US Picture Sleeve: Front (above) / Back (below)

Listen: My Ship Is Coming In / The Walker Brothers
My Ship Is Coming In / The Walker Brothers

I will never forget the Friday night I walked into Two Guys Department store with my parents. As usual, I headed straight to the record department while they proceeded to do some weekly shopping. The singles were displayed all along the the tops of the album bins, each in their own metal rack holding about 25 copies. I wish I had photos.

There in brilliant full color, was the above Walker Brothers picture sleeved single, ‘My Ship Is Coming In’, a solid 25 copies freshly unboxed. I could hardly breathe. They looked fantastic in bulk. The sleeve just radiated about one hundred times more intensely than anything else in sight, like a messiah. I still get tingles looking at the cover. It brings me right back. I owned it minutes later.

I could not get home fast enough, freaking out in the dark car, holding this masterpiece but only getting to glimpse at it as we passed under traffic lights and street lamps. God knows how many times I played it that night. It was not guitar based British beat, but instead sounded like music grownups listened too. Yet clearly there was something addictive in it’s air. I decided then and there, I was going to love this record. That was that. I did then and I still do.

Years later Scott Walker would reveal that while all his contemporaries in London were modeling themselves after American blues greats, his attention was focused on becoming the next Eddie Fisher. How genius was this guy?

Listen: The Sun Ain’t Gonna Shine (Anymore) / The Walker Brothers
The Sun Ain't Gonna Shine (Anymore) / The Walker Brothers

The world was not ready for the followup to ‘My Ship Is Coming In’. Mine certainly wasn’t. How could The Walker Brothers possibly up the perfection of that record? Then along comes ‘The Sun Ain’t Gonna Shine (Anymore)’, a flop a few years earlier for Franki Valli. He and The Four Seasons had loads of great records, and he’s no slouch in the vocal department. But Scott Walker he is not, no one is.

I swear, this record can still stop me in my tracks when it comes up on the ipod or BBC’s Radio 2. I heard it on the 60′s Sirius radio channel aboard a JetBlue flight recently. As diverse and truly exciting that the many other songs were, this just grabbed the prize unchallenged.

I saw Matt Pinfield the other day. He had Matt & Kim on his morning WRXP radio show, so I went along. Pinfield is the most kind hearted and passionate music fan, really knows his stuff, loves records. We worked together at Columbia and got connected at the hip. Somehow the subject of ‘The Sun Ain’t Gonna Shine (Anymore)’ came up. Almost in unison, we both blurted out nearly identical sentences.

“This may be the greatest single of all time.”

Deservedly, it spent a month at #1 in the UK. See the three consecutive NME charts below, reprinted from 40 YEARS OF THE NME CHARTS. Despite not one US TV appearance or live show, it did get played here and had a decent chart run, peaking at #13 in BILLBOARD. It should have, at least, gone Top 10 but given the many singles that never ever charted, there’s some contentment in it’s placing.

Listen: 4th Of July / X X4thOfJuly.mp3

If a ’4th Of July’ post on the 4th of July appears overly clever and obvious, I understand. But the clever idea came from local rock station 101.9 WRXP. I was a few blocks from home, fired up the car radio and on it came:

This fucker sounded so good plus I love X so much and thought, any reason to honor them is just fine by me.

Man, was I lucky. Got hired by Howard at Elektra and X were the first band I got to work with. Dream come true? Never even dreamt that one in my wildest, so yeah, pretty amazing.

You couldn’t find a better bunch of people. Not only the band, but every last person involved with them as well.

Bob Krasnow, our chairman, always supported X, loved their music and rightly saw them as the label’s most important political poets.

Getting them on the radio was a very different story. Although the band got some love from the alternative rock team, when it came time to take them to the next level, more mainstream exposure and opportunity, the brakes were always applied by Dave Urso, your typical old school 80′ sleaze ball promotion head. Yes, he pretty much put a lid on their career, sort of. X still play to bigger crowds than ever and he……..uh…….

Funny thing, it was the first, but not the last time I witnessed the head of promotion actually run the company, despite the chairman thinking he was the guy in charge. You see, the way it worked was as follows: the chairman would need to decide where to put the financial investment to pay off radio for play and would get that ultimate guidance from the top radio guy. So you tell me, who’s driving that plane?

Now, of course, the public has a much stronger voice. A local station doesn’t want to play a song, no problem. Their audience flocks to myspace and hears what they want. Gone are the days when the traditional gatekeeper is in charge. How fun.

It may only be once a year, but at least X get one play. If Bruce Springsteen had written and/or recorded this classic instead of Dave Alvin, it would’ve been a monster.

Never say never I like to think. Who has the publishing on this? Maybe they need to get off their ass, find it a placement, try to keep their job.