Archive for the ‘Simon Napier-Bell’ Category

John’s Children

Sunday, January 6th, 2013

Come And Play With Me In The Garden / John's Children

Listen: Come And Play With Me In The Garden / John’s Children

True story: In the early 80′s, I did a weekly two radio hour show called Import/Export for the mainstream rock station in Rochester, WCMF. It was tucked away at midnight on Tuesdays, and in today’s market it’d be deemed as a specialty show, where all the bands/records that are left of center and on the way up get a weekly spin. It was loads of fun.

When the station decided to leave the building they’d been housed in since the 60′s to a much smaller location, their massive record library needed to be eliminated due to space restrictions. Oddly, instead of inviting the staff to help thin it out and take whatever you want, give it away to the needy, or super serve their listeners with a free for all, they instead chose to rent a dumpster and fill it daily until the massive library was eliminated over the course of a week.

On that particular Tuesday, I left the station somewhere around 3am, as I’d always stay awhile and visit with Roger McCall, who was my co-host and did the normal overnight shift that followed. I just couldn’t resist having a look into that dumpster. I must tell you, the area and parking lot were a touch daunting anyways. Being in a very quiet part of town, and not the nicest either, I always made a quick dash to the car.

In fact, I vividly remember getting in, starting it and just staring at the dumpster heaving with records. The junkie in me came out. But suddenly of equal concern was getting caught. Seriously. There was a security camera affixed to the entrance area to allow the dj’s a look at whoever rung the bell before buzzing them in and there’d been a stern directive that no one was to pilfer through the discarded records. Nonetheless, I got out of the car, approached the dumpster, opened the heavy lid, and the very top album, I swear, was ORGASM by John’s Children.

Now if you’re a collector, you are well aware that this is a very, very valuable record. In 1967, it was pressed up promotionally, a result of their one and only US single ‘Smashed Blocked’ becoming a hit on the west coast, even a Top 10 in LA, as well a Bubbling Under The Hot 100 BILLBOARD item (#102). Needless to say, the album title caused more resistance than it was worth and White Whale, the label, cancelled it’s release, hence it’s collectibility to this day.

I was purely convinced it was a set up but regardless of the ultimatum, I wasn’t leaving this record behind. By the time I arrived home, I was fairly comforted in realizing there probably wasn’t a person at the station, other than Roger, with much interest in something so obscure, and hence left my paranoia at the door.

A few years ago, Vicki Wickham rang and asked if I’d like to join her and Simon Napier-Bell, one time manager of John’s Children, and later Marc Bolan who was in the band’s lineup, for a lunch. Vicki is the best at these things, She’s fueled my record collecting habit for ages and is always looking out for me. It was a quite fun hour. In New York for a few days, he was happy to talk about his time with the band, providing I buy lunch, which I did. But sadly he informed me that when leaving the UK for Thailand, he tossed boxes of 7″ singles by John’s Children as well as Marc Bolan ‘A’ labels during his house clear out. It was a pretty sobering moment.

Marie Knight

Wednesday, May 25th, 2011

Listen: Cry Me A River / Marie Knight
Cry Me A River / Marie Knight

Hey thanks Vicki Wickham, for keeping this one since the 60′s. Yes, it was part of her 45 collection that I was gifted by Saint Vicki herself last fall.

You know, I love you Vicki Wickham.

Let’s talk about Vicki Wickham. We first met in ’89, when she managed Phranc during her Island days. I remember exactly where we first shook hands: backstage at the Beacon Theater, in the the very stairway where Ahmet Ertegan took his last spill. Phranc had just hired her, and was at that time on tour with The Pogues.

I was actually meeting thee Vicki Wickham. The one that booked READY! STEADY! GO!, managed Dusty Springfield, co-wrote ‘You Don’t Have To Say You Love Me’ with Simon Napier-Bell, produced Labelle. The one who not only booked the infamous Saville Theatre series, brought the Motown Review to England, worked at Track Records with The Who, Thunderclap Newman, The Jimi Hendrix Experience, Marsha Hunt, The Crazy World Of Arthur Brown, John’s Children, and yes, The Cherry Smash; but also knew Scott Walker…and Brian Jones. I was nervous and in awe. Vicki Wickham was a higher form of life.

Fast forward. Nowadays, we meet often for lunch, on 9th Ave and 44th Street at Marseilles, possibly her favorite restaurant. She always orders the asparagus omelette and eats about half. I grill her for details: RSG, The BBC during the 60′s, Rediffusion Television, Top Of The Pops not to mention every band and everybody she ever encountered. Did she visit the Immediate Records office, Deram, Philips, Fontana. What was the Ready Steady Go canteen like, did she know Tony Hall, Steve Marriott, Inez Foxx, Joe Meek, Dozy. When did she last speak with Andrew Loog Oldham, P.P. Arnold or Madeline Bell…..we cover, discuss, judge and trash tons of people. Yes, we are guilty. Needless to say, there’s never a loss for topics.

On one such occasion last year, she mentions having just found boxes of 45′s in storage, and the only one she can remember seeing in the whole bunch was the Bessie Banks ‘Go Now’ UK A label pressing. Was I interested in the lot? That’s like asking Alago, Duane, Joe and I if we’d like a free bump in the VIP bathroom at The Ritz in the 80′s. Ahh, yeah.

Vicki, you ARE a saint, and a beloved friend.

And you turned me on to Marie Knight. Praise be.