Listen: Check Yourself / Debbie Taylor
Check Yourself / Debbie Taylor

Last seen or heard from on Arista in ’75, a final label stop having drifted from pillar to post when it came to record companies. Literally last seen or heard. There seems to have been no contact with her since and mystery surrounds Debbie Taylor’s whereabouts.

Her first two releases came in ’68 for US Decca. A vocalist with obvious deep south church training, the second of those, Isaac Hayes and David Porter’s ‘Check Yourself’ was a most sought after want for many years.

Did a good deed today and recycled two huge boxes of old phones, old computers and every imaginable, why do I own this, power chord/converter/charger at the local library’s Green Drive a few blocks away. Feeling great relief at handing off the load to an over happy volunteer, I thought I’d browse their book sale. Maybe an old Billboard or Cashbox lurked amongst the magazine section. Lo and behold, a box of records, 10¢ each/12 for $1….first one I pull out, ‘Check Yourself’ by Debbie Taylor, dressed perfectly in the original Decca company sleeve.

God beamed down on me once again. Thank you Lord.

Listen: Rock A Doodle Doo / Linda Lewis
Rock A Doodle Doo / Linda Lewis

Linda Lewis had a mid-chart UK hit with ‘Rock A Doodle Doo’ during the summer of ’73 (#15). If you were there you’d know, it was played relentlessly for weeks and weeks, almost like Radio 1 wanted to make it sell. Or maybe just because it sounded so good over the air, like in my case, coming out of a 4″ x 6″ green transistor radio (that era’s version of a hand held device), permanently borrowed off my cousin.

She looked super hot on TOP OF THE POPS, like an English Kim Weston or Tammi Terrell, but with a voice much closer to Minnie Riperton. I was well pleased to get a US promo later that fall, but had no hopes I’d ever hear it on American radio, despite Reprise releasing it twice. Unfortunately, I was right.

Listen: It’s In His Kiss / Linda Lewis
It's In His Kiss / Linda Lewis

By 1975, she’d left Raft and Reprise for Arista. For once, Clive Davis seemed to be in step with what I’d have done if I were running the label, make Linda Lewis a star in The US. Her first album for him was great, and the lead single ‘It’s In His Kiss’, even greater and a real chance for her to flex the higher range potential of that voice. It should have been a smash here (it peaked at #6 in The UK) and sounded spectacular on the air. I know. I ran my college station and forced even the most die-hard southern rock DJ’s to spin it. They already hated my tastes, so why not flex. It’s fun being the boss sometimes.

Listen: Down On Me / Big Brother & The Holding Company
Down On Me / Big Brother & The Holding Company

There are two things about Janis Joplin that annoy me. Neither are her fault.

Firstly, there is so little footage that really captures her power and that the media uses. The clips on a short lived US pop music show, MUSIC SCENE, are the best ones. That was with her Kozmic Blues Band lineup. Then to be fair, the Ed Sullivan and Dick Cavett shows were great as well. But the media always use that shit footage from the Monterey Pop Festival, when she hadn’t yet exploded vocally or visually. By the time she left the Bay area and was playing nationally, her voice was rasp and tortured; and she was visually a ball of color and fire. So heads up: seek out some of the aforementioned performances.

The second is Clive Davis. Why people line up to credit him with her success sickens me. Yes, he signed Big Brother & The Holding Company. And yes, he’s done a lot of things. His resume looks way better than mine. For instance, he let Ray Davies make two awesome Kinks albums, SLEEPWALKER and MISFITS, when most felt he and the band were washed up, signed The Patti Smith Group and let her make two great ones initially as well, plus gave both Lou Reed and Iggy Pop shots on Arista.

But masterminding the break up of Big Brother & The Holding Company with Albert Grossman is not a creative stroke of genius and is definitely unforgivable. How fucking dumb can you be? Their CHEAP THRILLS album soared to #1 in the Billboard charts being a blisteringly perfect document of her and the band’s magnetism.

Big Brother & The Holding Company were the ultimate acid rock group, probably of all time. They were raw and ragged but had swing, a lethally positive combination. Listen to James Gurley’s solo on the version of ‘Down On Me’ I’ve posted. By the time this was released, after her death, Columbia didn’t even have the courtesy to credit the band on the label. I assume the plan was to polish her for mainstream acceptance. Please. The whole point was her wild abandon.

Big Brother & The Holding Company live were an experience I’ll never forget. Friday October 11, 1968. Syracuse University presented the band at The War Memorial, but you had to be a student to get in. I wasn’t an SU student, in fact I was a little boy; no way could I even pass for a college kid. My friend Denny and I begged a security guy to let us in, bless him cause he did! Changed my life.

