Mary Wells

MaryWellsBeatMeUSA, Mary Wells, Atco, Motown, Oriole
MaryWellsPunchUK, Mary Wells, Atco, Motown, Oriole

Listen: You Beat Me To The Punch / Mary Wells MaryWellsPunch.mp3

I agree with those who say Mary Wells was the first lady of Motown, well if I turn a blind eye to Brenda Holloway, Kim Weston and Tammi Terrell that is. I guess because she had the biggest pop crossover hit out of the bunch with ‘My Guy’ sort of justifies it. Whatever, she had the voice and the presence. There are some fantastic shots of her on various UK album sleeves, and that blond hair dye job turned brassy orange – I just love it.

No question, she and Smokey Robinson were a perfect match and gave her the biggest successes. Same with The Marvelettes. It’s just something about his productions, maybe it’s the drum sound or use of vibes combined with handclaps. Some magic recipe was definitely at work, I never could put my finger on it though.

MaryWellsTwoUSA, Mary Wells, Atco, Motown, Oriole
MaryWellsTwoUKA, Mary Wells, Atco, Motown, Oriole

Listen: Two Lovers / Mary Wells MaryWellsTwoLovers.mp3

Then there’s the lyrical twist, most prevalent on ‘Two Lovers’. It doesn’t get much more clever than this. What happens at the end of this song again, how does the two lovers thing play out? I forget every time.

It’s a drag about the royalty issue that drove Mary Wells from Motown. Once burned, it’s sometimes hard for certain folks to move beyond it – by all counts, that summed up her attitude toward Berry Gordy. And so the downward spiral began.

MaryWellsDearLover, Mary Wells, Atco, Carl Davis
MaryWellsDearLoverUKA, Mary Wells, Atco, Motown, Oriole

Listen: Dear Lover / Mary Wells MaryWellsDearLover.mp3

The fact that ‘Dear Lover’ was substandard compared to any of the Smokey songs, in a way, became the appeal. I do love a struggle to polish up something fairly mediocre in the world of singles and follow-ups. I find it rather interesting, the way all parties involved go through the motions, hoping no one else will notice that it’s actually not very good.

In the case of ‘Dear Lover’, seems producer Carl Davis basically tried copying the Motown sound – unsuccessfully. Is that a description of Northern Soul or what? Exactly the whole point of the genre, making substandard copy attempts glorious in their own way.

Probably the most Northern of any Mary Wells track, it’s absolutely become a favorite.

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