Listen: Blackberry Way / The Move
Certainly one of my favorite singles ever, I dare say one of the greatest records ever released. Fact not opinion.
The recent BBC documentary, THE JOY OF THE SINGLE spotlighted ‘Blackberry Way’ as just that for a teenage Holly Johnson, who relived a long walk to and from a nearby record shop, whereby The Monkees’ ‘(Theme From) The Monkees’ wasn’t available. In fact, that track was never issued on a 7″ when current, luckily. The shop clerk talked him into the latest release by The Move instead, a sale amongst many that would have contributed toward the record reaching #1 on the UK charts.
The program was another in a long list of reminders that pulling out a copy of ‘Blackberry Way’ and letting it play on repeat was yet again, a solid hour well spent in my house.
Along with high school pals Denny and Mark, I sent off to England for copies of this pre-release. We wanted it shipped day one. God knows how we’d hear about these records sentenced to teen life in upstate New York, but we did. In fact, our crowd were so into The Move that there was no messing about by this, the release of their sixth single. And one titled ‘Blackberry Way’, heaven help us, we knew it’d be stunning. I can vividly remember opening that cardboard mailer and playing it for the first time. Stunning doesn’t do the song justice.
Years later, employed in Elektra’s A&R department meant a constant search for new signings and a resulting schedule of meetings with everyone from managers, agents, lawyers and occasionally, name UK record producers with their newest projects. Through the years Gus Dudgeon, Don Arden, Jonathan King, Stuart Colman, Malcolm McLaren, Wayne Bickerton, Hugh Padgham or Shel Talmy might book in while passing through New York. On one occasion, I got a call requesting some time for Jimmy Miller.
His visit was not going to be wasted on me. I was only too keen, as was usually the case, to talk about the less travelled topics covered by most fellow A&R reps, in this instance his more obscure British productions, of which The Move was one. Turns out, he was always happy to recount his histories, including a well repeated run down of that period with The Rolling Stones. But my curiosity in The Move brought out a unexpected tale, all presented with the enthusiasm of a kid.
For starters, ‘Blackberry Way’ was the only song he ever recorded with them, and then just sitting in for the band’s usual producer, Denny Cordell. The details were rather simple and verify the often documented flying by the seat of their pants 60′s music industry. Denny and he were co-workers at Straight Ahead Productions, to whom The Move were signed. Denny was double booked on a session with Joe Cocker & The Grease Band and asked Jimmy to cover for him with The Move. These details, to be clear, were laughingly verified by Denny years later.
As a result, the band’s only UK #1 was produced, not by the guy who worked with them on every other track prior, but by his pal in the next office. A jovial recollection actually.
So as Jimmy Miller sat across from me recounting these details for the first time in my office on the 20th floor of the Warner Brothers building, I pulled out the above copy for an autograph, which seriously pleased him to no end.
Tags: Denny Cordell, Don Arden, Gus Dudgeon, Holly Johnson, Hugh Padgham, Jimmy Miller, Joe Cocker & The Grease Band, Jonathan King, Malcolm McLaren, Shel Talmy, Straight Ahead Productions, Stuart Colman, Wayne Bickerton