Listen: Soulful Drop / Seleno Clarke SelenoSoulful.mp3

Listen: Memphis Boogaloo / Seleno Clarke SelenoMemphis.mp3

I almost didn’t go to an annual rummage sale this afternoon, one that I haven’t missed in about ten years. It was probably in ’04, during a nasty and freak blizzard, that the empty synagogue basement was bursting with hundreds of unplayed promo singles from the 60′s, all in their original sleeves. I went into sweat and panic mode, worried someone would come along to challenge part of my find. Record junkies get very perverted very quickly. I can’t begin to tell you about the scores on that beautiful winter day, besides it would be cruel.

Today’s piece count was nowhere near as vast, but the scores were eye poppers. Top of my list: Seleno Clarke ‘Soulful Drop’ / ‘Memphis Boogaloo’ on Hi Records’ subsidiary M.O.C., pick up anything on either label as you can’t go wrong. I’d always wanted this single, and bowed out of bidding at around $30 a year or two back. Worth the wait given today’s $.50 price tag. Turns out Seleno Clarke plays every Sunday in Harlem, with genuine ‘home cooking’ as part of admission. I can give him the money rather than some dealer. Tomorrow is now planned.

If I didn’t already have a copy, this would have barreled in as today’s top find and in many ways, it probably was, given it’s habit of clocking in between $400 – $800 on ebay. What a sleeve.

Listen: Stop Arguing Over Me / Big Lucky
Stop

Levester Carter, a native of Choctaw County, Mississippi, became Big Lucky in ’68 when local Memphis disc jockey A.C.’Moonah’ Williams put Big Lucky Carter, his then stage moniker, in touch with Hi Records boss Willie Mitchell, who demo’d him at the Hi studios.

Liking the result, he coupled ‘Miss Betty Green’ and ‘Stop Arguin’ Over Me’ as the first of two singles for the label’s subsidiary M.O.C. (MOC 670), released April 7, 1969, according to an old production schedule from Hi/M.O.C.’s parent label, London Records, that I have poured over for many hours through the years

His ‘I’ve Been Hurt’ (MOC 673) followed as an A Side on Dec 8, 1969. Local airplay limited both records’ reach, resulting in very few pressings, sales and available copies nowadays.

Therefore a rewarding find last week at Academy’s moving sale. Love that place.

Listen: Baby Please / Norm West
Baby

In the last few years, M.O.C. Records has become a favorite when obscure soul labels haunt my brain. You know they’re worth pursuing once a few singles, all good, find there way into your life and then, even Wikipedia doesn’t shed any info on the company.

Such is the case here. From ’62 to around ’69/’70, the label was timidly distributed by London, and when my first orange swirl encounter occurred via a Big Amos title, I knew another chapter of collecting had begun.

My best find so far: ‘Baby Please’ by Norm West from early ’66, which turned out being a $50 Northern single, according to the NORTHERN SOUL PRICE GUIDE. Both sides of this one are credited to D. Bryant, and given Norm West’s two previous singles were released by Hi, I’m just guessing it’s Don Bryant.

Later, a member of the successful Stax act, The Soul Children, it’s nice to hear he ended up winning.

Listen: I’ve Been Hurt /Big Lucky
BigLuckyHurt.mp3

Levester Carter, a native of Choctaw County, Mississippi described his earliest influences as being both a wind-up phonograph and the stack of blues records purchased at Sears-Roebuck that were played on it. He took up guitar in the 50′s while in the Navy, and after playing in various bands around Memphis, sang lead on the two Ed Kirby aka Prince Gabe singles, ‘Blue Nights’ and ‘Mean Old Gin’, released by Sam Phillip’s Sun Records.

Come ’68, local Memphis disc jockey A.C.’Moonah’ Williams put Big Lucky Carter, his then stage moniker, in touch with Hi Records boss Willie Mitchell, who demo’d him at the Hi studios. Liking the result, he coupled ‘Miss Betty Green’ and ‘Stop Arguin’ Over Me’ as the first of two singles for the label’s subsidiary M.O.C. (MOC 670), released April 7, 1969, according to an old production schedule from Hi/M.O.C.’s parent label, London Records, that I have poured over for many hours through the years.

Coupled with ‘Goofer Dust’, ‘I’ve Been Hurt’ (MOC 673) followed as an A Side on Dec 8, 1969. My favorite of the bunch, it sat nicely next to label mate Big Amos Patton’s ‘Going To Viet Nam’ (MOC 665) from a year or so earlier. The two records just go hand in hand despite having nothing in common lyrically.

Like Big Amos, his association with Hi did little to expand Big Lucky’s profile, matching neither Big nor as is his case, Lucky, in real life. Nothing beyond local Memphis airplay resulted and two more greats proceeded into obscurity, making their records even more cherished collectibles.