Listen: Liverpool Lou / The Scaffold
Liverpool

Never modeling themselves as a band, but instead three guys basically doing comedy and poetry routines set to music, gave The Scaffold an out of jail free card in the image department. The fairly logical result of Liverpool and British themed material afforded The Scaffold a very local sound, and became pretty appealing to the Anglophile trait some of us had.

It was with great surprise to suddenly be hearing their first big UK hit, ‘Thank U Very Much’ on American Top 40 stations in the spring of ’68, and somehow it did okay. Probably the last very British sounding record, bar possibly The Kinks ‘Come Dancing’, that performed as such.

Fast forward to ’74, Warner Brothers US issues ‘Liverpool Lou’ that summer. Having lost no part of the pub/soccer singalong characteristics common to most Scaffold singles, it was most likely Paul McCartney’s production that promoted such decision, and the fact that Wings were the backup band.

It has often been said, you never win or lose the race until you enter, so why not give a current UK Top 10 single with Wings in the wings a shot here.

I heard it a lot in Discount Records that summer, where I worked, and at home. Beyond that, not an airing in sight.

Listen: Mr. Apollo / The Bonzo Dog Band
Mr. Apollo / The Bonzo Dog Band

The Beatles lifted so much from these guys. Tell me ‘Yellow Submarine’, or lots of SGT PEPPER and MAGICAL MYSTERY TOUR weren’t influenced by the work of The Bonzos, and I’ll know you haven’t bothered to listen to them. It may have been innocent flattery, but I’m not too sure about that. Paul McCartney did produce their hit, ‘I’m The Urban Spaceman’. He may have felt guilty. I do pick on The Beatles when I can, too vaudeville for me and they were quitters but admittedly had many good singles. It’s that Beatles vs Rolling Stones rivalry I can’t quite shake.

Last year, a friend at EMI in London sent me the entire set of Bonzo Dog Band reissues on cd. I still play them a lot, very worth seeking out. As for the 7″ vinyl, ‘Mr Apollo’ was the first to be released after they dropped the Doo Dah from their name. The US was lucky enough to see them at The Fillmore East, opening for Spirit and The Kinks, their first US shows in three or four years after the Musician Union’s ban, we’re talking 1969 and ARTHUR had just been released. This was October 17 & 18 to be exact.