Archive for the ‘The Rolling Stones’ Category

Don Covay & The Goodtimers

Friday, June 12th, 2009

doncovaymercyuka, don covay, atlantic, the rolling stones

doncovaymercyukre, don covay, atlantic

Listen: Mercy, Mercy / Don Covay & The Goodtimers DonCovayMercy.mp3

I woke up one day realizing albums by The Rolling Stones serve as introductory encyclopedias for figuring out the best American RnB and Blues originals. I felt really behind the curve at that moment, but considering it was still 1969, I caught up ok. The band, or someone in their camp, had impecable taste when picking this stuff. I still read the occassional story of their early visits to the US, whereby they’d all flock to now infamous record shops in Harlem or East LA just to buy all the black releases. Man, those stores must have been amazing. And where are all those records now? There were plenty of those original US pressings amongst the Tony King collection…..

Don Covay entered my world via OUT OF OUR HEADS. The Rolling Stones started side one of the US version with ‘Mercy, Mercy’. OUT OF OUR HEADS was their fourth and final US album to pressed initially (first run only) in the UK, then exported to the US and sleeved here. Just recently have collectors been alerted to this detail, but for years I was buying up those UK copies at garage sales for $1. They are particularly easy to spot. The font is obviously different than US London labels, but they’re also deep groove, and they indicate ‘Made In England’. Quite helpful. A few other London releases during the era (’64 – ’66) were intially pressed in the UK as well: Marianne Faithfull, Tom Jones and Them.

When I worked at Island in the late 80′s, Chris Blackwell signed Don Covay, who came by regularly to see Holly Furgeson and her office was next to mine. She did the A&R admin, and Don Covay handled all his own business. I remember him working diligently on the project only to have it shelved, a bad habit Island always had.

I was well pleased to find not only the original DJ copy of ‘Mercy, Mercy’ amogst Tony’s records, but a very nice UK reissue as well, both pictured above.

The Standells

Sunday, May 3rd, 2009

The Standells - Sometimes Good Guys Don't Wear Black

Listen: Sometimes Good Guys Don’t Wear White / The Standells StandellsGoodGuys.mp3

Most people were disappointed by follow up singles, I was usually the opposite. Accepting that my tastes fell off the straight and narrow, the mid chart followups pleased me more every time. Like with this one, I always had wished they were the bigger hits. A real testament to this song’s quality came when The Cramps started covering it during the Kid Congo era.

I had seen The Standells open for The Rolling Stones, along with The McCoys, on July 6, 1966. While trolling backstage to nervously reacquaint The Rolling Stones with myself (as if they cared) – having gotten into their dressing room the previous October (see my Alvin Robinson post for the full story) – I stumbled on most of The Standells. They looked old and kind of fake to this little kid. Indeed, they weren’t true beat group long hairs and were slightly advanced in years having done the early 60′s LA circuit during the surf days. Never mind. I was way more interested in seeing The Rolling Stones. Years later I did regret not knowing enough about The Standells history at the time. Like, for instance, that Gary Walker from The Walker Brothers had once been a member. Missed opportunity, I’m ashamed to say.

This followup to ‘Dirty Water’ was all over my local station that summer (see local WOLF chart below). God, it sounded fantastic on the air. Bless him, Little Steven plays it on his Sirius channel, but unfortunately, it might be the remastered, digitally polished and shined stereo version. So just in case, here my friends, is the mono single, taken right off my original 7″ purchased at WT Grants that very summer.

WOLF charts 7 23 1966

Inez & Charlie Foxx

Thursday, January 1st, 2009

Listen: Come By Here / Inez & Charlie Foxx InezComeByHere.mp3

Starting the New Year off with a classic has to be good luck. There are about six desert island essentials by Inez & Charlie Foxx on my list – and ‘Come By Here’ is one. Now live, they were hard to beat. Crawling the sweaty chitlin circuit, crowds would urge Inez to even greater vocal heights while Charlie and the band drove a relentless groove. Their well oiled touring machine made for consistent studio performances. With it’s rich blend of blues and gospel, ‘Come By Here’ is one of the two songs they performed on Cleveland’s UPBEAT show in May ’67 (the other was ‘(1-2-3-4-5-6-7) Count The Days’ – see my post from 6/6/08 to listen). UPBEAT is a TV cult classic, and it would be huge if someone could free up all those episodes. Word is they still exist. There was a pretty weak website for the program at one time, but it focused on the bigger names (like The Beatles and The Rolling Stones) when in fact, many obscure acts were on as well (Love / The Seeds / The Hullaballoos / Terry Knight & The Pack / The Velvet Underground). A weekly hour long show, syndicated in many markets, it predated Shindig but then survived concurrently – and in short, any act passing through the Cleveland area got herded in to mime a couple of numbers. On this particular episode, Charlie, wearing a black shirt with matching carnation pink chino suit and tie, sang and danced on a small circular podium behind Inez. In her pink dress and heels, she sang a live vocal over the prerecorded bed, picking on a pink stratocaster and strutting not unlike The Duchess. Have mercy indeed.

Please God let this footage resurface.

Slim Harpo

Saturday, November 29th, 2008

I'm A King Bee / Slim Harpo

Listen: I'm A King Bee / Slim Harpo I_m A King Bee.mp3

Slim Harpo, real name: James Moore, might as well have been granted a patent on mid 60′s electric blues. Yeah yeah, there were a bunch of great players then, definitely Jimmy Reed, Freddie King, etc, so it’s admittedly a personal pick. His calm voice sat suggestively in every song and those lyrical double entendres were a riot. This one takes the cake. The Rolling Stones recorded a superb version for their first album, so it was nice to find the original was even sleazier. No surprise it was not a commercial hit, but certainly it’s a classic, one of the many of examples written about in THE LONG TAIL.

Bo Diddley

Monday, June 2nd, 2008

Crawdad / Bo Diddley

Bo Diddley jukebox tab

Listen: Crawdad / Bo Diddley 01 Crawdad.mp3

I starting collecting artist-signed jukebox tabs when I got my 1st Seeburg. It was an aqua/lavender/chrome 1956 model that held 100 singles, with the records housed in a circular carousel that spun around until the desired choice was located, then an arm would reach for the single and put it onto the spinning platter. The tonearm would proceed to lift & set on to the vinyl, and away we’d go. There’s a youtube video of my actual box playing The Rolling Stones ‘Heart Of Stone’ posted by 25 Million, a good friend of mine. Seek it out to see what I mean. So I got this idea back then, around 1986, to carry blank jukebox tabs with me at all times (which I still do) and get artists to fill them out for a record of my choice that they were on, if and when I’d run into them. It was the start of me collecting autographs I guess. So now I have hundreds. So many amazing ones too: Nina Simone, Screamin’ Jay Hawkins, The Creation, Ike Turner, The Move, The Cramps, Love, Ellie Greenwich, Sparks, The Ronettes even Pinkerton’s Assorted Colours. Honestly, loads. A few summers ago I went to see Bo Diddley and was lucky enough to have a word with him. He was just a sweetheart, happily answering questions that would turn into amazing stories. It was at a festival so he was just sitting around. Frail in ways even then, I wasn’t confident I should ask him to do the tab, but finally felt comfortable and did. He was so great about it, saying he wanted to do it, but would it be ok to just fill in his name, as he had a tremble when he wrote. Well sure – no problem. Thankfully, I have this to treasure forever.