Archive for the ‘Eddie Phillips’ Category

Kennedy Express

Sunday, September 2nd, 2012

kennedyexpressuka, Kenny Pickett, Eddie Phillips, The Creation, Kennedy Express

Listen: Is There Life On Earth? / Kennedy Express
Is

I stumbled on Kennedy Express in some London collectors shop, I think it was 50p. How could the staff not have noticed both the writers and producers were Kenny Pickett and Eddie Phillips of The Creation? Aren’t you paid to know these things?

Better yet, how did I not know The Creation were essentially recording under another name? Bigger fuck up.

Okay, so ‘Is There Life On Earth?’ was released in 1980, when the band were traveling the has-been patch before legend. Not sure if The Creation were ever really has-beens though. Never mind, the discovery was the shop’s loss and my gain.

It was pretty 80′s sounding stuff but the Phillips/Pickett hooks were still obvious. This was around the time when ‘Teacher Teacher’, a song they’d written for Rockpile, became a worldwide hit. Proof there is a God.

Presumably Don Arden, who owned Jet, decided to give the guys a release. Clearly he continued to be an investor, given some seven years later, when Eddie Phillips reformed The Creation, he released ‘A Spirit Called Love’, also on Jet. That was during a brief period when both Mick Avory and John Dalton from The Kinks made up the band’s rhythm section.

Considered disposable pop by those in the know apparently. ‘Is There Life On Earth?’ doesn’t even appear in the RECORD COLLECTOR PRICE GUIDE. Possibly only for we hardcore Creation specialists. I can live with that too.

Again, their loss, my gain.

The Creation

Wednesday, April 25th, 2012

How Does It Feel To Feel / The Creation

Listen: How Does It Feel To Feel / The Creation
How

The Creation, undisputed masters of British psychedelia. Eddie Phillips is as stellar a guitarist as he is a songwriter. He wrote, or at least co-wrote, most, if not all of their original material. Plus he was the first to use a violin bow on the instrument, combining his mastery of feedback with scraping, screeching chaos to ultimate effect. Jimmy Page later brought the technique mainstream on ‘Whole Lotta Love’, but fairly, has always credited Eddie Phillips for the idea. It’s also widely documented that indeed he asked him to join Led Zeppelin as second guitarist.

They recorded two versions of ‘How Does It Feel To Feel’ in summer ’67. Oddly, this one specifically for the US market, apparently deeming the violin bowed manic version more suitable to American programmer. Huh? Nonetheless, it’s a super version and top single to own and cherish, which I do.

In ’01, The Creation finally made it to America, playing The Warsaw Theater here in New York. I had injured my leg, it was a very cold November night, none of my friends wanted to attend, so I struggled along alone. The pain vanished when the musty maroon curtain lifted and there were The Creation, looking weirdly not a day older than those pictures from back when, sharp haircuts, great colored shirts and pants, but not dressed too young for their age. Sorta like if today’s Paul Weller would tone his image down a bit. Huge Union Jack backdrop. Sounding so powerful, my jaw dropped. Everyone’s did.

Bob Garner, original bassist and then sometimes singer, now permanantly on lead vocal, executing the red and purple spray paint free form psychedelic graffiti routine during the closing song ‘Painter Man’. Truly worth the 34 year wait.

Afterwards, I did my jukebox tab signing routine, Eddie and Bob both filling one out (see below). Flattered, appreciative, friendly, talkative, great, great guys.

Little Steven brought them back a few years later for his Randall’s Island Festival. Still powerful. Still one of a kind.

Above: Jukebox Tabs signed by The Creation. Eddie Phillips (left), Bob Garner (right)

Rockpile

Wednesday, September 16th, 2009

rockpileteacherusa, The Creation, Rockpile, Dave Edmunds, Dave Edmunds' Rockpile, Columbia, Nick Lowe
rockpileteacherukps, The Creation, Rockpile, Dave Edmunds, Dave Edmunds' Rockpile, Columbia, Nick Lowe" title="rockpileteacherusa, The Creation, Rockpile, Dave Edmunds, Dave Edmunds' Rockpile, Columbia, Nick Lowe

Listen: Teacher Teacher / Rockpile RockpileTeacher.mp3

A hybrid version of Dave Edmunds’ Rockpile from 1970. Actually, Dave Edmunds had just broken up Love Sculpture and John Williams, that band’s bassist, came along to play on his solo album, which was preceded by, and also included, the single ‘I Hear You Knocking’. That single in the UK credits the artist as Dave Edmunds’ Rockpile, yet in the US, as with the UK and US album, it’s simply credited to Dave Edmunds. Add to that, Terry Williams (no relation to John) plays drums on the aforementioned recordings.

