Listen: Dr. Love Power / Ann Peebles
Dr.

Some things are clearly questionable.

For instance, the fact that Ann Peebles endless line of superb Hi Records singles got less and less airplay through the mid 70′s and as a result, registered only on the RnB charts, never peaking higher than the mid-50′s. After ‘Come To Mama’ in ’75 (#62 RnB), it’s followup, ‘Dr. Love Power’ didn’t even register at all.

Should not this be grounds for incarceration of the radio programmers?

Instead, another out of jail free card was printed. Only in America, land of opportunity….if you’re a radio music director on the take that is. Or a promotion head, written into an artist’s royalty stream. Who cares if music culture is short changed?

This Willie Mitchell produced ‘Dr. Love Power’ sure does sound like a cheated masterpiece to me.

Now there’s a guy who must have had many a sleepless night. Recording, producing and releasing one fantastic single after the next, yet seeing little justice or return, bar the occasional solo record or Ann Pebbles or Otis Clay release. Hopefully, Al Green made it all a bit tolerable.

Listen: Pillow Talk / Sylvia SylviaPillow.mp3

Sylvia Robinson, owner and creative force behind Sugarhill Records, where rap began according to many. Makes sense she’d be the Lil Kim of her day. Every track was sexually provaocative. ‘You Sure Love To Ball’ (now there’s a long lost term: ball), ‘Had Any Lately’, ‘He Don’t Ever Lose His Groove’ and not forgetting this one, ‘Pillow Talk’, the hit (#3 Pop / #1 RnB). Word is she’d originally written ‘Pillow Talk’ for Al Green, who apparently turned it down for being too risqué, and against his religion.

I wish I could scan the PILLOW TALK album sleeve, it’s almost as good as James Gilstrap’s LOVE TALK for bad photography and complete lack of visual appeal – making both essential art. Google them.

An early example of prototypical disco, the vocals are replete with moaning and heavy breathing, predating Donna Summer’s orgasmic inflections on ‘Love To Love You Baby’. Although the album version of ‘Pillow Talk’ runs about a minute longer, fear not – the simulated climax is included on the 7′ ending as well. Even so, this was all over pop radio in spring ’73 – believe it. I was insatiable for it. By summer it had reached the UK, so I got to hear it constantly all over again.