Listen: One And One (Featuring Maria Nayler) / Robert Miles
One And One (Featuring Maria Nayler) / Robert Miles

From the onset, 12″ dance singles triggered an initially slow, then ever increasing decline in demand for 7′s, as pretty much every other genre gained release on the album sized format too. At it’s peak, club music was almost never issued on a traditional 7″ pressing. The resilience of the mighty 7″ record won out in the end, with 12′s waning drastically at present, and the trusty 45 single having weathered a terrible storm yet healthy once again.

Instinctively, I never passed up a promotional, or retail for that matter, 7″ during the 80′s and especially the 90′s, particularly dance and electronic singles.

Almost in fear of insulting tradition, there were a decent handful of limited run, radio/dj 7′s pressed in the UK by the majors. Sometimes friends at the actual labels would have very hard times finding a copy, but the pest in me never let up. This Robert Miles single being an example. I noticed one propped against the board in the on-air studio at BBC London one day when visiting Jim Lahat. I wanted to steal it, but knew better. Good karma paid off, ended up with a copy only a few days later, unplayed. They were long days, by the way.

Released October 28, 1996, there’s a sticker on the back cover, ‘One And One’ became a serious favorite, and I mean a true serious favorite. A stunning example of how, when you think it can get no better, a key change, here at the 2:57 mark, happily proves you wrong. This record sounded great everywhere, on early morning BBC breakfast shows and at night’s end in clubs. I heard it in both places, so I can vouch. When this shuffles up on my ipod, the repeat command immediately gets triggered.

Now here’s a forgotten treasure some up and coming major label chanteuse should give a go to.

Listen: Free Me / Cast
Free

I hadn’t realized Cast scored eight UK Top Ten’s between ’96 – ’99, and more chart success into ’01. I always thought this to be a pretty under appreciated record, but indeed it reached #7. Very good. Well deserved.

I suppose it’s a bit too early in their curve to hear the press singing praises just yet, but then again I don’t read most of it, well any of it to be precise, so they might be. Except RECORD COLLECTOR and MOJO, but haven’t spotted a Cast mention in ages. John Power was the guitarist for The La’s, and it’s all politically correct to like them so…

I’ve been very lucky, ever since Howard gave me that Elektra job, I’ve gotten to visit the UK many, many times. Always liked hearing Cast on the radio there, it just was a natural soundtrack. But I’ll never forget when this came on one morning. You know those moments when a song is an everlasting imprint of a time and place on the brain? I remember that moment, right down to the weather, what I’d just eaten for breakfast and the hotel room I was in while listening to Radio 1′s Breakfast Show, readying myself for work. It sounded modern and perfectly ’60′s at the same time. I had to have the record that day. I immediately called my pal, Jim Lahat, at BBC London and asked if he had a copy. Bless him, he always made sure I got everything, still does. He said, don’t worry, it’s in your pile, adding ‘why do you want it anyways?’. He’s a riot like that. We were seeing each other later at our usual haunt, EAT & 2 VEG, which, by the way, a is killer vegetarian joint just down Marylebone High Street from his office. And Jim outdid himself, getting his Polydor guy to bike over one of the promo-only vinyl pressings they’d done as a surprise. Jim has a heart of gold this way, always doing generous things for friends.

So ‘Free Me’ has great memories attached to it. Despite endless plays, I still can’t put my finger on exactly who this reminds me of, let’s say The Who and The Creation for sure. Anyways, it’s a classic.