Above and below: Big Brother & The Holding Company / Syracuse War Memorial / October 11, 1968

These two pictures are from that night, snapped with my crap camera. I wish I had the negatives as the prints are fading. Check out how little equipment is up on stage. Still it was loud and out of control. Fantastic. Luckily, Janis played my area many times. I got to see all her line ups through the years. She was amazing. It’s not because I was young and impressionable. Janis Joplin was truly a living legend. And the lasting effect she has over everyone, not just me, proves it.

Listen: The Gap / The Thompson Twins ThompsonTwinsGap.mp3

You know how it is when a band or artist suddenly gets critical mass? That brief moment when you feel part of mainstream society, because like the mass public, you too can’t get enough. Seems every song is a hit, and the hits just keep coming. To name a few: The Pretenders, Hole, Eurythmics, The Stone Roses, Culture Club or most recently Lady Gaga and The Black Eyed Peas.

When the stars lined up in that way for The Thompson Twins, I felt liberated. ‘The Gap’ was always the standout track from INTO THE GAP, but didn’t quite enjoy the chart showing of the three prior singles, all big successes, pulled from it. By then, the record had sold tons and pretty much anyone who wanted ‘The Gap’ had it on the full length.

As a show opener, nothing could top this song. It’s eerie, medieval drone kept the pop side just dark enough to pretty much outlive it’s counterparts as a long laster. Every so often, when browsing through my shelf for some other title, I’ll just stop and know ‘The Gap’ will hit the spot – like tonight.

Listen: Justified & Ancient / The KLF Featuring Tammy Wynette KLFTammy.mp3

The last time Tammy Wynette played New York was October 25, 1994 at Town Hall. I’d scored a pair of tickets off a friend at Epic, Michael Alago came along with me. She was spectacular. Despite all the health scares, there were no physical signs of anything but beauty and strength. The voice was other worldly. We sat awestruck the entire time. She did all the hits and should’ve-been hits. Her stories were both personal and fun.

At one point, she thanked her label Epic for their loyalty and support since the 60′s and asked if anyone from the label was present, to please stand, asking the audience to give them a round of applause. No one stood. No one from Epic bothered to go. It was humilating for her and us. And this was a living legend.

Brilliant move on The KLF’s part getting her to vocal ‘Justified & Ancient’, also known as ‘Stand By The Jams’ in the UK. Rivals The Pet Shop Boys with Dusty Springfield as top collaboration ever.

Listen: People Have The Power / Patti Smith PattiPeople.mp3

There was a time, around RADIO ETHIOPIA, that I stalked The Patti Smith Group. You might say the sum was greater than the parts, but not in any way to diminish Patti’s centricity. They were a perfect band. Just before heading to the UK for a ’77 tour, they came upstate to play two shows in a cathedral on the campus of Hamilton College in Clinton, NY, supposedly to raise money to get to England. We taped both shows. They were mesmerizing. One of the greatest musical exeriences of my life.

God bless Bob Seger. Shortly after returning from said tour, he gave she and her band a chance to open several of his shows, an opportunity to reach people that radio programmers blackballed her from. Unfortunately, Patti fell off the stage during a Florida performance, taking in no doubt her wild abandon, broke her neck, and the intense live energy of the band was never the same. Arista and Clive Davis turned to Bruce Springsteen and Todd Rundgren to help broaden her reach, admirably. Some of those ideas worked, some didn’t. But it is the thought that counts.

When you’re the real deal, you go through ups and downs, yet rise above. That’s the Patti Smith saga. In ’88, she bounced back with ‘People Have The Power’, possibly her strongest song yet. It was edited on 7″ for airplay, but I’ve chosen to post the full length version. It’s a song you just wish would never end.

Listen: I’m Bored / Iggy Pop
IggyPopImBored.mp3

Iggy’s been on more labels than Sparks, and has had more career comebacks than Cher. And just like those two examples, he’s one of the greats. What can I tell you about Iggy Pop except for: if you’ve never seen him live, it is not too late. He’s the real deal, and still can wipe the floor with 99% of the competition. The other 1% he equals.

This single had an important moment. When Ric Ocasek hosted The Midnight Special in the early 80′s, his guests were Suicide and Iggy Pop. Both were way too much for bad rock radio controlled America, but The Cars were huge and Ric had the clout to bring real art to late night viewers. It was one of the songs he performed, and has yet to make it on to you tube.

I never much cared about The Stooges. I’m sorry, forgive me. My initial experience with Iggy Pop was at LA’s Whisky A Go Go, in May ’73. I flew out, all on my own, to see The Pretty Things first ever US show. How crazy is that? I did have a friend to stay with at least. Iggy turned up in a blue mini skirt and white fur jacket – dressed identical to his girlfriend, both sporting bleached yellow hair. It was cool.