Listen: Preachin’ The Blues / Cyril Davies & His R. & B. All StarsCyrilPreachin.mp3

Listen: Sweet Mary /Cyril Davies & His R. & B. All StarsCyrilSweet.mp3

I’m just so happy I own this. I only got it off eBay a few years back, and was rather excited thinking it was the same song I knew from The Gun Club – but it is not. No big deal, it’s a nice one to have still. Like Alexis Korner and John Mayall, Cyril Davies is often credited with helping to establish skiffle into purist blues, the form so many of the soon-to-be historic bands became addicted to. After his Blues Incorporated lineup that included Charlie Watts disbanded, The R. & B. All Stars were formed with many a member from Screaming Lord Sutch & The Savages. They recorded five tracks for Pye’s new ‘R&B’ imprint (basically a logo on the stock sleeve). These are two.

Listen: What’cha Gonna Do / The Ikettes Ikettes.mp3

May 24, 2009: one year since the launch of and first ever post on SO MANY RECORDS, SO LITTLE TIME.

What better way to celebrate the occasion than:

1) Improve the blog by creating expansion abilities to include new features over the next few months. And to achieve that, we’re moving to our own .com (bookmark this new address please):

SOMANYRECORDSSOLITTLETIME.COM

2) Re-post that original entry from May 24, 2008. The Ikettes / What’cha Gonna Do (music above/text below)

3) Take a week off. Never one to sit still, I’m going to Europe with Matt & Kim – and also acquiring one sick ass 45 collection in London – lots of amazing new records to write about as a result. My dear friend, and ska/reggae expert/addict Duane Sherwood will be filling in for the next week or so. Watch for his first post tomorrow!!!!

ORIGINAL POST FROM MAY 24, 2008:

The Ikettes only Phi-Dan release came out in early ’66. This was around the time of Phil Spector’s involvement with Ike & Tina, not just producing, but also including them on his Big TNT Show, filmed in November of ’65. The lineup on this record, courtesy of the fantastic booklet from Ace Records recent Ikettes anthology, CAN’T SIT DOWN….’COS IT FEELS SO GOOD, was PP Arnold on lead vocals, with Tina, Brenda Holloway and her sister Patrice on backgrounds. I’m launching this blog with The Ikettes simply because it’s a record I’m currently nuts about. Actually, right now, I’m in a serious Ikettes phase, fueled by the aforementioned CD. I was in London last week with Matt & Kim, and staying with Roger Armstrong, a great friend who founded and owns Ace. It was one of the discs he gave me, and I just poured over the booklet on the entire flight back home to New York. The CD is a must. And also try finding this single (the CD only draws from their releases on Modern Records). As you can hear, it’ll be worth the search. I picked it up off eBay a few months back having had no idea it existed. $65 later, it’s one of those great moments when you realize there’s always something else that needs to be added to the collection.

Listen: Quicksilver Girl / The Steve Miller Band SteveMillerQuicksilverGirl.mp3

Listen: Don't Let Nobody Turn You Around / The Steve Miller Band SteveMillerDontLetNobodyTurnYouAround.mp3

Listen: Going To The Country / The Steve Miller Band SteveMillerGoingToTheCountry.mp3

They keep coming to me: west coast bands that were guilty pleasures.

Let’s see, there’s Spirit, Mother Earth, Country Joe & The Fish and also The Steve Miller Band. Even the progressive bands tried making commercial singles at the start. Maybe it was record label pressure, maybe not. But they did it. No question, Steve Miller had a knack for hooks. Even later singles, like ‘The Joker’ and ‘Take The Money And Run’ were each like a three minute oasis on Top 40. The above earlier ones never got AM play, but the underground FM’s gave them exposure. Perhaps the role of the 7″ then was to focus the DJ’s on the more pop leaning songs. Seems likely. ‘Don’t Let Nobody Turn You Around’ has a guitar line that replicates the vocal line identically. Canned Heat, and a lot of the ‘blues’ bands did this. You just don’t hear that anymore – which is probably for the better. ‘Going To The Country’ was typical lyrical stuff in the late 60′s. Oh dear me, the city is just too much – let’s get out into nature and, uh, be free. Fair enough, it made for something to sing about. Again, guilty pleasure.