Ten years later, Terry is still playing with Dave and now, Nick Lowe is as well; and their band is called Rockpile. Confused? Then re-read the above.

Well this was probably their biggest hit, and despite the proven pop songwriting talents of both Nick Lowe and Dave Edmunds, ‘Teacher Teacher’ was actually written by Eddie Phillips and Kenny Pickett, flawless higher forms of life behind The Creation, as both members and songwriters. Glad to know they earned some money in the end. They sure could write a tune.

The Smoke

Saturday, April 18th, 2009

My Friend Jack (Unreleased Version) / The Smoke

Listen: My Friend Jack (Unreleased Version) / The Smoke SmokeJackUnreleased.mp3

My Friend Jack / The Smoke

Listen: My Friend Jack / The Smoke SmokeJack.mp3

High In A Room / The Smoke

Listen: High In A Room / The Smoke SmokeHigh.mp3

Have Some More Tea / The Smoke

Listen: Have Some More Tea / The Smoke SmokeTea.mp3

Dreams Of Dreams / The Smoke

Listen: Dreams Of Dreams / The Smoke SmokeDream.mp3

Ride Ride Ride (Dick Turpin)/ The Smoke

Listen: Ride Ride Ride (Dick Turpin)/ The Smoke SmokeRide.mp3

Sugar Man/ The Smoke

Listen: Sugar Man/ The Smoke SmokeSugarMan.mp3

A good band that sticks to their sound isn’t necessarily a bad thing. Even when the world evolves, sometimes staying in your little place can be good, as long as you actually had something decent to begin with. Obviously, it’s how I feel about The Smoke. Now I hadn’t discovered them when they were current, I guess they didn’t quite get enough press attention, I missed out until a year or two later. And upon hearing ‘My Friend Jack’, I filed it right up there with The Creation. That guitar effect, in fact, sounded very Eddie Phillips to me. Still, it took ages to find all their singles. The 60′s releases were hard enough, being non sellers. And the 70′s singles, selling even less, were a real challenge. Thank God for the many trips I made to the UK on some label’s dime, because I’d have never found them otherwise.

Years later, I stumbled on some hardcore info – the original version of ‘My Friend Jack’ was recorded and made it’s way to acetates, but not issued due to explicitly drug obvious lyrics. The version that did come out being apparently toned down. On a trip to the UK, Howard returned with just that acetate, one of many gems he’d gotten off his uncle, a former Decca Records UK promotion guy. He just handed it over – a serious ass present. There aren’t many like Howard.

Chris Blackwell’s country house in Theale had an amazing dj equipped/record library in the loft overlooking his recreation room – with pool tables and the works down below. I always made my way straight up there at gatherings for the company. He invited Corinne and I to stay a long weekend, and drove us down from London late one Friday night. An always generous host, we had the run of the place. He said graciously, if I found any doubles in the loft, to help myself. This was a dream come true – and despite being tempted to pocket a few on a first visit – it proves honesty is the best policy, or good things come to those that wait…..whatever. He let me take whatever I wanted. Lo and behold, he had an extra of the one and only Island single by The Smoke. This was ’89, by which time I’d still never even seen a copy, not to mention in unplayed condition. Worth the wait. Thank you Chris.

Imagine my shock when finding ‘Dreams Of Dreams’ at the Notting Hill Gate Record & Tape Exchange, in it’s Revolution Records company sleeve, which until that moment, I hadn’t realized even existed. I guess the Revolution Records team expected big success for the imprint, thereby manufacturing stock sleeves. Mind you, the single was in the glass encased upstairs high end section but well worth the lofty price (around 75 GBP). Nice one.

By 1971, The Smoke had stubbornly, and wonderfully, not changed their sound much. As with all bands that began in the mid 60′s, they occasionally let their love of Motown show, as on ‘Ride Ride Ride’. Later still, despite the glam audio techniques poured all over ‘Sugar Man’, their one of a kind, signature sound could not be stifled, thankfully.