Archive for the ‘The Mindbenders’ Category

ALVIN ROBINSON

Sunday, June 27th, 2010

Listen: Down Home Girl / Alvin Robinson

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I saw The Rolling Stones for the first time on October 30, 1965 at the Syracuse War Memorial. I had forged a press pass, a typed note actually, on letterhead from a weekly paper in my little hometown. My Dad had set me up with the pompous owner of it, as I wanted to interview the band for a feature.

Looking back it was quite a good idea on my part, but this self celebrating fellow was nasty and dismissive. Even though I ended up meeting the band, I still loathe him for his attitude, not towards me, but towards my Father. He was so busy being busy, running in and out of his pathetic office, that I just reached over and grabbed a few pages of letterhead when he wasn’t looking. I shook with fear at what I’d done (I was still a good Catholic boy), but too late, I’d done it. So he tells me, “We don’t need a piece on this dirty English combo”, and that was that – or so he thought. Indeed, they didn’t need a a kid in his late single digits writing a review.

To be exact, this was the Canastota Bee Journal, as close as you can get to Mayberry. He and the paper, I’m guessing, are long gone. Still, I composed this laughable letter, claiming to be a writer on assignment – and needing to interview the band.

In those days, arenas were filled with hysterical, screaming kids – so how I managed to slide backstage so easily still baffles. An usher fell for that forged letter, and brought me back, where Bill Wyman was wrapping up his cords. Bill reads it, stares me straight in the eye and says (in hindsight with a knowing smirk), “Come on and we’ll meet the rest”.

Holy shit. Is this really happening? It was the first time I nearly blacked out. I seriously remember that vividly. We are suddenly walking up the steps to the dressing room, knees weak, where in years to follow, I would meet, more like pester, (here goes – I know this is all a bit name droppy, but it really, really happened. I met all these bands and I’m proud of it): The Mindbenders, Them, The Moody Blues, The Nashville Teens, The Yardbirds, The Ikettes, The Who, The Pretty Things, Manfred Mann, The Kinks, Humble Pie, Heads Hands & Feet, Fairport Convention, Free, John Martyn, Steppenwolf, Canned Heat, Caravan, Curved Air, Toe Fat, Derek & The Dominoes, Jethro Tull, The Jeff Beck Group, Grand Funk Railroad, Frampton’s Camel, Family, Wild Turkey, Blodwyn Pig, The Faces, T. Rex, John Mayall’s Bluesbreakers, Mother Earth, The Paul Butterfield Blues Band, The Chambers Brothers, Sly & The Family Stone, Savoy Brown, Ten Years After, Iron Butterfly, Emerson Lake & Palmer, Big Brother & The Holding Company, The Jimi Hendrix Experience – even Vivian Green, who I work with now, was in that very room when on tour with Maxwell. Talk about coming full circle.

The management knew me and my friends well early on, they must’ve gotten a kick out of these crazy little kids, who’s Mom’s & Dad’s would wait patiently for until the shows ended. Our parents befriended the office staff, and in turn, those nice ladies always let us backstage.

The Rolling Stones were great, so nice. No one was in their dressing room except the band, and one other guy, I guess the tour manager. No food, nothing but bottles of Coca Cola. They signed my copy of 12 X 5, it probably lasted all of a minute – but I still can relive it to this day. Here I was, with this exotic band from England that changed my life, which prior I could only see on TV every 3-4 months tops. I thought at that very moment, “This is the life for me”. I’m completely convinced it led to my career in music – no question.

One of their current album at the time, THE ROLLING STONES NOW, was not a real album at all. In those days, the English labels released singles and EPs, in addition to albums. Not only were the EP tracks not on the LPs, but the singles weren’t either. So the US companies were always dropping off intended LP tracks to make room for the singles and sometimes strong ones from those EPs. For this particular release, London Records basically cobbled together some singles and EP songs, as well as unused UK LP tracks (the UK LPs were 14 songs compared to our 10-12, thereby creating even more choices). Probably by coincidence more than design, THE ROLLING STONES NOW actually works as a proper LP. It was certainly a big success – slowly but very solidly scaling the US LP charts and staying Top 10 for ages, as it deserved to. The record’s filled with dark, minor key classics (‘Heart Of Stone’, ‘Little Red Rooster’ and ‘Pain In My Heart’ – which they played on that night, Brian sitting at a huge B3 organ, wailing away).

It’s ok if you’re getting tingles. Take your time. You’ll need it. They were back, nine months later, during the AFTERMATH tour, and that’s whole ‘nother post waiting to be written.

This all leads us to ‘Down Home Girl’, a song on THE ROLLING STONES NOW. Little did I know then that it was a cover. I don’t even think I knew what that meant. They were all Rolling Stones songs to us. Years and years later I wised up, seeked out the original, and became a dangerous Alvin Robinson fanatic.

Here’s his version. Get any of his other releases – all of them actually.

