Kraftwerk

Listen: The Robots (Edited Version) / Kraftwerk
The

A virtue worthy of living by: the holiday is all about giving, and showing the ones you love that you love them. In keeping with that holiday spirit, I’m giving more than usual. Two A sides. They were separately released in the UK as consecutive singles: ‘The Robots’ then ‘Neon Lights’. But in the US, coupled as and A and B. Although in reality, 2 A’s.

Despite ‘The Robots’ reaching #20 in the UK pop charts, of course in the US, it got no airplay. Hey, here’s an act that still isn’t even considered for the Rock And Roll Hall Of Fame. Are you a member of that deciding committee? I hope so. Because that means you are reading this and I’m able to tell you: you’re a fucking idiot and/or a coward.

That’s cool actually. Kraftwerk have been so loudly ignored by that self appointed bunch that they’re spotlighted more for not being in than if they were.

Speaking of those committee bozos, when they learned I owned the original London Records sign, the one that graced the doorway of the label’s 539 East 25th Street offices in New York, they asked me to please donate it to the museum. I really couldn’t part with it. Understand, I still have rocks collected in kindergarden, unable to throw anything away. How could I possibly just give this sign to anyone? Well as a result, I was kicked off the voting panel. How great is that?

‘The Robots’, released in the thick of our addiction to punk, was accepted as part of the family. Everyone I knew worshiped it. Corinne was the singles buyer at a one stop then, and ordered a ton of them, hence the jukebox tab below.

And if you have been lucky enough to see Kraftwerk perform this live, well, nothing more needs said.

Listen: Neon Lights / Kraftwerk
Neon

Equally equal in greatness, ‘Neon Lights’ was possibly more palatable for airplay…so I thought. I worked radio promotion at the time. Although my employer was MCA, I spent most of those meetings with program directors talking about worthy records to be considered, usually on competing labels. During that period, Kraftwerk was both my topic of discussion and usually of battle. Little good it did either the record or yours truly, but to end the post as I started it, with a virtue to live by, it was the thought that counted.

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