Archive for the ‘? & The Mysterians’ Category

Ben E. King

Tuesday, December 27th, 2011

Listen: What Is Soul? / Ben E. King
What

Bob Gallo’s name, like Ben E. King’s, always draws me in. The two have written together for decades. As well, Bob has produced a bulk of recordings, not only for Ben E. King, but also Atlantic Records, including The Young Rascals’ ‘Groovin’. This guy has basically worked on every kind of music from James Brown & The Famous Flames’ ‘It’s a Man’s, Man’s, Man’s World’ to ? & The Mysterians’ ’96 Tears’.

‘What Is Soul’ was oddly a non hit at pop when released in ’66. Despite being the B side to ‘They Don’t Give Medals to Yesterday’s Heroes’, ‘What Is Soul’ suddenly got play in Detroit, New York and Washington DC, so Atco repressed it, changing the label copy to indicate ‘What Is Soul’ as the plug side. It’s under performance from RnB radio’s listeners, entering Billboard’s Soul chart for a mere two weeks, and peaking at #38, discouraged the label to attempt spreading the record Top 40. A very pop leaning song structure may have been the culprit to the hardcore, but I still think, what a missed opportunity every time I play it.

Sam The Sham & The Pharaohs

Tuesday, August 11th, 2009

samtheshamjujups, Sam The Sham, Sam The Sham & The Pharoaohs, MGM, Screamin' Jay Hawkins, Dr. John, ? & The Mysterians, The Sir Douglas Quintet, The Mothers Of Invention

Listen: Ju Ju Hand / Sam The Sham & The Pharaohs SamTheShamJuJu.mp3

samtheshamring,samtheshamjujups, Sam The Sham, Sam The Sham & The Pharoaohs, MGM, Screamin' Jay Hawkins, Dr. John, ? & The Mysterians, The Sir Douglas Quintet, The Mothers Of Invention

Listen: Ring Dang Doo / Sam The Sham & The Pharaohs SamTheShamRing.mp3

Throw together the music of Dr. John, The Sir Douglas Quintet and ? & The Mysterians, a bit of The Mothers Of Inventions’s intimidating looks and bang, you end up with Sam The Sham & The Pharaohs. Deservedly, they had some huge hits. You can probably still catch ‘Wooly Bully or ‘Lil Red Riding Hood’ on the oldies stations. But I guarentee you – don’t hold your breath waiting for ‘Ju Ju Hand’ to get played.

Polishing their style as resident house band at the perfectly named Congo Club in Louisiana, the self pressed ‘Wooly Bully’ blew up, selling three million singles in ’65, and was pretty quickly licensed to MGM. Expectations for ‘Ju Ju Hand’, it’s followup, were clearly high. You can always tell when the label would spring for a full color sleeve. Probably a touch too Screamin’ Jay Hawkins, it stalled at #26 and quickly fell back. Oddly, it’s followup, the heavily played ‘Ring Dang Doo’ repeated the process hitting #33.

Then Sam, real name Domingo Samudio, revamped those original Pharoahs, or maybe they quit – whatever – and the remaining releases (still lots of good ones) proceeded with lineups anew.