Frog

Between ’64 – ’67, the sound of the Jimmy Smith/Jimmy McGriff hammond B3 was the prevalent connection that bridged hip rock and soul, bringing the jazzy black Flamingo club stuff (Brian Auger & The Trinity, Georgie Fame & The Blue Flames, The Graham Bond Organization) to a more mainstream public, as with The Spencer Davis Group. Jimmy Miller’s production played a part. He worked as house producer for Chris Blackwell then and recorded some successful and some less successful, well commercially for the time that is, singles, like the aforementioned Julien Covey & The Machine track, and ‘Green Door’ by Wynder K. Frog. Although not chart records, they became club hits, and apparently still are to this day, on the Northern circuit, wherever that is.

Listen: Ecstasy / Johnny Kidd & The Pirates JohhnyKiddEcstasy.mp3

Seems theater played quite the part for a few big UK bands from ’62 – ’64. Like Screaming Lord Sutch & The Savages, Johnny Kidd & The Pirates had their schtick as well. But despite the gimmick accusations heaped on both, there was an alarming reality to it all – they were both a little believable and frightening, to a little kid at least. With his pirate eyepatch, Johnny Kidd carried the rock and roll torch right into the beat group era, keeping a very bluesy raw sound to his band, that years later would be deemed quite influential. During ’62 – ’63, Mick Green handled lead guitar duties, and it’s from this period that ‘Ecstasy’ comes. His signature playing style, very evident here, was later religiously coined by Wilko Johnson. He added a near lethal dose of amphetamine to the recipe and Dr. Feelgood was born.

Timely even at this moment, ‘Ecstasy’ being co-written by Phil Spector and Doc Pomus, I always enjoyed the absolutely coincidental double entendre of the lyrics. “take me by the hand and lead me to the land of ecstasy” or “the first time that I saw you, you showed me the door to ecstasy”. Rave on.