Archive for the ‘Regal Zonophone’ Category

Fela Ransome-Kuti & Africa ‘70

Tuesday, June 1st, 2010

Listen: Egbe Mi O / Fela Ransome-Kuti & The Africa ‘70

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It took Ginger Baker’s involvement to get a Fela 7″ released. He played on the live show recording from which this single was pulled. Some things never change.

I saw Fela once at the uptown Ritz. It was a loosely groovin’ show – all very enjoyable and comfortably rhythmic. At one point, he told the audience that his people had locked the doors and no one was leaving until he got his money.

Recently Sly Stone pulled the same tired, I’m being ripped off by the promotors routine at Coachella, coming on 5 hours late after torturing the 600 (in a 5000 capacity tent) with an hour long, screeching, fuck you, you’re lucky we’re here soundcheck that dwindled to 300 by the time Sly hit. Very disappointing and I would have thought, embarrassing.

It was old in the 60’s, and is beyond cliched now. As if Coachella singled out Sly Stone, and in the case of Fela, The Ritz did the same to him insinuating the intention was – let’s not pay these guys. It was just stupid.

Made the whole, we get stepped on routine very overplayed and tired.

Having said that, this was a fun single to find and own. I honestly think I have another Fela 7″ somewhere at home, but it’s not in the wall shelf filed properly at this moment – nor is it listed in the RECORD COLLECTORS PRICE GUIDE. Hmmm, a pleasant dream perhaps.

So I decided to post this – it’s clearly an edit but a nice one to have a toe tap to.

Listen: Chop And Quench / Fela Ransome-Kuti & The Africa ‘70

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Maybe more interesting is this B side. I do not have the live full length from which the A side was pulled, but this B side has no applause at the end. Maybe non-LP?

GEORGIE FAME

Wednesday, March 3rd, 2010

Daylight / Georgie Fame

Listen: Daylight / Georgie Fame

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I think this song may qualify as a bit of a guilty pleasure, as it is a touch schmaltzy, although my pal Phil, who has super taste in music, loves it – then again, it was written by Bobby Womack and now a sought after hit on the Northern Soul circuit. Plus Georgie has such a great voice, and the whole idea that he perfected his sound doing all-nighters at the Flamingo Club on Wardour Street in London during the swinging 60’s alongside Chris Farlowe & The Thunderbirds and John Mayall’s Bluesbreakers, is, well, all I really need. Basically he always emulated Mose Allison and conventiently helped invent mod-jazz in the process.

As with some of his early hits like ‘Get Away’, this was produced by the late, great Denny Cordell. When I worked at Island in the early 90’s, Chris Blackwell brought Denny in to oversee A&R. Most everybody got their noses out of joint by his arrival but not me – I mean this was the guy who had produced The Move (He did the whistle sound, fingers to mouth, on ‘I Can Hear The Grass Grow’), and help start Deram and Regal Zonophone, and then Shelter. So we hit it off immediately, and I often think of the many great times (and meals – he was a serious cook) I had with Denny. Plus he introduced me to so many people from the UK, all of whom would stop by to see him when passing through town. I remember when he brought Tony Colton into my office. He was the vocalist for Heads Hands & Feet (who I became an instant fan of when seeing them open for Humble Pie). Tony had also produced a then obscure, now kind of appreciated gem: ON THE BOARDS by Taste. So this was a big deal to me.

Yeah, Denny was a great great pal….he produced this track as part of the 2nd album Georgie made for Island that the company then proceeded not to issue – still! I mean what hasn’t been released at this point? Island was a great place in many ways, but they had a very bad habit of making albums and not releasing them. I know of a few still in the vaults from Marianne Faithfull, and unfortunately countless others from The Smoke to Don Covay.

So this track, ‘Daylight’, and it’s B side, ‘Three Legged Mule’ came out in ‘77 as a 7″ & 12″ single, and has finally been reissued as part of the ISLAND YEARS ‘74 – ‘76 anthology.

The Smoke

Saturday, April 18th, 2009

My Friend Jack (Unreleased Version) / The Smoke

Listen: My Friend Jack (Unreleased Version) / The Smoke

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My Friend Jack / The Smoke

Listen: My Friend Jack / The Smoke

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High In A Room / The Smoke

Listen: High In A Room / The Smoke

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Have Some More Tea / The Smoke

Listen: Have Some More Tea / The Smoke

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Dreams Of Dreams / The Smoke

Listen: Dreams Of Dreams / The Smoke

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Ride Ride Ride (Dick Turpin)/ The Smoke

Listen: Ride Ride Ride (Dick Turpin)/ The Smoke

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Sugar Man/ The Smoke

Listen: Sugar Man/ The Smoke

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A good band that sticks to their sound isn’t necessarily a bad thing. Even when the world evolves, sometimes staying in your little place can be good, as long as you actually had something decent to begin with. Obviously, it’s how I feel about The Smoke. Now I hadn’t discovered them when they were current, I guess they didn’t quite get enough press attention, I missed out until a year or two later. And upon hearing ‘My Friend Jack’, I filed it right up there with The Creation. That guitar effect, in fact, sounded very Eddie Phillips to me. Still, it took ages to find all their singles. The 60’s releases were hard enough, being non sellers. And the 70’s singles, selling even less, were a real challenge. Thank God for the many trips I made to the UK on some label’s dime, because I’d have never found them otherwise.

Years later, I stumbled on some hardcore info – the original version of ‘My Friend Jack’ was recorded and made it’s way to acetates, but not issued due to explicitly drug obvious lyrics. The version that did come out being apparently toned down. On a trip to the UK, Howard returned with just that acetate, one of many gems he’d gotten off his uncle, a former Decca Records UK promotion guy. He just handed it over – a serious ass present. There aren’t many like Howard.

Chris Blackwell’s country house in Theale had an amazing dj equipped/record library in the loft overlooking his recreation room – with pool tables and the works down below. I always made my way straight up there at gatherings for the company. He invited Corinne and I to stay a long weekend, and drove us down from London late one Friday night. An always generous host, we had the run of the place. He said graciously, if I found any doubles in the loft, to help myself. This was a dream come true – and despite being tempted to pocket a few on a first visit – it proves honesty is the best policy, or good things come to those that wait…..whatever. He let me take whatever I wanted. Lo and behold, he had an extra of the one and only Island single by The Smoke. This was ‘89, by which time I’d still never even seen a copy, not to mention in unplayed condition. Worth the wait. Thank you Chris.

Imagine my shock when finding ‘Dreams Of Dreams’ at the Notting Hill Gate Record & Tape Exchange, in it’s Revolution Records company sleeve, which until that moment, I hadn’t realized even existed. I guess the Revolution Records team expected big success for the imprint, thereby manufacturing stock sleeves. Mind you, the single was in the glass encased upstairs high end section but well worth the lofty price (around 75 GBP). Nice one.

By 1971, The Smoke had stubbornly, and wonderfully, not changed their sound much. As with all bands that began in the mid 60’s, they occasionally let their love of Motown show, as on ‘Ride Ride Ride’. Later still, despite the glam audio techniques poured all over ‘Sugar Man’, their one of a kind, signature sound could not be stifled, thankfully.