Bobby Womack / The J. Geils Band

JGeilsLookinUKA

Listen: Looking For A Love / The J. Geils Band JGeilsLooking.mp3

I used to pretty much ignore The J. Geils Band during this period, well always if the truth be told. They were a six piece, one too many in my imaginary rule book, and man did they look bad. Endlessly touring, always playing upstate New York, mostly with some up and coming UK band as support. So, I’d go to the show, but usually found my way backstage to talk with said English group, stalking them for obscure info and details while they boogied through their headline set. It was way more exciting to stand in a crowded dressing room talking to Steve Marriott or Phil May than listen to The J. Geils Band’s blues jams.

Now I wish I could have found a way to do both. Eddie & The Hot Rods were big fans, and I started to appreciate them in hindsight. Barrie Masters constantly pestered everyone about them. So now, I can listen and appreciate them a lot more. Please accept my apologies guys, but you did need a visual make over I’m afraid.

BobbyWomackLookinUSA, Bobby Womack, The J. Geils Band, United Artists, Atlantic

BobbyWomackLookin, Bobby Womack, The J. Geils Band, United Artists, Atlantic

Listen: Lookin’ For A Love / Bobby Womack BobbyWomackLookin.mp3

Bobby Womack, on the other hand, was always a favorite. Funny enough, the English group fan in me had a lot to do with that as well. I was very friendly with Rich Fazekas from United Artists’ LA office in the early 70′s, when they had two distinct sounds to their roster: one a bunch of UK bands like The Move, Hawkwind, Brinsley Schwarz and Family; then the other RnB via Ike & Tina Turner, Monk Higgins, Marlena Shaw, Donald Byrd and Bobby Womack.

It was Roger Chapman who cornered me at the label’s LA location on Sunset, giving a stern lecture about both Bill Withers and Bobby Womack. He took me into Marty Cerf’s office and forced several new tracks from Bobby Womack’s then current COMMUNICATION album on me, at the same time recounting he and Family’s first exposure to Bill Wither’s ‘Ain’t No Sunshine’. It was on the car radio somewhere between Houston and Dallas, and they would literally pull over every time it came on, drooling as it played. Being a Family freak, I hung on his every word of advice, hence my initial Bobby Womack crash course and eventual worship.

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