Archive for the ‘Gloria Lynne’ Category

SMASH / FONTANA CATALOG 1968

Saturday, February 6th, 2010

Smash Fontana Catalog

Smash Fontana Catalog

Smash Fontana Catalog

Smash Fontana Catalog

God knows where I got this – probably wrote away for it being the record collector I was at 8 years old. Still have a few Fontana 7″ mailers from that time period as well. I would write to this person, Claranelle Morris, at Fontana’s main office in Chicago back then, pestering her about The Herd and Dave Dee, Dozy, Beaky, Mick & Tich. She’d send photos, bios, sometimes even a single. I guess she figured you couldn’t hear or buy them in the sticks of the Syracuse suburbs, so give the kid the record already. We’re going to toss them anyways. Thank you Claranelle. To go back and police the Fontana dumpsters – if only.

It was years later, when I finally got a break to get into the business (Howard Thompson gave me my 1st A&R job at Elektra – without him, I’d still be struggling), that I discovered as soon as a record isn’t current, being worked at radio or believed in (at Columbia, my last label job, this often happened within a few weeks: Charlie Walk in particular convinced many he was quite good at A&R, he’s now unemployed) – off to the dumpster went the product, and many times off to the scrapheap went the act’s career.

But let’s not lose focus……so I found this catalog in one of the many trunks of ’stuff’ I’ve saved over the years. It’s just like new, man, I wouldn’t mind a box lot of many of the titles here. Of course, I loved the English groups back then, but also had a jones for Gloria Lynne. It wasn’t only because she was on Fontana (which was always a favorite label – Suzanne King made me a great Fontana T Shirt for my birthday one year. She lives in Chicago now – visit the Fontana building Suzanne. It was at 35 E. Wacker Drive.). Gloria Lynne had a bunch of records on Everest prior. I had a copy of ‘Indian Love Call’ from that period, given to me in one of the Saturday morning piles of singles my uncle, a jukebox operator, would drop off instead of trashing when I was very young, about 5-6. It’s probably the reason the record collecting gene was dangerously awakened in my DNA.

I paid attention to Gloria Lynne singles. I often heard them on the radio playing in the local barber shop where I’d get my haircut as a little boy. Must have been an AC station of it’s day, way before it’s then output turned into bachelor pad, lounge, hipster stuff decades later.

And check out some of the soundtracks too.

Fay Bennett / Lee Perry

Saturday, May 31st, 2008

Big Cockey Wally / Fay Bennett

Big Cockey Wally dub / Upsetters

Big Pussy Sally / Lord Creator

When thinking about blatant and nasty records, as is the case with the ending to Gloria Lynne’s ‘Watermelon Man’ (see below), I couldn’t help but remember this one, a Lee Perry classic from ‘76, and somehow, never reissued or compiled. I think these were called ‘rude’ records at the time. And definitely a snapshot of the psychedelic dub Scratch was inventing at that moment. There’s an answer record to this: ‘Big Pussy Sally’ by Lord Creator, which I did not co-write as the label implies. Each have dub sides, ‘Big Cocky Dub’ and ‘Big Pussy Dub’. “Gimme da royal flush” has to be the best one liner ever….

Gloria Lynne

Saturday, May 31st, 2008

Watermelon Man / Gloria Lynne

Watermelon Man / Gloria Lynne

Listen: Watermelon Man / Gloria Lynne

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Gloria Lynne on the mind (see the Smash / Fontana post below). A really interesting tidbit, Michael Alago has the same phone number as her, bar one digit. I don’t remember how we found out. Michael & I worked together at Elektra for years (we’d first met when he booked the Ritz prior). The great times and mischief we got up to then – it’s an HBO series waiting to happen. He’s one of the great A&R people out there as well (Metallica, Alan Vega, White Zombie, Nina Simone). Top that. We used to get back to one of our places, 4 or 5 in the morning, fresh from another night at the Ritz, still ready to go; and often dial her number up to the very last digit, deciding it was time to give her a call, then chickening out. Thankfully. Check out her ‘rap’ at the end of ‘Watermelon Man’. Lil’ Kim has nothing on her. This is so blatant, so nasty. She’s great.