Archive for the ‘United Artists’ Category

War

Sunday, March 21st, 2010

WarCiscoUSA, War, United Artists, Island

WarCiscoUKA, War, United Artists, Island

WarCiscoUKAIsland, War, Island, United Artists

Listen: The Cisco Kid / War WarCisco.mp3

Today is the first full day of spring, according to my neighbor who knows all these things. Actually it started yesterday at around 1:15, so that didn’t count. Whatever. When it’s about 70°, no humidity with clear blue skies, and I find myself digging through boxes of doubles stockpiled for some 15 years back out in the garage, I know it’s spring. It’s the first thing I do, having itched to get at something or other all winter – and that’s exactly how yesterday was spent. The place is actually a scene from that new TV show about hoarding, the latest condition a doctor will give you tablets for. Corinne went in to get something, and being her first time for a couple of years, and just flipped out on me. So I needed to do some shuffling around anyways.

Brought one of those portable suitcase record players out with me. I bought this one for a steep $20 sometime in the late 80′s when those two parking lots on 6th Ave and 26th St had the weekly junk sales, dealers of everything covering the two spaces. I got into a habit of getting there at dawn, and found records even I can’t believe. One time, I got it into my head I needed a wlp of The Faces debut on Warner Brothers, and found it that very day. Like I willed it to be there. True story.

The player still works, perfectly in fact. It’s one of my favorite pieces, complete with interchangeable 45 adapter spindle. So off I go to the garage to dig and spin. First box, first handful, I find a copy of ‘Cisco Kid’. I’d forgotten Island UK licensed their catalog off Jerry Goldstein around ’75, and proceeded to be his English outlet for War, although quite why United Artists there didn’t hold on to his Far Out Productions was probably a mistake in hindsight.

I freaking love ‘Cisco Kid’. It reminds me of April ’73, when I took my pal and college radio rep for United Artisits in LA, Rich Fazekas, up on his offer to come on out and visit Easter week. The Pretty Things were making their US debut at the Whisky Au Go Go. Did I need more reason? We tooled around non-stop. He turned me on to Mexican food – there was no Mexican food in my college town of Rochester. I’d never had a taco, and given Rich is Mexican, he knew the real deal places to go.

‘Cisco Kid’ was easily the soundtrack to the trip. It was being played everywhere, you remember how hits used to be unavoidable. By early summer when I went to London, it had migrated to their airwaves, and I heard it constantly all over again.

So this time of year brings that all back, and to find a copy in that first handful I grabbed does make me feel frighteningly connected to my records. I love those records.

Candi Staton

Saturday, February 27th, 2010

CandiStatonGhettoUSA, Candi Staton, Rick Hall, Fame, Mac Davis

Listen: In The Ghetto / Candi Staton CandiStatonGhetto.mp3

Country Soul, as Candi Staton’s sound has been tagged, well I guess somebody had to do it. Thankfully, her great voice lent itself to loads of covers while with Rick Hall’s Fame Records, including ‘Stand By Your Man’ and ‘That’s How Strong My Love Is’. Just after Fame secured distribution through United Artists in ’71, he and Candi cut this Mac Davis song at the company’s studios on Avalon Avenue in Muscle Shoals, Alabama. A history with some of the greatest voices both Fame and Rick Hall certainly had: Etta James, Clarence Carter, Wilson Pickett, Aretha Franklin.

Mac Davis, now who would have thought he wrote ‘In The Ghetto’. Not me. This version is a nice end piece to Elvis’, a hit some 4 years earlier.

I had a few Candi Staton singles in the collection, but honestly, didn’t realize the power of her voice until hearing the compilation cd, titled simply CANDI STATON that Mat sent me. We’d been sitting in the Spreadeagle Pub in Camden – and I think ‘In The Ghetto’ came on the jukebox or something. Anyways we both basically lit up at the mention of her name, and he offered up his extra copy. Without it, I think I’d still be a little in the dark about her greatness.

Garnet Mimms & The Enchanters

Thursday, November 19th, 2009

garnetmimmscry, Garnet Mimms & The Enchanters, United Artisits, Jerry Ragovoy
GarnetMimmsUKA, Garnet Mimms & The Enchanters, United Artisits

Listen: Cry Baby / Garnet Mimms & The Enchanters GarnetCry.mp3

I’ll admit it. I had not heard this record, nor seeked it out, until Janis Joplin recorded her version of ‘Cry Baby’ in ’71. I’d seen Garnet Mimms’ records mentioned occasionally in the obscure sections of Billboard: like Bubbling Under The Hot 100, or listed as a possible minor hit in the ‘Chart’ section of their Singles Review page (the catagories were ‘Top 20′, ‘Top 60′ and ‘Chart’, in that order). Seemed like an eternity, those eight years between his release and hers. Now it’s just a blink.

