Listen: Dog (Part 2) / Jimmy McCracklin
Dog

‘Dog (Part 2)’ was the second of eight singles Jimmy McCracklin issued between ’67 and ’70 on Minit, a sister label of Imperial, where he’d been signed since ’62 and had an additional seventeen releases. All in all, twenty five 45′s during an eight year run with basically one label group, Liberty Records, of which both Minit and Imperial were imprints .

At 90 years old, he can boast a recording career that began in 1945, continuing until most recently, 1999. Yes, 54 years. Given that he performed during 2010, his recording days may not be over yet. I would sure like to shake this guy’s hand.

Like the A side, ‘Dog (Part 1)’, this flip is largely an instrumental style backing track. For all we know, those female voices just may have been The Ikettes. Remember, Ike & Tina Turner were on Minit during this period as well.

Having co-written the Otis Redding and Carla Thomas hit, ‘Tramp’ with Lowell Fulson, released in ’67, and this having been issued around that same time, maybe ‘Dog (Parts 1 & 2)’ were the formative demo beginnings of ‘Tramp’.

Regardless, a great jukebox filler on a winter Sunday afternoon, and a needed artifact, if only for the title.

Listen: Ooh Poo Pah Doo (Part 1) / Jessie Hill
Ooh

As legend has it, by his teens, drummer Jesse Hill formed his first group, The House Rockers in ’51′ followed by periods drumming with both Professor Longhair and Huey Piano Smith. Well oiled, he formed a new version of The House Rockers in ’58, this time with a focus on singing.

The origins of ‘Ooh Poo Pah Doo’ reportedly lie with local pianist known only as Big Four from who Jesse Hill reportedly modeled his lyrics and melody, later fleshing the song out with an intro from Dave Bartholomew. Honed to a sharp edge on stage, he demo’d then shopped it to some local record labels. Ultimately recording the song at Cosimo Matassa’s studio with Allen Toussaint producing. Released by Minit in early ’60, the single became an instant favourite at Mardi Gras, eventually going on to sell 800,000 copies and cracking both the BILLBOARD R&B Top 5 and the pop Hot 100 (#28).

Eventually moving to Los Angeles, Jesse Hill found plenty of work both writing for and playing with fellow New Orleans musicians including Harold Battiste and Mac Rebennack as they passed through town to record. During the period, he placed songs with loads of local RnB labels, even Sonny & Cher, and as well, Ike & Tina Turner, who took ‘Ooh Poo Pah Doo’ to #60 in ’71.

Listen: Fortune Teller / Benny Spellman BennySpellmanFortune.mp3

One hit wonder – but what a hit. An early staple for many a London RnB combo in the mid sixties, ‘Fortune Teller’ proved essential for The Rolling Stones, The Merseybeats, The Who and The Downliners Sect.

Hailing from Florida, Benny Spellman had a foot in both blues and rockabilly, via New Orleans. It was writer Allen Toussaint who provided the song, somewhat reminiscent of Bo Diddley. I guess it was the maracas. Originally released by LA’s Minit label, word is Benny was signed during the thriving New Orleans RnB goldrush at the turn of the decade.

Try to ignore the trendy song title. Heavily sampled, well known to breakbeaters of the world, not surprisingly with a drum sound like that. Even though Monk Higgins had some blips of notoriety in jazz circles, he was actually best as an A&R guy, working for One-Derful Records in the 60′s and signing Otis Clay.

The guy did a lot of writing and producing into the 70′s for Imperial, Minit and UA. While there, he recorded a few albums and released ‘Gotta Be Funky’, his biggest hit. He gave his cousin, Barbara Acklin her start (as Barbara Allen on Chess) as well. Seemingly, a pretty great fellow.

The B side of this, ‘Big Water Bed’, is a riot – worth searching out.