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	<title>SO MANY RECORDS, SO LITTLE TIME &#187; Ollie Halsall</title>
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	<description>THIS BLOG IS ABOUT  7&#34;  RECORDS ONLY. YOU CAN NEVER HAVE TOO MANY. EVERY SONG IS CONVERTED TO MP3 FROM MY PERSONAL 45 COLLECTION, AND THERE&#039;S NOT ONE THAT I WOULDN&#039;T RECOMMEND YOU SEEKING OUT. ANY COPYRIGHT HOLDERS WHO DON&#039;T WANT THEIR MUSIC HEARD HERE JUST LET ME KNOW, AND DOWN IT WILL COME. CLICK ON ANY IMAGE TO ENLARGE.</description>
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		<title>Patto</title>
		<link>http://www.somanyrecordssolittletime.com/?p=7422</link>
		<comments>http://www.somanyrecordssolittletime.com/?p=7422#comments</comments>
		<pubDate>Fri, 23 Mar 2012 04:01:30 +0000</pubDate>
		<dc:creator>SO MANY RECORDS, SO LITTLE TIME</dc:creator>
				<category><![CDATA[Island]]></category>
		<category><![CDATA[Joe Cocker & The Grease Band]]></category>
		<category><![CDATA[Mark - Almond]]></category>
		<category><![CDATA[Mike Patto]]></category>
		<category><![CDATA[Muff Winwood]]></category>
		<category><![CDATA[Ollie Halsall]]></category>
		<category><![CDATA[Patto]]></category>
		<category><![CDATA[Timebox]]></category>

		<guid isPermaLink="false">http://www.somanyrecordssolittletime.com/?p=7422</guid>
		<description><![CDATA[Listen: Mummy / Patto It&#8217;s not my ordinary form to write up a B side ahead of the A side, but in this case&#8230;. &#8216;Mummy&#8217; is clearly meant as a tasteless joke, and not really representative of Patto&#8217;s diverse musicality but it is a riot. It&#8217;s so sick, so twisted, I couldn&#8217;t help but love [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.somanyrecordssolittletime.com/wp-content/uploads/2010/07/PattoMummy.jpg" rel="lightbox[7422]"><img src="http://www.somanyrecordssolittletime.com/wp-content/uploads/2010/07/PattoMummy-300x292.jpg" alt="" title="PattoMummy, Patto, Mike Patto, Muff Winwood, Island, Ollie Halsall" width="300" height="292" class="aligncenter size-medium wp-image-7424" /></a></p>
<p>Listen:  Mummy / Patto<br />
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<p>It&#8217;s not my ordinary form to write up a B side ahead of the A side, but in this case&#8230;.  </p>
<p>&#8216;Mummy&#8217; is clearly meant as a tasteless joke, and not really representative of Patto&#8217;s diverse musicality but it is a riot. It&#8217;s so sick, so twisted, I couldn&#8217;t help but love the record from first play. I would spin it on my college station constantly and always got nasty calls from mommy&#8217;s boys, pining for a home cooked meal and a hug.</p>
<p>When it comes to &#8216;Mummy&#8217;, I felt the same then as I do now. If you don&#8217;t completely love this, fine. But indeed if that&#8217;s the case, please do leave this blog now and never return. You are not wanted here.</p>
<p><a href="http://www.somanyrecordssolittletime.com/wp-content/uploads/2010/07/PattoBlues.jpg" rel="lightbox[7422]"><img src="http://www.somanyrecordssolittletime.com/wp-content/uploads/2010/07/PattoBlues-300x292.jpg" alt="" title="PattoBlues, Patto, Mike Patto, Muff Winwood, Island, Ollie Halsall" width="300" height="292" class="aligncenter size-medium wp-image-7423" /></a></p>
<p>Listen: Singing The Blues On Reds / Patto<br />
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<p>Still reading? Good. Hopefully all the riff raff are gone.</p>
<p>&#8216;Singing The Blues On Reds&#8217; is much closer to the typical Patto groove, although a bit more straight blues rock than usual. I would guess it to be intentional on the band&#8217;s part, given the subject matter: tongue in cheek overview of white, drugged up rock band singing blues numbers on tour.  Edited down from the 4+ minute album version, someone at Island smartly chopped out the last chorus&#8217;s lyric &#8220;screwing in hotel beds&#8221;. (All the other choruses: &#8220;sleeping in hotel beds&#8221;).</p>
<p>Didn&#8217;t matter, US radio wouldn&#8217;t play it anyways. I know you are not surprised. Me neither.</p>
<p>Nonetheless, Patto were brilliant, amazing, whatever the word is, on the American tour with Joe Cocker &#038; The Grease Band / Mark &#8211; Almond, to promote ROLL &#8216;EM, SMOKE &#8216;EM, PUT ANOTHER LINE OUT, from which both sides of this hideously obscure, US only single came.</p>
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