Listen: Jennifer Eccles / The Hollies
What on earth was Graham Nash thinking? Leaving this band?
Seems every once in a while, some visiting UK group lost a member to the lure of the Los Angeles folk contingent. None of that soft rock ever appealed to me, not to mention their unkept and drab dress sense. But probably in the 60′s, the modern living, mid-century designs that still prevail to this day were so magnetic, who could resist champagne bubble wall dividers, sparkle ceilings and aqua kitchens.
I can’t quite recall when he actually made the move, seems around ’68. Still somehow, The Hollies vocal sound didn’t really change. Not to my ears.
US radio were always very fickle when it came to their records. The wise man’s “be happy with life’s small pleasures” slogan applied here, and at least The Hollies got some airtime. I even recall, shortly after their switch to Epic, with ‘Carrie Anne’ going Top 10, former label Imperial re-released ‘Pay You Back With Interest’ as a 7″. It too got on the air, eventually charting in BILLBOARD (#28).
Luckily, all of the band’s records were played regularly on the upstate New York stations. Even WNDR, the most commercial Top 40 in Syracuse stayed loyal. ‘I’m Alive’ sounded massive over my little orange transistor, and ‘Jennifer Eccles’ was everywhere airwaves-wise during the Spring of ’68. Right there next to my other successful radio request line missions: The Small Faces ‘Lazy Sunday’, Grapefruit ‘Elevator’ and The Scaffold ‘Thank You Very Much’. Oh, and Madeline Bell too.