SMASH / FONTANA CATALOG 1968

Saturday, February 6th, 2010

Smash Fontana Catalog

Smash Fontana Catalog

Smash Fontana Catalog

Smash Fontana Catalog

God knows where I got this – probably wrote away for it being the record collector I was at 8 years old. Still have a few Fontana 7″ mailers from that time period as well. I would write to this person, Claranelle Morris, at Fontana’s main office in Chicago back then, pestering her about The Herd and Dave Dee, Dozy, Beaky, Mick & Tich. She’d send photos, bios, sometimes even a single. I guess she figured you couldn’t hear or buy them in the sticks of the Syracuse suburbs, so give the kid the record already. We’re going to toss them anyways. Thank you Claranelle. To go back and police the Fontana dumpsters – if only.

It was years later, when I finally got a break to get into the business (Howard Thompson gave me my 1st A&R job at Elektra – without him, I’d still be struggling), that I discovered as soon as a record isn’t current, being worked at radio or believed in (at Columbia, my last label job, this often happened within a few weeks: Charlie Walk in particular convinced many he was quite good at A&R, he’s now unemployed) – off to the dumpster went the product, and many times off to the scrapheap went the act’s career.

But let’s not lose focus……so I found this catalog in one of the many trunks of ’stuff’ I’ve saved over the years. It’s just like new, man, I wouldn’t mind a box lot of many of the titles here. Of course, I loved the English groups back then, but also had a jones for Gloria Lynne. It wasn’t only because she was on Fontana (which was always a favorite label – Suzanne King made me a great Fontana T Shirt for my birthday one year. She lives in Chicago now – visit the Fontana building Suzanne. It was at 35 E. Wacker Drive.). Gloria Lynne had a bunch of records on Everest prior. I had a copy of ‘Indian Love Call’ from that period, given to me in one of the Saturday morning piles of singles my uncle, a jukebox operator, would drop off instead of trashing when I was very young, about 5-6. It’s probably the reason the record collecting gene was dangerously awakened in my DNA.

I paid attention to Gloria Lynne singles. I often heard them on the radio playing in the local barber shop where I’d get my haircut as a little boy. Must have been an AC station of it’s day, way before it’s then output turned into bachelor pad, lounge, hipster stuff decades later.

And check out some of the soundtracks too.

The Mindbenders

Sunday, August 23rd, 2009

mindbendersgroovyusa, The Mindbenders, Fontana, 10CC, Wayne Fontana

Listen: A Groovy Kind Of Love / The Mindbenders

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 The Mindbenders, Fontana, 10CC, Wayne Fontana, Lulu, To Sir With Love, Graham Gouldman

Listen: Ashes To Ashes / The Mindbenders

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mindbenderswantherusa,  The Mindbenders, Fontana, 10CC, Wayne Fontana, Lulu, To Sir With Love, Graham Gouldman

Listen: I Want Her, She Wants Me / The Mindbenders

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mindbendersharderusa,  The Mindbenders, Fontana, 10CC, Wayne Fontana, Lulu, To Sir With Love, Graham Gouldman

Listen: It’s Getting Harder All The Time / The Mindbenders

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mindbendersoff,  The Mindbenders, Fontana, 10CC, Wayne Fontana, Lulu, To Sir With Love, Graham Gouldman

Listen: Off And Running / The Mindbenders

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Listening to BBC2 a few weeks back, I was loving that ‘Days’ by The Kinks just normally got a spin. Then it was followed by The Mindbenders ‘A Groovy Kind Of Love’, and I realized once again, England is the natural habitat for me – primarily because I could simply turn on the radio in the car, no complicated subscribing to satellite (as terrific a musical spectrum service here in the US that it is), scanning the low frequency non commercial or college stations in hopes of SOMETHING to endure, or simply plugging in the ipod. It’s so nice to be in Britain and just hear such terrific music programed as part of culture. Despite ‘A Groovy Kind Of Love’ reaching #2 in both the US and England, it sounds freaking great every time. Talk about an intro. I was on the phone with Duane when the above Kinks/Mindbenders segue went down and had to take a breather for a brief moment as it happened.

Their chart success took an almost perfect, gentle commercial erosion, each single being played less and achieving lower and lower chart numbers each time, then no chart placings at. It all worked out fine in the end for the fellows. Basically, they turned into 10cc.

Before all that, they did get a great, full technicolor spot in the classic TO SIR WITH LOVE FILM, performing ‘It’s Getting Harder All The Time’ and ‘Off And Running’. But despite the film’s success, and the character lead, Lulu, achieving her US #1 as a result, it did The Mindbenders literally no good in ressurecting their US presence – almost unbelievably. The US 7″, in fact, is a very hard commercial single to find. Despite my constant search for it – I only found one a few years back (one side pictured above).

Even more obscure is their version The Zombies cover from ODDYSSEY AND ORACLE on a US pressing. Not as favorable to my palate as The Zombies own, still it’s A+ for song choice and is really good.

Freddie Cannon / Where The Action Is

Thursday, August 20th, 2009

freddycannonaction, Freddy Cannon, Where The Action Is, Dick Clark, American Bandstand

Listen: Where The Action Is / Freddy Cannon

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Let’s face it. The theme song to ABC’s syndicated daily pop show, WHERE THE ACTION IS, titled ‘Action’ by Freddie Cannon, was so good, even The Ramones could have covered it.

