Archive for the ‘Chris Spedding’ Category

The Vibrators

Monday, June 11th, 2012

Listen: We Vibrate / The Vibrators
We

Not only did Mickie Most have probably the greatest name ever, he was unmatched as a record producer for many years. Listen to the way he weaves and mixes the instruments on Donovan’s ‘Sunshine Superman’ or how he recaptures Joe Meek’s haunting, other worldliness on Kim Wilde’s ‘Kids In America’. The story of his life and his list of production achievements is fascinating.

A consistently under mentioned work for him seems to be The Vibrators ‘We Vibrate’. Released on his RAK Records imprint, as with most of the label’s product, he produced. 100% devoid of studio polish, instead the value of how this single was recorded and approached is all about their stage sound. It’s easy to see how this early punk record was a direct descendant of The Arrows and Suzi Quatro before them, both on RAK and both his productions. The band sounded exactly like this live. I know, Corinne and I got to see them at Dingwall’s in early ’77. I want to say Chris Spedding was on stage, but honestly can’t recall.

They were about to sign with Epic and make a great debut album, apparently their RAK deal being only a one off 7″. Their followup single and first for the new label, ‘Baby Baby’ / ‘Into The Future’ came really close, but somehow didn’t quite surpass ‘We Vibrate’.

Ducks Deluxe

Friday, November 18th, 2011

Listen: Love’s Melody / Ducks Deluxe
DucksDeluxeLovesMelody.mp3

is it just me, or are the bands like Ducks Deluxe always overlooked when time lining the evolution of UK punk? Although initially lumped in and credited, seems all the mainstream publications have now written them out, as well, Eddie & The Hot Rods and Dr. Feelgood. And never a mention of Canvey Island, while I’m having a moan.

‘Love’s Melody’ was from small handful of import singles that had some kids reeling with excitement at college radio and in the specialist record shops back during ’74 and 75. Other musically similar titles by Dave Edmunds, Brinsley Schwarz and Chris Spedding were no brainer companions to the newer singles by Scaffold, The Kinks, Sharks and Sparks. It was a good time to be alive.

Maybe proof of Ducks Deluxe as an important band lies in where it’s various members ended up: The Motors, The Tyla Gang plus Graham Parker & The Rumour.

Sharks

Friday, January 16th, 2009

Kung Fu / Sharks

Listen: Kung Fu / Sharks Sharks.mp3

Being an avid fan of British bands during the 60’s and 70’s meant I’d find a way to hear just about everything. Working at college stations and record shops helped immensely. I’d give anything a chance, and having wide tastes allowed me to get excited about a whole slew of things that never got traction, many times despite deserving it. Sharks were a mini super group to us hardened Anglofiles. Andy Fraser from Free seemed at their core – and followers of Free know he was a key member, despite ‘only’ being the bassist. He wrote songs and his playing style was specific. Sharks benefitted from this recognizable strut. Add in Snips, a vocalist with a dash of both Jim Morrison and Paul Rodgers, plus Chris Spedding, a much accomplished guitarist who’d played with all the right people – and you’ve got something of a recipe. The NME and Sounds both anticipated their debut, and so did I. The two albums they made were patchy and there was little fanfare about the live shows. Missed them when they played The US – in fact don’t really recall it, but their bio says otherwise. Nonetheless, this single was a favorite and still is. The lyrics are a touch simple, but that never put me off. Don’t care much about lyrics unless they are particularly quotable. Block them out and just listen to the music – not a problem. The Asian slant was always pretty fun I thought, especially that piano line.