Her rendition would make anyone want to seek out the original. She just tore it apart. Certainly Garnet Mimms’ RnB version had to be great too. Taste in black music Janis Joplin certainly had.

Garnet Mimms & The Enchanters’ ‘Cry Baby’ was worth the search. Turns out he’d sang in many gospel groups, as well as with Sam Cooke, before being drafted. Once discharged in ’57, he hit the circuit again before forming The Enchanters in ’62. They cut ‘Cry Baby’, and it went on to sell a million units, peaking in Billboard’s pop charts at #4. Within a year, the group disbanded.

Composed by then struggling Brill Building staff writers Norman Meade and Bert Russell (aka Bert Burns), and produced by Jerry Ragovoy, ‘Cry Baby’ is a now perfect snapshot of New York RnB in it’s heyday.

The Pretty Things

Thursday, June 18th, 2009

prettythingscryuk, the pretty things, fontana, phil may, the rolling stones, freeway madness, warner brothers, mo ostin, whisky,

prettythingscryusa, the pretty things, fontana, phil may, the rolling stones, freeway madness, warner brothers, mo ostin, whisky,

prettythingscryus, the pretty things, fontana, phil may, the rolling stones, freeway madness, warner brothers, mo ostin, whisky,

Listen: Cry To Me / The Pretty Things PrettyThingsCry.mp3

I don’t need much prompting to give The Pretty Things a shout out. Phil May is one of music’s greatest vocalists. When I was running The Medicine Label at Warner Brothers in the 90′s, I asked then chairman Mo Ostin, during casual hallway conversation, if he’d let me reissue their 1973 FREEWAY MADNESS album, which was ripe for CD format. No problem.

Mo was the ultimate executive, they literally don’t make them that way any more. Prior to getting the green light to set up Medicine, I had a memorable meeting/job interview with him. I wanted details of when he signed both The Kinks and Family, which he ever so graciously recounted. And that was only the beginning of the many fascinating stories.

FREEWAY MADNESS, one of those Mo signings, holds some serious sentimental placemarks. Plus it afforded the band their first US tour. How insane is that? Despite their legendary status almost instantly, it wasn’t until spring ’73 that The Pretty Things played their initial US show, at LA’s Whisky A Go Go. I up and flew to California in April, like the senseless Anglophile that I was. Turned into a fantastic trip. Rich Fazekas, then part of United Artists hip college radio department, put me up for the week and introduced me to old Hollywood. UA had Family, Hawkwind, Ian Whitcomb, Man, The Move, Wizzard, endless Blue Note acts. It was the place to be. We raided, with Greg Shaw, UA’s publishing office, then anxious to dispose of their 7″ library. Talk about timing. We saw Tim Buckley at The Troubadour and of course The Pretty Things at The Whisky several nights straight. One month later, I booked them back at my college. May 19, 1973 to be exact.

Fast forward to last night. At a friend’s for dinner, I became engrossed in THE ROLLING STONES ALBUM FILE & COMPLETE DISCOGRAPHY, by Alan Clayson, that was meant to be casual coffee table glancing. I intended taking a quick look, then couldn’t put it down. Learn something every day – and with this book you’ll learn many somethings. For instance, March 7, 1965. Manchester. Following a stopped Rolling Stones show at The Palace Theater, Keith and Mick taxied across town to leap onstage with The Pretty Things (Brian Jones was a room mate of The Pretty Things at the time) at The Manchester Cavern that evening. Among the songs that Mick duetted with Phil May: ‘Cry To Me’.

The Spencer Davis Group

Tuesday, January 13th, 2009

I'm A Man / The Spencer Davis Group

Listen: I’m A Man / The Spencer Davis Group SpencerDavisMan.mp3

No big story to tell. Just a record I don’t hear enough anymore, despite it being a Top 10 single in the US. Steve Winwood had to have been the envy of all his peers, he really did sound black. As hard as the others tried, only he could pull it off. Want a perfect intro? Here you go. A bass guitar has never sounded better?

PATTY DUKE

Friday, December 19th, 2008

Say Something Funny / Patty Duke

Listen: Say Something Funny / Patty Duke Say Something Funny.mp3

Funny Little Butterflies / Patty Duke

Listen: Funny Little Butterflies / Patty Duke Funny Little Butterflies From The Motion Picture Billie.mp3

The Theme From 'The Patty Duke Show'

Listen: The Theme From ‘The Patty Duke Show’ Patty Duke Show Theme.mp3

Our close friend Diana went to high school with Patty Duke. It was somewhere around 57th Street in New York. Also in the class was Mary from The Shangri-Las and Miles Davis’ son. They all used to go to his Dad’s apartment after school. How’s that for a childhood experience? Diana remembers it as a rough and weird life for them, the pressure of being TV and recording stars, trying to get through school and having friends because they were liked as people instead of celebrities. I’ll never know.