I lived for WHERE THE ACTION IS and saw many a great act each day after school. Our local Syracuse affiliate, WSYR-TV, was wishy-washy, and many times pre-empted it with other things. Looking over the complete, chronological list of episodes and guests, I’ve only just discovered missing Pinkerton’s Assorted Colours, The Action and Dave Dee Dozy Beaky Mick & Tich for just that reason. Indeed, I’m a bit crushed having now discovered these atrocities. Scumbags.

But seeing an LA centric act, who were basically down the street from the studios I’m guessing (The Guillteens, The Ikettes with and without Ike & Tina Turner, The Vejtables, The Leaves, The Seeds, Gary & The Hornets, Love, Dino Desi & Billy, The Buffalo Springfield and Jan & Dean) almost daily was bliss.

Not to mention the RnB stuff: Martha & The Vandellas, Doris Troy, The Royalettes, Mary Wells, Brenda Holloway, The Toys, Maxine Brown, Kim Weston, Carla Thomas, Billy Stewart, Bobby Hebb, Alvin Cash & The Crawlers or Felice Taylor. I still replay The Vibrations doing ‘My Girl Sloopy’ vividly in my memory.

Then there were the black and white segments from England, a real high for this sicko: The Small Faces, Gary Farr & The T-Bones, Them, The Mindbenders, The Zombies, The Moody Blues, The Kinks, Unit 4 + 2, The Who, Wayne Fontana, Marianne Faithfull and The Yardbirds. Surviving somehow for all to see, The Cryin’ Shames clip (complete with Dick Clark’s intro):

Thank you Dick Clark.

The Swinging Blue Jeans

Wednesday, May 6th, 2009

Swinging Blue Jeans - Don't Make Me Over USA

Swinging Blue Jeans - Don't Make Me Over

Listen: Don’t Make Me Over / The Swinging Blue Jeans

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Who says if you get a song for free, you won’t buy a copy later anyways – for whatever the reason: loyalty to the artist, love of the song, wanting a particular configuration or maybe even just doing your part.

Even though I got ‘Don’t Make Me Over’ at no charge during one of my early Friday night “I’m here to collect records for the children’s hospital” scams instigated on our local MOR station, WMCR, at an alarmingly young age..I bought a copy anyways. I past up the stock of ‘She Needs Company’ by Manfred Mann to expend that particular dollar, which in hindsight was a wrong gamble. Never seen one since, although this Swinging Blue Jeans non-charter (actually it did Bubble Under The Billboard Hot 100 at #116) is a bit more common. It was the heat of the moment. I was overtaken with supporting the team. I really thought I could help it nudge up the chart. The naiveness of youth. I’d actually heard it on my local Top 40, WNDR in March – it was a one listen record. Although Dionne Warwick had a hit with it in ‘62, to me it was an unknown track by ‘66, when this arrived.

If you grew up in the Northeast, quite possibly songs are seasonal. This was a winter single, along with others at the time that left a life long impression like The Mindbenders ‘A Groovy Kind Of Love’ or The Walker Brothers ‘The Sun Ain’t Gonna Shine Anymore’.

By May it had struggled onto the local survey (below) with several other greats. And on this particular week – it was the featured record thereby affording the lyrics be printed on the survey’s reverse side.

WNDR Chart 5-13-66

Jackie Edwards / Wayne Fontana

Saturday, January 31st, 2009

Come On Home / Jackie Edwards

Listen: Come On Home / Jackie Edwards

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Come On Home / Wayne Fontana

Listen: Come On Home / Wayne Fontana

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Wayne Fontana’s version of ‘Come On Home’ came on the radio during the summer of 1966. It was an instant favorite. A year earlier, he was the first live act I’d ever seen, well actually that was Wayne Fontana & The Mindbenders. One short year later, they had split into two separate items – seemed like an eternity. Both had hits in the UK, but only The Mindbenders managed to get attention here with ‘A Groovy Kind Of Love’. I was glad to finally hear a solo track by him, as he’d had two UK hits by then. The single only got a few weeks worth of spins, and then on the more mainstream leaning Top 40, WNDR, as opposed to the more logical and much better WOLF (they were allowed to fumble occasionally). Little did I know at the time, ‘Come On Home’ was written by Jackie Edwards, the same guy who’d written my early Spencer Davis Group favorites ‘Keep On Running’, ‘Somebody Help Me’ and ‘When I Come Home’. Years later, I discovered his deep involvement in ska and the various solo records, as well as duets (with Millie, amongst others) he had recorded, many of which I’ve managed to obtain over the years.

Wanye Fontana, along with Dave Berry, opened for the original lineup reunion of Dave Dee, Dozy, Beaky, Mick & Tich I’d up and flown to England to see on April 28, 2001 at The London Palladium. By then I’d waited 35 years to see them, and that was quite long enough for me, so off I went. Like Dave Berry, he was well seasoned and hysterically entertaining live – each running through their many UK hits including respective tracks (like ‘Come On Home’) now regarded as Northern Soul staples. It was all great fun, but no comparison to when the headliners hit the stage.

Both versions are here for a listen.