Listen: Sleepin’ With The TV On / The Dictators
DictatorsSleepin.mp3

A bit of a baffling one here. Got to know Andy Shernoff, who wrote this, quite well via Joey Ramone. They were close friends way before I knew either, having played shows together in the early CBGB’s days. Logically, and given the small world we live in, Andy’s close to Monte Melnick, Mickey Leigh and Lindsay Hutton as well. So the fit was natural. But most importantly, he’s a super guy with never a bad word to say about anyone.

And his lifelong bandmate, Dick Manitoba, well same story. A real testament to strength, business sense and flawless musical instinct. Even though we all socialized often for the past twenty years, it wasn’t until tonight did I realize I’d not heard ‘Sleepin’ With The TV On’ for almost as long. How could this be?

Simple, it’s an overlooked, not true to the purists, representation of The Dictators’ harder sound. Instead, I suppose it was power pop, not a genre that brings out my loyalty either.But having caught Manitoba’s Sirius radio show earlier tonight in my new satellite equipped car, it suddenly dawned on me that the first thing I needed to revisit upon arriving home was this single. Which I just did.

True to memory, ‘Sleepin’ With The TV On’, by song’s end and as a result of Andy’s picture perfect chorus, is something else. Now I recall why I loved it so during it’s time of release. Still, the record is an anomaly when it comes to the band’s signature sound, and to quote Little Steven, they were “the connective tissue between the eras of The MC5, Stooges, The New York Dolls, and the punk explosion of the mid to late 1970s”. What’s to disagree about?

They were that and the originators of this classic singalong.

Listen: Rock And Roll Love Letter / Tim Moore
Rock

Real short. And real, real, real simple. This is a genius, and hideously overlooked anthem. Tim Moore wrote a song that is criminally under appreciated, and here it is.

Oh, he’s also a lovely soul.

Listen: Big Yellow Taxi / Joni Mitchell JoniBigYellowTaxi.mp3

When it came to folk, I stuck to the UK stuff. Even then, it was never high on my list. I did have a mad patch for Fairport Convention, especially around the time of FULL HOUSE and ANGEL DELIGHT. Plus there were moments when Lindisfarne or The Incredible String Band topped the list. As for the North American stuff, not so much. Songs here or there.

Warner Brothers started doing these double album samplers for $2 (including postage) around 1968, showcasing the spectrum of their varied roster. They had most of the good progressive acts, and one of the four sides was always skewed toward folk, including the likes of Pearls Before Swine, Tom Northcott, The Pentangle or Joni Mitchell. Often the songs were album tracks, but on this one occasion, ‘Big Yellow Taxi’ ended up a single. Despite my ambivalence toward female singer/songwriter voices in general (Joan Armatrading and Phranc excluded), I developed an unlikely attraction for Joni Mitchell’s. Her forays into other musical styles worked fine, better even, in my book.

Listen: Raised On Robbery / Joni Mitchell JoniRaisedOnRobbery.mp3

COURT AND SPARK was one of those albums that everyone loved. Like Carole King’s TAPESTRY, it was hard to find a non-believer. As a career step, she took that big one forward, proving her future would be long and respected. The album may be flawless.

‘Raised On Robbery’ got a lot of album rock play, but not much Top 40. Perfect. It proved her depth at a time when full length sales meant way more than the single. It was almost jazzy, who knew then it’s dixieland leanings would play out down the road as she took on Charles Mingus?

Listen: Help Me / Joni Mitchell JoniMitchellHelpMe.mp3

COURT AND SPARK gained such traction, and sold so well, there was no choice but for Top 40 to play the next single. ‘Help Me’ always sounded good over the air. I don’t believe I switched it off once. Deservedly, it climbed to #7 and became a staple for years.

Listen: Free Man In Paris / Joni Mitchell JoniParis.mp3

One night in the late 60′s both Joni Mitchell and Judy Collins played shows in Syracuse – at different venues. What were the promoters thinking? ‘Both Sides Now’, written by Joni and then a hit for Judy, lured me to attend the latter’s. I would say “mistake’, but to be fair, Judy Collins was great that night, mentioning her good friend was across town and thanking her for the hit.