Archive for the ‘Etta James’ Category

Candi Staton

Saturday, February 27th, 2010

CandiStatonGhettoUSA, Candi Staton, Rick Hall, Fame, Mac Davis

Listen: In The Ghetto / Candi Staton

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Country Soul, as Candi Staton’s sound has been tagged, well I guess somebody had to do it. Thankfully, her great voice lent itself to loads of covers while with Rick Hall’s Fame Records, including ‘Stand By Your Man’ and ‘That’s How Strong My Love Is’. Just after Fame secured distribution through United Artists in ‘71, he and Candi cut this Mac Davis song at the company’s studios on Avalon Avenue in Muscle Shoals, Alabama. A history with some of the greatest voices both Fame and Rick Hall certainly had: Etta James, Clarence Carter, Wilson Pickett, Aretha Franklin.

Mac Davis, now who would have thought he wrote ‘In The Ghetto’. Not me. This version is a nice end piece to Elvis’, a hit some 4 years earlier.

I had a few Candi Staton singles in the collection, but honestly, didn’t realize the power of her voice until hearing the compilation cd, titled simply CANDI STATON that Mat sent me. We’d been sitting in the Spreadeagle Pub in Camden – and I think ‘In The Ghetto’ came on the jukebox or something. Anyways we both basically lit up at the mention of her name, and he offered up his extra copy. Without it, I think I’d still be a little in the dark about her greatness.

Tiny

Wednesday, February 3rd, 2010

Ah! Shucks Baby / Tiny

Listen: Aw! Shucks Baby / Tiny

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Not unlike Big Maybelle, Tiny could belt it out. With only a few minor hits to claim, she came and went in relative obscurity. Despite being signed to King/Federal, and touring with, amongst others, Joe Turner, Bo Diddley, Little Willie John, Etta James and Ray Charles, it seems her star never properly shined. From the sound of this single, she was a powerhouse. Originally released in ‘57 (she was signed from ‘57 – ‘60), King decided on reissuing this, her most successful record in ‘63 which is pressing above.

I was in Washington DC in the early 90’s, returning to New York on a Sunday. Duane and I were there to see a band for Medicine, my label. Next morning, I scoured the yellow pages for a vinyl shop. One small listing was close by and sounded interesting, claiming doo-wop, gospel and blues amongst it’s specialties – so we gave it a go. It was in a pretty run down section of town and to be honest, we were the only two white folks in sight. The elderly man who ran the place, as he had for 30+ years, was behind the counter making small talk with a few women his age, all in their Sunday best, fresh from church. The shop was filled with cd’s and only a small section of 7″ vinyl in a back corner – not at all like he described his stock when I’d called earlier. Even more frustrating, the very vast majority of them were recent reissues – really dreadful. But I did notice a few Chess, Checker and King originals amongst them, all of which I selected and eventually made my way up to the counter with them in hand. Duane too had picked out a bunch. When I asked the price, he looked through them and said ‘They’re usually $4 but I think we should have a half price sale today – seeing as you boys have chosen some really nice stuff here”. We immediately launched into all kinds of questions – from both sides – how did we know about these records from him, and did you ever get to see Inez & Charlie Foxx or Slim Harpo from us. That kind of banter. We were having a great old time. Then he says it’s about time to close (2pm) but if you’d like, I’ll let you into the basement as I have a lot more records down there and you might find a few good ones. We were taking the shuttle home, they flew hourly and therefore in no hurry. Seemed a little odd to close your shop midday and invite the only two customers, clearly from a different part of town, behind the counter then down to the basement. We took the chance.

Oh my God, the place was heaving with boxlots of 45’s. Loads and loads, mostly Chess and King. He came down and started spinning Sonny Boy Williamson and Hank Marr records, so many others too. We were there for hours – high as kites on the buzz. I still ask Duane – what were we thinking? We should have bought them all. I came home with at least 200, all in company sleeves. Tiny’s ‘Aw! Shucks Baby’ was just one of the endless jems.

After all that – he drove us to the airport in his big old, polished, oversized 70’s car. No lie.

King Records Warehouse

Above: A shot of the King Records shipping room. I wonder if any of Tiny’s were being picked and packed?

Eric B. & Rakim

Saturday, June 21st, 2008

Move the Crowd / Eric B. & Rakim

Move the Crowd / Eric B. & Rakim

Move the Crowd / Eric B. & Rakim

Listen: Move The Crowd / Eric B. & Rakim

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

There’s just something about a great old school hip hop track when it’s on 7″ vinyl. Luckily, the format was still pretty prevalent during that era, although the 12″ copy was really the one selling. I’m really appreciative to have all the Eric B. & Rakim stuff on 7’s. In the day, these guys were always hanging around the Island offices on 4th & Broadway, when we were located above Tower Records. It was a pretty fun place, with all the latest releases one floor down, and Keith Richards living in a duplex at the top – it was a real hub-bub of activity. Island seemed to be a place the artists liked to visit, and hang around, sometimes all day. It was not uncommon to have Melissa Etheridge and Etta James talking in the hallway, or one time in my office, Blackwell sat and chatted with Phranc, Marianne Faithfull and Julian Cope (wearing a comfortable, for him, speedo and flip flop ensemble on a very hot August day). I remember thinking: this is the life. Eric B. and definitely Rakim were forever hanging out, and playing records in Kathy Jacobson’s office. Rakim in particular was a sweetheart, polite, humble and really smart. I have played ‘Move The Crowd’ hundreds and hundreds of times. It sounds great in the car, on the headphones, definitely on the jukebox, seriously everywhere.