Listen: Bloodshot Eyes / Millie Small 01 Bloodshot Eyes.mp3

Who can forget ‘My Boy Lollipop’? It was Millie’s big hit during ’64 and still sounds as vibrant now as when it was everywhere that summer. Distinctly recall riding my bike round and round the block, trying to get in with my friend’s older brothers and sisters – all just turning into teenagers, and very into the latest records. Seems everyone of them had ‘My Boy Lollipop’ and I wanted a copy so badly.

I guess Millie Small was a one hit wonder. I’ve just now realized this. Shame. She made a bunch of great singles for several years to follow.

Chris Blackwell was her producer, manager, keeper. I asked him many times for Millie (as she was known outside the US) details but he had few, well none actually.

I’m always on the prowl for those elusive Millie 7′s. The one I want the most and have just never found is ‘A Mixed Up, Fickle, Moody, Self Centered, Spoiled Kind Of Boy’. Does this sound great or what?

Chris did tell me he’d done a two singles production deal with Ahmet Ertegan’s Atco in ’65, one was The Spencer Davis Group’s ‘Keep On Running’ and the other Millie’s ‘Bloodshot Eyes’. It could have fit easily onto the DOCTOR NO soundtrack. By the way, that film was one of Chris’ first jobs. As well, he produced both singles. Good start.

Listen: Sweet Inspiration / The Sweet Inspirations
Sweet Inspiration / The Sweet Inspirations

Listen: That’s How Strong My Love Is / The Sweet Inspirations
That's How Strong My Love Is / The Sweet Inspirations

Cissy Houston, Lee Warrick with daughters Dee Dee and Dionne Warwick, Judy Clay, Doris Try – they were all members of The Sweet Inspirations at one time or another. Even if you haven’t heard these classics by them – you have heard these voices many times, contributing to endless sessions by Solomon Burke, Wilson Pickett, Aretha Franklin, Esther Phillips, Van Morrison’s ‘Brown Eyed Girl’, The Jimi Hendrix Experience’s ‘Burning Of The Midnight Lamp’, even Elvis. Ahmet Ertegan finally decided in 1967 to record them as their own entity. Not only cutting an initial album, but in a one year window, they recorded three. Their versions of current hits became hits again – this time for themselves: ‘Why (Am I Treated So Bad)’, ‘To Love Somebody’, ‘Unchained Melody’. They really hit pay dirt with The Muscle Shoals Rhythm Section in Alabama during the early months of 1969 – from which these singles come. Their theme song is a classic. And the gospel purity of ‘That’s How Strong My Love Is’ makes for difficult upstaging.

Listen: Baby Don’t You Do It / Alvin Robinson AlvinRobinsonBabyDont.mp3

Correct. It’s the Holland-Dozier-Holland hit from ’64 by Marvin Gaye, covered by many a Mod band (The Who, The Poets, The Small Faces) in that heyday, and come late ’68, by Alvin Robinson as well.

Not nearly enough Alvin Robinson circulates on 45, which is both surprising and a shame. His guttural blues vocal style was instantly signature, and copied by some of the best. Plus his guitar playing, then in much studio demand, had a similar swagger. So logically, during sessions with Dr. John, did Atco decide to give him a studio whirl, resulting in this, his only single for the label. Given the purity of his sound, and his legendary New Orleans cred, it’s rather shocking that Ahmet Ertegan and Jerry Wexler didn’t release more sides.

The nice thing about this one is it’s subtlety. You don’t realized how strong a grip it has until you find yourself playing it repeatedly. Well I did at least.