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	<title>SO MANY RECORDS, SO LITTLE TIME &#187; Robert Miles</title>
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	<description>THIS BLOG IS ABOUT  7&#34;  RECORDS ONLY. YOU CAN NEVER HAVE TOO MANY. EVERY SONG IS CONVERTED TO MP3 FROM MY PERSONAL 45 COLLECTION, AND THERE&#039;S NOT ONE THAT I WOULDN&#039;T RECOMMEND YOU SEEKING OUT. ANY COPYRIGHT HOLDERS WHO DON&#039;T WANT THEIR MUSIC HEARD HERE JUST LET ME KNOW, AND DOWN IT WILL COME. CLICK ON ANY IMAGE TO ENLARGE.</description>
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		<title>Robert Miles</title>
		<link>http://www.somanyrecordssolittletime.com/?p=10282</link>
		<comments>http://www.somanyrecordssolittletime.com/?p=10282#comments</comments>
		<pubDate>Sat, 16 Feb 2013 05:01:31 +0000</pubDate>
		<dc:creator>SO MANY RECORDS, SO LITTLE TIME</dc:creator>
				<category><![CDATA[BBC]]></category>
		<category><![CDATA[Deconstruction]]></category>
		<category><![CDATA[Jim Lahat]]></category>
		<category><![CDATA[Maria Nayler]]></category>
		<category><![CDATA[Robert Miles]]></category>

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		<description><![CDATA[Listen: One And One (Featuring Maria Nayler) / Robert Miles From the onset, 12&#8243; dance singles triggered an initially slow, then ever increasing decline in demand for 7&#8242;s, as pretty much every other genre gained release on the album sized format too. At it&#8217;s peak, club music was almost never issued on a traditional 7&#8243; [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.somanyrecordssolittletime.com/wp-content/uploads/2011/04/RobertMilesOne.jpg" rel="lightbox[10282]"><img src="http://www.somanyrecordssolittletime.com/wp-content/uploads/2011/04/RobertMilesOne-300x298.jpg" alt="" title="RobertMilesOne, Robert Miles Deconstruction" width="300" height="298" class="aligncenter size-medium wp-image-10283" /></a></p>
<p>Listen: One And One (Featuring Maria Nayler) / Robert Miles<br />
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<p>From the onset, 12&#8243; dance singles triggered an initially slow, then ever increasing decline in demand for 7&#8242;s, as pretty much every other genre gained release on the album sized format too. At it&#8217;s peak, club music was almost never issued on a traditional 7&#8243; pressing. The resilience of the mighty 7&#8243; record won out in the end, with 12&#8242;s waning drastically at present, and the trusty 45 single having weathered a terrible storm yet healthy once again.  </p>
<p>Instinctively, I never passed up a promotional, or retail for that matter, 7&#8243; during the 80&#8242;s and especially the 90&#8242;s, particularly dance and electronic singles. </p>
<p>Almost in fear of insulting tradition, there were a decent handful of limited run, radio/dj 7&#8242;s pressed in the UK by the majors. Sometimes friends at the actual labels would have very hard times finding a copy, but the pest in me never let up. This Robert Miles single being an example. I noticed one propped against the board in the on-air studio at BBC London one day when visiting Jim Lahat. I wanted to steal it, but knew better. Good karma paid off, ended up with a copy only a few days later, unplayed. They were long days, by the way.</p>
<p>Released October 28, 1996, there&#8217;s a sticker on the back cover, &#8216;One And One&#8217; became a serious favorite, and I mean a true serious favorite. A stunning example of how, when you think it can get no better, a key change, here at the 2:57 mark, happily proves you wrong. This record sounded great everywhere, on early morning BBC breakfast shows and at night&#8217;s end in clubs. I heard it in both places, so I can vouch. When this shuffles up on my ipod, the repeat command immediately gets triggered.</p>
<p>Now here&#8217;s a forgotten treasure some up and coming major label chanteuse should give a go to.</p>
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