Posts Tagged ‘Big Maybelle’

Perry & The Harmonics

Thursday, December 25th, 2014

Listen: Do The Monkey With Mr. James / Perry & The Harmonics
Do

If you haven’t heard or heard of Perry & The Harmonics, then get to steppin’. For years, I too slept on this single and the sole album from which it came, INTRIGUE WITH SOUL.

Seemingly led by saxophonist Clarence Perry, the ’65 studio-only Perry & The Harmonics attempted to cash in on the extremely successful and then current craze of James Bond / 007. The bulk of the album being soul interpretations of the film’s various theme songs, plus a few originals like ‘James Goes To Soulville’ and then, this spectacular single ‘Do The Monkey With James’.

The album is scarce, and this single even more so. That’s Ed Townsend, possibly most known as co-writer of Marvin Gaye’s ‘Let’s Get It On’, doing the voice overs, which double as lead vocals, and I doubt a better delivery could have been conjured by anyone. His credits as a songwriter and producer are fairly deep, particularly in the Mercury catalogs, where he was a house producer working closely with Dee Dee Warwick. His label ties included Vee Jay, Capitol and Scepter. As well, as an unsung hero, his writing and producing credits covered Etta James, Big Maybelle and The Shirelles. He was particularly good with the female voice.

Big Maybelle

Thursday, November 28th, 2013

Listen: I’m Getting ‘long Alright / Big Maybelle
BigMaybelleGettingLong.mp3

I can not lie. I get weak around any Okeh single, particularly in it’s matching stock sleeve. This certainly must have something to do with purple foil and paper wrapped chocolate bars from that first trip to Ireland when only in my single digits. We spent the summer with my aunt and grandmother in the house where my Mom grew up. Ballymoney, County Antrim. I don’t recall much, except for getting caught dipping my hand into a neighbor’s purse. The result was most unpleasant, but I needed a Cadbury marzipan bar, a flavor long since discontinued. The experience dented my brain permanently.

This Big Maybelle single from 1954 still glistens as a true visual artifact of color and design, and it’s a frequent choice when flipping through the wall shelves looking for something to play.

As with Bessie Smith, I became smitten by Big Maybelle soon after discovering both Janis Joplin and Tracy Nelson. Big Brother & The Holding Company were just releasing their first singles on Mainstream Records then, with Mother Earth, Tracy Nelson’s band also based out of San Fransisco, doing the same on Mercury shortly thereafter. Given they repeatedly name checked Bessie Smith and Big Maybelle as inspirational influences, my curiosity ran high.

Big Maybelle singles were easy and inexpensive finds for years. Album culture was fully prevalent during the late 60′s so singles simply became passé to most music aficionados of the day. This presented me with great joy as the pickings were euphoric. Marked down 7″ records being commonplace meant you could acquire the most amazing titles for a nickel or a dime. This single was one such find.

Her voice, great. The sound quality of these recordings, great. The subject matter, wow. So many Big Maybelle singles just reeked of sex. And comically presented. Surprisingly, Janis Joplin never nicked the idea, or more likely, conservative Columbia Records wouldn’t allow it.

I have to believe a sausage lyric version exists somewhere, with this cleaned up chicken take recorded specifically for the single, given ‘I’m Getting ‘long Alright’ was it’s A side.

Listen: My Big Mistake / Big Maybelle
My

‘My Big Mistake’, being formula bar room blues, allowed her to stomp and bully through the song in presumably very few takes. I recall hearing Fred Perry and Harry Fagenbaum play this straight into Mother Earth’s ‘Down So Low’ on their overnight college radio show, when underground album rock began overtaking the FM dial. WAER, Syracuse University’s student station gave all night shifts to nocturnal speed freak students who thankfully proceeded to pollute our ears with the wildest and most eclectic records around.

I bought Mother Earth’s LIVING WITH THE ANIMALS album the very next afternoon, a Sunday. We made our weekly trip to the SU campus, hanging around Discount Records or Record Runner on Marshall Street for hours, juggling what to buy. It became my purchase choice that weekend. Once home I discovered Mother Earth had modeled the majority of the album after Big Maybelle’s delivery style on records like ‘My Big Mistake’. maybe even that very song.

Tiny

Thursday, May 5th, 2011

Ah! Shucks Baby / Tiny

Listen: Aw! Shucks Baby / Tiny
Aw! Shucks Baby / Tiny

Not unlike Big Maybelle, Tiny could belt it out. With only a few minor hits to claim, she came and went in relative obscurity. Despite being signed to King/Federal, and touring with, amongst others, Joe Turner, Bo Diddley, Little Willie John, Etta James and Ray Charles, it seems her star never properly shined. From the sound of this single, she was a powerhouse. Originally released in ’57 (she was signed from ’57 – ’60), King decided on reissuing this, her most successful record in ’63 which is pressing above.

I was in Washington DC in the early 90′s, returning to New York on a Sunday. Duane and I were there to see a band for Medicine, my label. Next morning, I scoured the yellow pages for a vinyl shop. One small listing was close by and sounded interesting, claiming doo-wop, gospel and blues amongst it’s specialties, so we gave it a go.

It was in a pretty run down section of town and to be honest, we were the only two white folks in sight. The elderly man who ran the place, as he had for 30+ years, was behind the counter making small talk with a few women his age, all in their Sunday best, fresh from church. The shop was filled with cds and only a small section of 7″ vinyl in a back corner, not at all like he described his stock when I’d called earlier. Even more frustrating, the very vast majority of them were recent reissues. Really dreadful.

But I did notice a few Chess, Checker and King originals amongst them, all of which I selected and eventually made my way up to the counter with them in hand. Duane too had picked out a bunch. When I asked the price, he looked through them and said “They’re usually $4 but I think we should have a half price sale today, seeing as you boys have chosen some really nice stuff here”.

We immediately launched into all kinds of questions – from both sides. “How did we know about these records?” from him, and “Did you ever get to see Inez & Charlie Foxx or Slim Harpo?” from us. That kind of banter. We were having a great old time. Then he says “It’s about time to close but if you’d like, I’ll let you into the basement. I have a lot more records down there and you might find a few good ones”. We were taking the shuttle home, they flew hourly and therefore in no hurry. Seemed a little odd to close your shop midday (it was at that point around 2pm) and invite the only two customers, behind the counter then down to the basement. We took the chance.

Oh my God, the place was heaving with boxlots of 45′s. Loads and loads, mostly Chess and King. He came down and started spinning Sonny Boy Williamson and Hank Marr records, so many others too. We were there for hours, high as kites on the buzz. I still ask Duane, what were we thinking? We should have bought them all. I came home with at least 200, all in company sleeves. Tiny’s ‘Aw! Shucks Baby’ was just one of the endless jems.

After all that, this truly kind, gentle and generous man drove us to the airport in his big old, polished, oversized 70′s car, going way below the speed limit, in true fashion. It was like a little kid’s first ride in a stretch, and the stories about the past, like seeing shows at The Howard Theatre, kept flowing. Duane recalls his name being Christian, but in the high of the moment, we didn’t exchange contact info, a real regret. Still, a priceless memory for life.

King Records Warehouse

Above: A shot of the King Records shipping room. I wonder if any of Tiny’s were being picked and packed?