Listen: The Flick (Part I) / Earl Van Dyke & The Soul Brothers
The

Listen: The Flick (Part II) / Earl Van Dyke & The Soul Brothers
The

Of Earl Van Dyke & The Soul Brothers’ six Soul/Motown single releases, ‘The Flick’ is one of the lesser known.

Sounding very much like the casual late night jam at 2648 West Grand Boulevard that it probably was, Motown’s house band, as they were, or The Funk Brothers, as they became known, got to record some instrumentals under the name Earl Van Dyke & The Soul Brothers. These guys really didn’t like the commercial records they were required to make by day, preferring jazz instead. So not surprisingly, these dabbles sound not unlike the Jimmy Smith and Jimmy McGriff soul jazz releases from the period, and make for great jukebox ambience.

Let me tell you, there’s nothing like a late Sunday afternoon spent digging through a few hundred Motown promos. Happened yesterday, so I can attest.

This all started at the Brooklyn Bowl 60′s Music & Memorabilia Show. One dealer displayed a Motown white label, and it set me off. To be honest, I’d been waiting a few years to start filing these, Vicki Wickham’s Motown singles, into my wall shelves. It suddenly felt like that moment had arrived.

Yes, Saint Vicki. This woman has performed many miracles in my world. As if giving me her record collection several years back wasn’t miracle enough, she out of the blue rang a few days before Thanksgiving 2010, announcing another multi-box discovery in storage. About a thousand singles from her READY STEADY GO days, completely forgotten about for decades.

“Might you want them?”

I nearly had to make the trip over to hers in an ambulance.

There they were, several white boxes, all stacked, labelled and waiting for me to collect. Plus perfectly separated out, a Vicki VIP section: two boxes of Oriole/Stateside/Tamla/Motown. All organized chronologically by label, then catalog number.

Now I have tripped out on these many times, even let a few friends have a look through, well Phil and Eric, and that’s about it. Duane wasn’t interested.

Yesterday began the process of folding these into the master collection. Playing many and nearly blacking out a few times.

No drug has ever gotten me this high. Not ever. Not any.

Listen: I Want To Hold Your Hand / The Beatles
I Want To Hold Your Hand / The Beatles

A few weeks from now will mark yet another anniversary of The Beatles’ ED SULLIVAN SHOW debut in ’64 on February 9. Yes, forty eight years have passed since. Forty eight years! Scary, especially if you recall it, like I do. I wasn’t alone, but will readily admit it changed my life, like practically everything about it, despite being a little boy in his single digits. I never thought the same way about what I wanted to do when I grew up after that night, despite endless lectures from school guidance counselors to become a Math teacher, and not peruse a career in the record business. I think some of them may still be employed giving out such insightful advice.

Apparently, that first appearance is now considered a milestone in American pop culture and the official beginning of the British Invasion in music. The broadcast drew an estimated 73 million viewers, at the time a record for US television.

The Beatles performed five songs that evening including their then, newly achieved, first US #1: ‘I Want To Hold Your Hand’. I might be accurate in saying I hadn’t heard this in a good five, maybe ten years. But leave it Little Steven on Sirius, suddenly there it was throbbing out of my dashboard. And it sounded fantastic. I got home and pulled the single right out, still practically untouched in it’s original picture sleeve above from so many years ago.

Not a hardcore Beatles admirer would be understating my self description for sure, but scanning over a singles discography as I did earlier, anyone would be an ignorant fool not to acknowledge their incredible run of endless stellar 45′s. Take a look sometime.

Prior to that US explosion, England was avalanched by Beatlemania during pretty much all of 1963. Having made their first appearance on Britain’s READY STEADY GO! that fall, logically, Vicki Wickham, the program’s talent manager and booker, who became the show’s producer, was serviced all the latest releases from the labels.

Fast forward to Thanksgiving weekend, 2010. Vicki, a dear friend nowadays, rang to say she’s found several thousand 45′s in her Manhattan storage unit, having completely forgotten they existed, and was I interested. Just try to guess how fast I tore over there and I’ll guarantee you it was twice that. Praise be, these were, and still are, the holy grail. I can’t even begin to describe it’s contents and revel in them constantly, filing these gems away ever so slowly. I never want it to end.

So pictured above, from Vicki Wickham’s original collection, not only the actual copy serviced to her at Rediffusion Television’s READY STEADY GO! offices, but one that very conveniently indicates the record’s November 29, 1963 UK release date. It’s also the copy streaming here, yes, the real thing.

Quite probably the same copy that secured them yet another booking on the program. I must ask Vicki to confirm that detail.

Listen: Workout Stevie, Workout / Little Stevie Wonder StevieWorkout.mp3

Saturday November 27, 2010. 5:30pm. Thought I’d be braving Christmas shopping gridlock mayhem but no…it was an easy sail across town and up to the west side building where Vicki Wickham and her doorman stood by, hand cart stacked with 150 count white 7″ boxes all neatly labeled. The top one: A – Ellison. Oh boy. Was it Andy or Lorraine?

I plotzed when the phone rang several weeks back, Vicki down the other end letting me know she’s found “a lot of 45′s in my storage space”. All forgotten about, for years now. Would I come get them?

“They’re mostly RnB or Soul, and from the 60′s. Oh and the labels all have those big red A’s on them that you like so much luv.”

God bless Vicki Wickham. Really, she is a saint. Forever looking out for me – and to think from her READY STEADY GO Redifussion office to my collection. That’s how these records have travelled. I mean, here are the very copies that resulted in so many bookings on the program. The real artifacts. Thank you Vicki.

This collection wasted no time. It opened a door I’d forgotten all about: early Stevie Wonder, before the voice changed, when he was still known as Little Stevie Wonder. “Workout Stevie, Workout’ was his fifth single, and third non-LP. Coming off ‘Fingertips’, which went to #1 pop, this fizzled at #33. Give a listen though, a pretty high position considering how spontaneous and raw the take is. Did this actually get radio play?

As with all his early releases, ‘Workout Stevie Workout’ was a very bluesy RnB, and sounded live, or pretended to be. Theoretically, the Motown sound began here, but these early singles could just as easily have been from New York’s countless imprints, such as Sue Records, or so many labels out of the south.

Listen: Monkey Talk / Little Stevie Wonder StevieMonkeyTalk.mp3

Even better, the B side. I would absolutely vote ‘Monkey Talk’ the winner of the two tracks. Check out his intro, pretty risqué. What a jam, don’t know what else to call this. Been playing it over and over all day.

One of the many great things about collecting records, you’re always finding something new to be insatiable over. But sometimes it can be right under your nose. Yeah, this UK pressing just entered my world, but the US copy has been in my library…since the later part of the 20th century.