We all loved The Patty Duke Show though. I couldn’t have been happier when she started making records, and most were issued in nice, full color picture sleeves, like the one above. This was her second single (the first, ‘Don’t Just Stand There’ went Top 10), and both sides charted on Billboard. The divided play was probably the cause for them to cancel each other out a bit, reaching #22 and #77 respectively. There were a few albums as well. Being cast as one of the leads in the film, VALLEY OF THE DOLLS, helped her grow up in public and get her out of the TV show’s trench. Logically, she recorded an album for United Artists of all the songs in the film. It’s a must. Search it out at all costs.

THE TUNE ROCKERS

Thursday, November 27th, 2008

The Green Mosquito / The Tune Rockers

Listen: The Green Mosquito / The Tune Rockers 01TheGreen Mosquito.mp3

On Thanksgiving, let us give thanks to Buffalo band The Tune Rockers from 1958. Without them, and their ‘Green Mosquito’ there may never have hatched a ‘Human Fly’ or possibly even The Cramps. Shudder.

Bobby Womack

Wednesday, October 22nd, 2008

Across 110th Street / Bobby Womack

Listen: Across 110th Street / Bobby Womack Across 110th Street.mp3

Think grainy, washed out color, heroin in Harlem 70′s blaxploitation films and you’ll have a spot-on stereotypical description of ‘Across 110th Street’. Formula even. Probably more known for his less gimmicky writing, this still is a favorite track. Any of those accusations – all of which I’ve read – are way overshadowed by an almost perfect soundtrack theme. It’s funny how so much of that era’s music was similar in production and instrumentation. It’s all rolled up nicely in this one song. As always, a stellar vocal too.

Montrose

Saturday, October 11th, 2008

Listen: Rock The Nation / Montrose
Rock The Nation / Montrose

Montrose. If it’s good it’s always good. You may remember a time in punkcentric ’77 when Montrose was a nasty word, representing the hard rock, metal hair band, LA Sunset Strip. A frozen in time culture when we were all teens and knew way more than those folks did. Yeah right. Like the reality of every musical movement, there were great things happening which we happily turned our nose to at the time. I secretly didn’t. Montrose was one. I went to LA for the 1st time in May ’73 at the invitation of Rich Fazekas, then promotion guy for United Artists. We’d stuck up a friendship (lasting until this day) as a result of him promoting their UK signings (The Move, Family. Hawkwind, Man, Help Yourself). This resulted in my self-serving position of playing them on my college station even though no one was probably listening, which was basically the situation for all of us in small towns acting as cities. Still it got me a relationship with Rich. So in May ’73, at his invitation, I schlepped to LA. Bless his heart, Rich introduced me to mexican food, took me to the Troubadour for a jaw dropping Tim Buckley show, we raided a publishing company with Greg Shaw that was dumping all their 7″ singles (I got many sick things like several copies of The Alan Price Set’s ‘I Put A Spell On You’) and took me to see The Pretty Things 1st US shows at the Whisky (which was the ultimate point of the trip originally). Somewhere in that 4 day blur, we went to Warner Brothers Studios to see Montrose making their 1st album. I vividly remember this song being recorded – but I’m not choosing to post it for nostogia or show off reasons – instead becuase it is so ‘the real thing’ and sounds it until this day – and in mono my friends, straight from my 7″. I hope you love it like I do. I never hear it anymore – not that I did then. Hopefully someone will discover it here and make Montrose some well deserved $.

Monk Higgins & The Specialties

Tuesday, July 8th, 2008

Gotta Be Funky / Monk Higgins & The Specialties

Try to ignore the trendy song title. Heavily sampled, well known to breakbeaters of the world, not surprisingly with a drum sound like that. Even though Monk Higgins had some blips of notoriety in jazz circles, he was actually best as an A&R guy, working for One-Derful Records in the 60′s and signing Otis Clay.

The guy did a lot of writing and producing into the 70′s for Imperial, Minit and UA. While there, he recorded a few albums and released ‘Gotta Be Funky’, his biggest hit. He gave his cousin, Barbara Acklin her start (as Barbara Allen on Chess) as well. Seemingly, a pretty great fellow.

The B side of this, ‘Big Water Bed’, is a riot – worth searching out.