Archive for the ‘WNDR’ Category

The Strawberry Children

Tuesday, May 5th, 2009

Strawberry Children Picture Sleeve

Listen: Love Years Coming / The Strawberry Children
Love

Turns out Johnny Rivers was a pretty hip cat, as I believe he’d be referred to at the time. Like his career, Johnny Rivers’ record label Soul City, was very Los Angeles centric. Having earned parent company Liberty a ton of cash, he was afforded an imprint and indeed quite the businessman, which occasionally populated the landscape during the 60′s. In short, he licensed his masters instead of allowing the label to own them. Not only as performer, but as producer and A&R alike, Johnny Rivers had talent, signing The Fifth Dimension to Soul City as well producing many of their hits. Reputedly giving Jimmy Webb his initial songwriting placements, Rivers teamed he and The Strawberry Children together. Never shy on picture sleeves, Soul City issued ‘Love Years Coming’ during the summer of ’67. It was almost a hit.

Looking back on one of my local radio station’s chart below, ‘Love Years Coming’ was that week’s pick hit. Look further though. Usually a very tight follower of the national Top 40, seems WNDR was burning it’s bra that summer as well. The sunshine was clearly powerful as acid pop singles aplenty were being played: Sagittarius at #15 (which they misspelled), The Third Rail, The Forum, The Merry-Go-Round, The Will-O-Bees, The Cyrkle, The Left Banke and pyschedelic folk hippie Marcia Strassman. Not to mention some decent soul/Northern soul: Linda Jones, The Sweet Inspirations, Betty Swanne and a portion, though not big enough, of UK stuff: The Kinks, The Spencer Davis Group

It was a great summer.

Marianne Faithfull

Monday, March 9th, 2009

Is This What I Get For Loving You? / Marianne Faithfull

Is This What I Get For Loving You? / Marianne Faithfull

Listen: Is This What I Get For Loving You? / Marianne Faithfull MarianneIsThis.mp3

WNDR 3-20-67

They all wanted to produce like Phil Spector back then – even Andrew Loog Oldham. I’m not quite sure if Andrew ever really produced despite his label credits, and this comes from both conversations with him and his press, not necessarily my observation. As this single clearly demonstrates, there was more than good intention required in order to reproduce Phil’s special sound.

Having said that, I still love Marianne and Andrew’s version. It got some play in my hometown (see chart), always sounded great on the radio and I must have played this baby 500 times in the day.

More on Marianne down the road. We became close friends during my days at Island, made some great albums together and found time to have some fun rides. Soon come.