Listen: The Prettiest Star / David Bowie
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Although re-recorded for the ALADDIN SANE album in Fall ’72, this original mono version of ‘The Prettiest Star’ came from sessions at London’s Trident Studios during January ’70 when, with his then backup band Junior’s Eyes and Marc Bolan as guest guitarist, the intent was to followup David Bowie’s first hit, ‘Space Odditiy’.

To his credit, he never gave up trying for that initial success, which took five years in the making, from “Liza Jane’ in ’64 through various attempts with Parlophone, Deram and UK Pye/US Warner Brothers. Every door was shut in David Bowie’s face. Read THE PITT REPORT sometime. It’s an eye opener.

So with ‘Space Oddity’, a #5 UK hit in the Fall of ’69, seemingly positioning him for a much smoother career ride, the original plan was to cut a new version of his final Deram submission ‘London Bye Ta Ta’, which that company had rejected as a fourth single, thereby dropping him. The story goes that during those sessions, ‘The Prettiest Star’ was also recorded and became his choice as followup.

Even more fun is the often documented detail of ‘The Prettiest Star’ selling just under 800 copies when current, a desperately shocking result off the back of a Top 10 hit. That number sounds rather exaggerated now, with even total stiffs moving more copies than 800, given loads of singles were sold regularly then.

Decades later, when included on various compilations, it’s the stereo version of ‘The Prettiest Star’ that’s chosen. To my knowledge, this original mono only ever saw the light of day on those initial pressings like the one above and a BEST OF from ’87.

Listen: Dan The Wing / Mellow Candle MellowCandle.mp3

Howard, Chris and I went to see the Ian Dury movie the other day. It was pretty great – the end bit got a touch depressing but the film certainly brought me right back to how absolutely stunning he and The Blockheads were on stage during their moments in the sun. Never realized Chaz Jankel was such a vital part of the band and songwriting until the credits rolled.

We had Indian lunch prior, and as usual, started digging into a whole lotta obscure record trivia. I was always a fan of UK Decca’s various production deals. One such was with Gruggy Woof. The company included both Neil Slaven and David Hitchcock. Slaven’s production’s seemed to lean more towards the bluesy side (Savoy Brown, Miller Anderson, The Keef Hartley Band, Chicken Shack) whereas Hitchcock tipped more progressive (Caravan, Camel, Cured Air, Genesis). By the way, I don’t have a clue where that rather bad name originated from, but I liked most of the records these guys/their production company were involed with.

For the life of me, I couldn’t remember what single I had in my hands literally earlier that very day, with it’s unlikely David Hitchcock production credit. Given that Howard mastered a slew of these during his apprentice years at Trident, we racked our collective brains to no result.

Well tonight I suddenly remembered: Mellow Candle. Their sole album is insanely valuable, and this single is not far behind. Quite why I’m not sure. I always thought ‘Dan The Wing’ was rather watered down Steeleye Span, sonically more in line with what B & C were releasing: folky prog stuff.

Look deeply into the Decca/Deram release history and you will find many an obscure, highly collectable and hence, steeply priced prog rock array of every flavor. I picked this up for pennies in the dj copy heavy outdoor vendor racks at Cheap Cheap on Soho’s Rupert Street during that summer ’73 spent in London. In fact, this copy sat there unsold for literally months until finally having been humiliatingly relegated to the 5p row – I just couldn’t pass up the Deram A label – I mean seriously, 5p?

At first it indeed sounded lightweight and weedy, but I eventually got addicted to it’s weaknesses. They are charmingly innocent, now I play it often.