Posts Tagged ‘Chris Blackwell’

Don Covay & The Goodtimers

Friday, June 12th, 2009

doncovaymercyuka, don covay, atlantic, the rolling stones

doncovaymercyukre, don covay, atlantic

Listen: Mercy, Mercy / Don Covay & The Goodtimers DonCovayMercy.mp3

I woke up one day realizing albums by The Rolling Stones serve as introductory encyclopedias for figuring out the best American RnB and Blues originals. I felt really behind the curve at that moment, but considering it was still 1969, I caught up ok. The band, or someone in their camp, had impecable taste when picking this stuff. I still read the occassional story of their early visits to the US, whereby they’d all flock to now infamous record shops in Harlem or East LA just to buy all the black releases. Man, those stores must have been amazing. And where are all those records now? There were plenty of those original US pressings amongst the Tony King collection…..

Don Covay entered my world via OUT OF OUR HEADS. The Rolling Stones started side one of the US version with ‘Mercy, Mercy’. OUT OF OUR HEADS was their fourth and final US album to pressed initially (first run only) in the UK, then exported to the US and sleeved here. Just recently have collectors been alerted to this detail, but for years I was buying up those UK copies at garage sales for $1. They are particularly easy to spot. The font is obviously different than US London labels, but they’re also deep groove, and they indicate ‘Made In England’. Quite helpful. A few other London releases during the era (’64 – ’66) were intially pressed in the UK as well: Marianne Faithfull, Tom Jones and Them.

When I worked at Island in the late 80′s, Chris Blackwell signed Don Covay, who came by regularly to see Holly Furgeson and her office was next to mine. She did the A&R admin, and Don Covay handled all his own business. I remember him working diligently on the project only to have it shelved, a bad habit Island always had.

I was well pleased to find not only the original DJ copy of ‘Mercy, Mercy’ amogst Tony’s records, but a very nice UK reissue as well, both pictured above.

Stereo MC’s

Monday, May 4th, 2009

Stereo MC's Connected Picture Sleeve

Listen: Stereo MCs / Connected StereoMCsConnected.mp3

Has there been a better funk/rock single since this? Probably not. I’ll never forget hearing it for the first time. It was at an Island A&R retreat in New Orleans during Jazz Fest in ’92. Jon Baker, who ran Gee Street, brought it straight in from the studio. Everyone’s mouth dropped.

Jon had invited me two years prior to see the band practice/showcase at a space in south London, just near Waterloo Bridge. They’d put one single out in the UK, and were about to be dropped. The rehearsal was spectacular. Just the three piece, with their live drummer Owen. It was slamming as they say.

Island did a deal for Jon’s Gee Street label, but it took a minute. After some dicking around, Jon was getting fed up and had planned to sign with Virgin, but came into my office for one last shot. He played me a new single by his other act, PM Dawn. Their ‘Set Adrift On Memory Bliss’ was a no brainer. Later that day, I went round the Gramercy Park Hotel to hook up with Jon, and meet the P. M. Dawn guys. I kept them there until around 2AM, insuring they’d miss their dinner with Virgin which was supposedly happening. I must ask Jon if that dinner date was really true. Whatever, Jon and I schemed to get Island’s committal quickly. I suggested Jon demand a substantial check within twenty four hours, and that if the label didn’t conclude the deal within one week he could keep the money. Island agreed to it the next day, once Chris heard ‘Set Adrift’. Bingo, two acts signed in one swoop, not to mention getting Jon Baker as part of the deal.

So we proceeded to deliver Stereo MC’s their first hit, in The States instead of England no less, with ‘Elevate My Mind’. Howard Thompson played Happy Mondays the single, and got Stereo MC’s the opening slot on their upcoming red hot US tour. A perfect storm.

Even better, ‘Connected’ was to follow.