Listen: Julia Dream (Mono) / Pink Floyd
Here’s how I remember it, and believe me, this is accurate.
Pink Floyd, or The Pink Floyd as they were initially known, took several years to get noticed by many in the US other than hardcore Anglophiles. Their first two American singles, ‘Arnold Layne’ and ‘See Emily Play’, were impossible to find at retail. In fact, the only stock copy of ‘Arnold Layne’ I’ve ever seen is the one I own, a special order via Smith’s Records in Oneida, NY. ‘See Emily Play’…I’ve seen three stock copies. Mrs. Smith managed to get me this also, plus two others for the shop. I believe these qualify as a few miracles on Phelps Street, where her store was located.
Their debut full length, PIPER AT THE GATES OF DAWN sold a bit, but the followup, A SAUCERFUL OF SECRETS, never charted, never got played, hardly got distributed. The album was so good, in ways my all time favorite by Pink Floyd. How could this have happened? Not forgetting, they lost Syd Barrett around this period as well. Most bands wouldn’t have recovered.
Now to the point. If getting the aforementioned singles when current sounded, and certainly were, a challenge, imagine the next few.
US only single, ‘The Gnome’, invented the process of sinking without trace. In some ways, it’s the least common. In some ways.
By their fourth, ‘Apples And Oranges’, the 45′s weren’t even charting in the UK. Despite a second appearance on AMERICAN BANDSTAND miming it pitifully, or maybe because of, nobody cared. Not true for this little kid at 334 Roberts Street. I was hyperventilating at the mere mention of it, and found a promo copy amongst a small pile of giveaways reserved for the dance competition winner at the Purple Haze club in Canastota, NY during a WNDR record hop. Basically, I stole it. Seriously, just shop lifted it into my winter jacket. I had no other choice.
By the time of fifth single, ‘It Would Be So Nice’ / ‘Julia Dream’, panic had enveloped. The struggle for US Pink Floyd singles was worsening exponentially. How was I ever to get this one? It had become completely pointless to put in special orders. By now, Tower’s parent company, Capitol, were useless filling my local’s requests for their product. All those little shops bought from the one stops anyway, and if the distributor didn’t agree to order at least a box lot, they weren’t getting the record. As a result, there’d be no way for the mom and pops to get these obscure releases. Radio were typically dismissive of Pink Floyd despite having re-written history on the subject since, and unfortunately my one open source, WMCR (the story of their donations to my record collecting causes are chronicled elsewhere on the blog) didn’t get Capitol service.
Around this time, the bell in my head to call home offices of record companies requesting copies for airplay suddenly chimed off. Problem wasn’t a receiving address, WMCR were cool about that. But the Music Director hated me by this time, complaining constantly about the scrounging. I mean, I was really obsessed and even I became uncomfortable with myself. Enter the station owner, Mrs. Warner, who was forever kind. Not only did she put in the call, she was generous enough to give me my own little inbox on the mail slot rack.
Whoever worked at Tower Records in Los Angeles must have been looking to clear out the cupboards. The resulting package included releases by The Chocolate Watch Band, The Standells, The E Types, Eternity’s Children and some disposable country singles. As a whole, a serious high, but nothing topped ‘Julia Dream’, in mono.
Now knowing how history unfolded meant there was one more Tower single to come: “Let There Be More Light’ / ‘Remember A Day’. I’m leaving that accomplishment for another post.