Archive for the ‘John's Children’ Category

John’s Children

Wednesday, June 30th, 2010

Just What You Want - Just What You'll Get / John's Children

Listen: Just What You Want – Just What You'll Get / John's Children

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Desdemona / John's Children

Desdemona / John's Children

Listen: Desdemona / John's Children

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Smashed! Blocked! / John's Children

Listen: Smashed! Blocked! / John's Children

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Come And Play With Me In The Garden / John's Children

Come And Play With Me In The Garden / John's Children

Listen: Come And Play With Me In The Garden / John's Children

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Go-Go Girl / John's Children

Listen: Go-Go Girl / John's Children

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

True story: In the early 80’s, I did a weekly 2 radio hour show called Import/Export for the mainstream rock station in Rochester, WCMF. It was tucked away at midnight on Tuesdays, and in today’s market it’d be deemed as a ’specialty show’, where all the bands/records that are left of center and on the way up, get a weekly spin. It was loads of fun.

When the station decided to leave the building they’d been housed in since the 60’s to a much smaller location, their massive record library needed to be eliminated due to space restrictions. Oddly, instead of inviting the staff to help thin it out (take whatever you want – we’re about to toss it anyways), give it away to the needy, or super serve their listeners with a free for all, they instead chose to rent a dumpster and fill it daily until the massive library was eliminated. How nice of them.

On that particular Tuesday, I left the station somewhere around 3am, as I’d always stay awhile and visit with Roger McCall, who was my co-host and did the normal overnight shift that followed. I just couldn’t resist having a look into that dumpster. I must tell you, the area and parking lot were a touch daunting anyways. Being in a very quiet part of town, and not the nicest either, I always made a quick dash to the car.

In fact, I vividly remember getting in, starting it and just staring at the dumpster heaving with records – the junkie in me came out. Suddenly of equal concern was getting caught. Seriously. There was a security camera affixed to the entrance area to allow the dj’s a look at who rang the bell before buzzing them in – and there had been a stern directive that no one was to pilfer through the discarded records. Nonetheless, I got out of the car, approached the dumpster, opened the heavy lid, and the very top album, I swear, was ORGASM by John’s Children.

Now if you’re a collector, you are well aware that this is a very, very valuable record. In 1967, it was pressed up promotionally, a result of their one and only US single ‘Smashed Blocked’ becoming a hit on the west coast, even a Top 10 in LA – as well a ‘Bubbling Under The Hot 100′ Billboard item (#102). Needless to say, the album title caused more resistance than it was worth and White Whale, the label, cancelled it’s release – hence it’s collectibility to this day.

I was purely convinced it was a set up – I was as critical and lippy of that station’s shit playlist then as I am of current US radio’s charts now. But fuck it – I wasn’t leaving this baby behind. By the time I arrived home, I was comforted in realizing there wasn’t a person at the station, other than Roger, with a thread of knowledge about credible music, not to mention something so obscure, and hence would never have known to place this album top of the heap to frame me. I slept soundly that night.

A few years ago, Vicki Wickham rang and asked if I’d like to join her and Simon Napier-Bell, one time manager of John’s Children, and later Marc Bolan who was in the band’s lineup, for a lunch. Vicki is the best at these things – she’s fed my record habit for ages and is always looking out for me. It was a quite fun hour – Simon, in New York for a few days, was only too happy to talk about his time with the band, providing I buy lunch, which I did. But sadly he informed me that when leaving the UK for Thailand, he tossed ‘boxes’ of 7″ singles by John’s Children as well as Marc Bolan ‘A’ labels. It was a pretty sobering moment.

Radio Stars

Friday, June 11th, 2010

Listen: No Russians In Russia / Radio Stars

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

To a few of us, Radio Stars were a supergroup. Martin Gordon played bass with Sparks on their world seminal KIMONO MY HOUSE album and Andy Ellison, well he was in John’s Children. Top that.

I remember ‘77 for many reason, one being a nice big handful of great singles were literally being released every week. ‘No Russians In Russia’ was one. Well, to be exact, it was part of STOP IT, a four song EP on Chiswick, who were sharp enough to press up promo-only 7″ copies of the track to focus dj’s, etc. Possibly the most perfect play on words chorus I know of, this sucker still goes through my head decades later. A hook is a hook.

The Heartbreakers

Monday, February 8th, 2010

HeartbreakersBornPS, The Heartbreakers, Walter Lure, The Ramones, Johnny Thunders, Track,

Listen: Born To Lose / The Heartbreakers

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

The Heartbreakers were in London, playing The Marquee around the last week or so of March ‘77. It was luckily during a fortnight visit, seeing a band every night type trip, right at the height of punk. The Roxy was in it’s brief existence and having missed them there in order to see The Damned and Johnny Moped at the LSE, I was anxious to get in early. It’s funny when you go 3,000 miles to see a band that’s from your own backyard. They were both everything New York yet perfectly invented for England too. Recalling the show that night still gives me the shakes.

HeartbreakerOneTrackPS, The Heartbreakers, Walter Lure, The Ramones, Johnny Thunders, Track,

Listen: One Track Mind / The Heartbreakers

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

To prove the point about England, they signed to a reactivated (I think just for them) Track Records. Seemingly dormant since the very early 70’s, suddenly Kit Lambert and Chris Stamp were dug up and cleaned off – good as new.

In ‘67, when the label began, those two must have been a real threat with both The Jimi Hendrix Experience and The Who on a roster that overnight put Track in the uh-oh we’re all in trouble now league. Thunderclap Newman and The Crazy World Of Arthur Brown didn’t help, while Marsha Hunt, John’s Children, The Eire Apparent and Cherry Smash made stubbornly difficult to find, must-have flops.

‘One Track Mind’, The Heartbreakers second single, had me thinking they could take over the world. My crystal ball obviously needed new batteries. But the guitar tones of Johnny Thunders and especially Walter Lure were a wall of sloppy sound live and for a brief moment I couldn’t get enough.

Walter played for years on The Ramones albums. His signature sound is a giveaway on TOO TOUGH TO DIE, and a perfect foil to Johnny’s.

Derak Martin

Friday, July 10th, 2009

derakmartindaddyrollingsue, Derak Martin, Sue Records, John's Children, The New York Dolls, Streewalkers,, The Who

Listen: Daddy Rollin’ Stone/ Derak Martin

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Right down to the misspelling of his name, this reeked of street, almost bootleg. The earthy, dirty recording being the kind that would aggressively make the rounds on the underground club circuit, deep south US or deep north UK. It’s reach was validated by the bands that covered it: The Who, John’s Children, The New York Dolls, Roger Chapman’s Streetwalkers. And that’s just the recorded versions.