Archive for the ‘Wayne Fontana’ Category

Millie

Monday, December 9th, 2013

MILLIE AND HER BOYFRIENDS / Mille:

Side 1:

Listen: Never Say Goodbye / Roy & Millie
Never

Listen: We’ll Meet / Roy & Millie
MillieWe_llMeet.mp3

Side 2:

Listen: Since I Met You Baby / Jackie & Millie
Since

Listen: I Don’t Want You / Owen & Millie
I

From age 13, in 1961, Millie, known also as Millie Small, had her first Jamaican #1, ‘We’ll Meet’ a duet with Roy Panton. The two remained together as a singing team, achieving a second #1 with ‘Never Say Goodbye’ before she left for the UK in ’63 and signing to Fontana. Her worldwide smash, ‘My Boy Lollipop’ was just around the bend.

Prior tothatr international breakthrough though, duets in homeland Jamaica were commonplace for her, releasing singles with both Owen Gray and Jackie Edwards, two of which are included on this MILLIE ABD HER BOYFRIENDS EP.

Jacke Edwards followed her lead soon afterward, successfully himself in London, writing hits for The Spencer Davis Group and Wayne Fontana plus recording under his own name as well.

Wayne Fontana / Jackie Edwards

Saturday, March 16th, 2013

Come On Home / Wayne Fontana

Wayne Fontana’s version of ‘Come On Home’ came on the radio during the summer of 1966 and it was an instant favorite.

Sixteen months earlier, he was the apparent leader of the first live band I’d ever seen, Wayne Fontana & The Mindbenders. They opened for Freddie & The Dreamers. And so from my initial baptism into the live music world, I had a tendency to favor the support acts, especially if they were English.

By early ’66, they had split into two. It seemed like an eternity at the time. Both had several hits in the UK, with only The Mindbenders getting any real airplay here with ‘A Groovy Kind Of Love’ and ‘Ashes To Ashes’.

By that summer though, I was over anxious to finally hear a solo record from Wayne Fontana, having scoured the UK singles chart in BILLBOARD as part of my weekly ritual at Smith’s Records each Friday after school and seen one too many by him that had not entered my life.

Alas, ‘Come On Home’ got a few weeks worth of spins locally upon release, but then on the more mainstream leaning Top 40, WNDR, as opposed to the looser and much better WOLF. And yeah, I loved it immediately.

I recall mustering up the guts to shout it out at the London Palladium in April ’01. Along with Dave Berry, he was supporting Dave Dee, Dozy, Beaky, Mick & Tich. Seriously, he was hysterically funny between songs and pretty great vocally as well. He ignored me when it came to my audience request although.

Little did I know at the time, ‘Come On Home’ was written by Jackie Edwards, the same guy who’d composed my early favorites by The Spencer Davis Group: ‘Keep On Running’, ‘Somebody Help Me’ and ‘When I Come Home’.

Years later, I discovered his history in ska, duets with Millie amongst others and several pop singles, many of which I’ve managed to obtain over time.

It was while digging through one of the seemingly endless storage cupboards at Island’s St. Peter’s Square office in London that I unearthed an unplayed promotional pressing of his ‘Come On Home’. I still experience a deja vu hot flash to that moment every time I hold this copy.

Freddy Cannon / Where The Action Is

Thursday, August 20th, 2009

freddycannonaction, Freddy Cannon, Where The Action Is, Dick Clark, American Bandstand

Listen: Where The Action Is / Freddy Cannon FreddyCannonAction.mp3

Let’s face it. The theme song to ABC’s syndicated daily pop show, WHERE THE ACTION IS, titled ‘Action’ by Freddy Cannon, was so good, even The Ramones could have covered it.

I lived for WHERE THE ACTION IS and saw many a great act each day after school. Our local Syracuse affiliate, WSYR-TV, was wishy-washy, and many times pre-empted it with other things. Looking over the complete, chronological list of episodes and guests, I’ve only just discovered missing Pinkerton’s Assorted Colours, The Action and Dave Dee Dozy Beaky Mick & Tich for just that reason. Indeed, I’m a bit crushed having now discovered these atrocities. Scumbags.

But seeing an LA centric act almost daily, given they were basically down the street from the studios, must have been daily bliss. To name a few: The Guillteens, The Ikettes with and without Ike & Tina Turner, The Vejtables, The Leaves, The Seeds, Gary & The Hornets, Love, Dino Desi & Billy, The Buffalo Springfield, Jan & Dean.

Not to mention the RnB stuff: Martha & The Vandellas, Doris Troy, The Royalettes, Mary Wells, Brenda Holloway, The Toys, Maxine Brown, Kim Weston, Carla Thomas, Billy Stewart, Bobby Hebb, Alvin Cash & The Crawlers or Felice Taylor. I still replay The Vibrations doing ‘My Girl Sloopy’ vividly in my memory.

Then there were the black and white segments from England, a real high for we Anglophiles: The Small Faces, Gary Farr & The T-Bones, Them, The Mindbenders, The Zombies, The Moody Blues, The Kinks, Unit 4 + 2, The Who, Wayne Fontana, Marianne Faithfull, The Yardbirds and The Cryin’ Shames.