Archive for the ‘Tyrannosaurus Rex’ Category

Tir Na Nog

Sunday, March 29th, 2015

tirnanogstronguk, Tir Na Nog, Chrysalis, Matthew Fisher, John Martyn, Nick Drake

Listen: Strong In The Sun / Tir Na Nog
Strong In The Sun / Tir Na Nog

I was desperate to see Tir Na Nog when they toured the US in ’72. It never happened.

Although being the college concert chairman at the time, having pushed through Rory Gallagher, Chicken Shack, Savoy Brown, Colosseum, Atomic Rooster, The Electric Light Orchestra, The Pretty Things and The Incredible String Band against everyone’s “who the fuck are these people” stances in one school year mind you, it didn’t really allow me any more puts. By then, the budget was spent anyways. Otherwise, they’d have been there.

Tir Na Nog’s second and third albums were released in the States, and I particularly loved that third one, STRONG IN THE SUN. It was, well still is, a seminal recording, right up there with the best from Tyrannosaurus Rex, John Martyn and Nick Drake. Indeed the album includes a cover of his ‘Free Ride’, itself worthy of 7″ status. Tracks like ‘Cinema’ rivaled some of Pink Floyd’s tracks from MEDDLE for being…cinematic, funny enough. If you’d told me Norman Smith, Denny Cordell or Peter Asher had produced some of this stuff, I’d have believed you. The album is that good.

Indeed, Matthew Fisher from Procol Harum was in charge of production, and as with similar duties on Robin Trower’s BRIDGE OF SIGHS, did an A+ job.

When I up and headed for London during summer ’73, I took a night off from The Marquee to see them play a small, sit-down-cross-legged room, God knows the name of it now. But the show remains a vivid memory.

There was a time, around ’85, and Howard Thompson was looking at cover songs for 10000 Maniacs. I guess as a potential single, possibly a one-off film submission or something. I recommended ‘Strong In The Sun’. I thought Natalie Merchant would have done it some beautiful justice and Tir Na Nog could have gotten some well deserved recognition. Didn’t happen. ‘Peace Train’ was chosen instead, against the band’s wishes. Years later, turns out Natalie insisted it be removed from that album. Elektra complied..

There has to be someone out there in need of a great song to revive their sagging career: Nelly Furtado, Jewel, Anna Nalick, Five For Fighting, Vanessa Carlton, Paula Cole or wait, Natalie Merchant.

Tyrannosaurus Rex

Thursday, November 10th, 2011

Listen: Debora / Tyrannosaurus Rex

Never will I forget the sight of this first US single by Tyrannosaurus Rex. Their name was so foreign at the time, completely intimidating to all, particularly US programers. Yes, they were full of reasons back then to keep adventurous music off the airwaves too. Add to that the band’s warlock folk, as one reviewer called it. He couldn’t have conjured up a more tempting challenge.

A&M never did release either their first nor second album in the US when current, just this lone 7″, ‘Debora’.

The Los Angeles label had a deal with Regal Zonophone out of the UK, or maybe it was directly with Denny Cordell’s and Tony Secunda’s production company, Tarantula. Basically, the arrangement covered US representation for their UK artists: Procol Harum, Joe Cocker & The Grease Band, The Move and Tyrannosaurus Rex.

The latter two benefiting only from singles being issued in the US, and in the case of Tyrannosaurus Rex, just this one. WOUR were only too glad to have me cart their copy out of the building. That bunch literally had no clue. Bless their studipity.

Listen: Ride A White Swan / Tyrannosaurus Rex

What seemed like a generation later actually was one short year. Their third and fourth albums, UNICORN (’69) and A BEARD OF STARS (’70) were near perfect, still as exhilarating today as then. By this time, Bob Krasnow had picked up the band for his Blue Thumb label. He released both albums in quick succession plus ‘Ride A White Swan’ almost immediately after A BEARD OF STARS.

Although still using the full Tyrannosaurus Rex moniker in the US, Marc Bolan and Steve Peregrin-Took had officially shortened their name to T. Rex elsewhere, coinciding with their full on electric and pop path, not unlike Bob Dylan’s gear shift with BLONDE ON BLONDE, bar a name change to B. Dylan.

Almost simultaneously, Bob, as in Krasnow, joined Warner Brothers Records’ A&R department, bringing T. Rex with him. The rest is history.