Archive for the ‘Bob Welch’ Category

Fleetwood Mac

Thursday, August 12th, 2010

Station Man / Fleetwood Mac

Listen: Station Man / Fleetwood Mac FleetwoodStationMan.mp3

Much critical praise is deservedly lavished on the first incarnation of Fleetwood Mac: the Peter Green years. Many a great single came from that span (’67 – ’70). Then there’s the Buckingham/Nicks lineup from ’76 onwards and their astronomical success. Yet it seems little to no attention is ever paid to the middle bit. It’s here where some of my favorite albums by them reside.

Ok, I loved THEN PLAY ON, after which Peter bailed – certainly leaving on a high. The Peter-less followup (literally the same lineup minus one), KILN HOUSE was pretty great too. First of all, the album cover was a beauty, and the abrupt shift away from blues toward the Jeremy Spencer preferred 50′s RnR was a nice change. ‘Station Man’, the B side to ‘Jewel Eyed Judy’, had such a swaggering groove, it really feels like a one take jam – in a good way.

Hypnotized / Fleetwood Mac

Listen: Hypnotized / Fleetwood Mac FleetwoodHypnotized.mp3

By ’73, Bob Welch was established as a member and important songwriter – his haunting vocals and lyrics matched each other, and this band, pretty perfectly. By ’73, he and Christine McVie were the consistent strong song components on MYSTERY TO ME. Very ying and yang but it worked. Like Bob Welch’s ‘Bermuda Traingle’, ‘Hypnotized’ was nicely eerie and luckily for the 7″ junkie, made it to a B side. I love having it on a single.

Heroes Are Hard To Find (Single Version) / Fleetwood Mac

Listen: Heroes Are Hard To Find (Single Version) / Fleetwood Mac FleetwoodHeroes.mp3

The lead track from ’74′s HEROES ARE HARD TO FIND is hard to top. I still listen to it pretty faithfully some 30 years later. I’ve posted the hard to find, mono single version up top.

Paris

Monday, February 15th, 2010

Paris2061USA, Paris, Capitol, Bob Welch, Glenn Cornick, Fleetwood Mac

Listen: Big Towne, 2061 (Mono) / Paris Paris2061.mp3

While going through the library for my previous Mica Paris post, I couldn’t resist also listening to her alphabetical predecessor, Paris, the band.

Baffling how this post Fleetwood Mac, pre solo success Bob Welch era hardly gets a mention. Almost as though his band, Paris, never existed.

Firstly, nowhere near enough credit is afforded to the Fleetwood Mac/Bob Welch chunk of albums. Being just prior to their Stevie Nicks/Lindsey Buckingham skyrocket, it’s sadly dwarfed. As with the Peter Green era just before it, both include must have singles.

I was a serious Glenn Cornick fan, for ages considering him the best bassist out there. From seeing Jethro Tull’s first US show at The Fillmore East, I was in. THIS WAS and STAND UP, have remained big favorites. That band just plummeted downhill once he was replaced by a very stiff someone or other. All of the band’s soul was robbed.

Therefore, with much interest did I approach Paris. BIG TOWNE, 2061, their second album, oddly didn’t register with FM radio, a strange twist given the Fleetwood Mac and Jethro Tull history. Not to mention it’s quality. Seemed Capitol didn’t care, never do I recall much press or visibility. Add bad timing to the equation as this preceded punk by less than a year, so in no time, the sound was passe.

Still, a good single. I forced it on everyone around for ages, which clearly didn’t help the big picture at all.