Listen: Rivers Of Babylon / Boney M BoneyMRiver.mp3

Listen: Brown Girl In The Ring / Boney M BoneyMBrownGirl.mp3

If ever there was a double sider, this one qualifies. Probably by accident, Boney M’s massive worldwide success, their cover of The Melodians’ Jamaican hit ‘Rivers Of Babylon’ was coupled with ‘Brown Girl In The Ring’. Who knew? The A side was such a smash in the UK (#1) that even the flip took hold, got played and charted on it’s own right (also #1). It was a time when Boney M could do no wrong, German accents and all, one of many consistent ‘phenomenas’ in England. When they get themselves worked up, they really get themselves worked up.

Boney M was everywhere – and seemingly all walks of musical taste liked them. I know I did.

Rasputin /Boney M BoneyMRasputin.mp3

Their NIGHTFLIGHT TO VENUS album contained both ‘Rivers Of Babylon’ and ‘Brown Girl In The Ring’ as well a bunch of other classics: the title track, a version of The Creation’s ‘Painter Man’, ‘He Was A Steppenwolf’ and ‘Rasputin’ (which became the followup reaching #2). One of those huge selling albums, like we don’t really have much anymore, the ‘Painter Man’ track became a single, charting at #10, a whole year after the double A whammy peaked.

Painter Man /Boney M BoneyMPainter.mp3

Somewhere in that team, good taste prevailed. Not only did they cover The Creation, they had a go at The Smoke’s ‘My Friend Jack’, Bobby Hebb’s ‘Sunny’, The Yardbirds’ ‘Still I’m Sad’ as well as Dave Dee, Dozy, Beaky, Mick & Tich’s ‘Zabadak’.

Listen: Fatty Bum Bum / Carl Malcolm CarlMalcolmFatty.mp3

Listen: Miss Wire Waist / Carl Malcolm CarlMalcolmMissWireWaist.mp3

Despite the one hit wonder tag, his #8 UK singles placing from ’75 is a perfect pop-reggae classic. Produced by Clive Chin, not only famous for his work with Augustus Pablo, Black Uhuru and The Wailers, but is self credited as having made the very first dub album. Pretty nice.

This pop hit, further categorized as ‘maybe not so credible’ due mostly to becoming popular, but also because it’s release on Jonathan King’s rather fantastic UK Records imprint meant it was considered mainstream and polished. Like that’s bad – even if the song is great? Jonathan King had impeccable talents for spotting hits as well as recording them. Well I loved this song – from the first listen.

And in a perfect marketing ploy (get all the girls big and small), Carl Malcolm and UK Records released ‘Miss Wire Waist’ as the hopeful, and deserving followup single. It really should’ve been a hit and brought Carl to a higher career plateau. It wasn’t meant to be – well not as recording artist. Year later, you can find him drumming solidly for the Melodians.