April 18th, 2009

The Smoke

My Friend Jack (Unreleased Version) / The Smoke

Listen: My Friend Jack (Unreleased Version) / The Smoke SmokeJackUnreleased.mp3

My Friend Jack / The Smoke

Listen: My Friend Jack / The Smoke SmokeJack.mp3

High In A Room / The Smoke

Listen: High In A Room / The Smoke SmokeHigh.mp3

Have Some More Tea / The Smoke

Listen: Have Some More Tea / The Smoke SmokeTea.mp3

Dreams Of Dreams / The Smoke

Listen: Dreams Of Dreams / The Smoke SmokeDream.mp3

Ride Ride Ride (Dick Turpin)/ The Smoke

Listen: Ride Ride Ride (Dick Turpin)/ The Smoke SmokeRide.mp3

Sugar Man/ The Smoke

Listen: Sugar Man/ The Smoke SmokeSugarMan.mp3

A good band that sticks to their sound isn’t necessarily a bad thing. Even when the world evolves, sometimes staying in your little place can be good, as long as you actually had something decent to begin with. Obviously, it’s how I feel about The Smoke. Now I hadn’t discovered them when they were current, I guess they didn’t quite get enough press attention, I missed out until a year or two later. And upon hearing ‘My Friend Jack’, I filed it right up there with The Creation. That guitar effect, in fact, sounded very Eddie Phillips to me. Still, it took ages to find all their singles. The 60′s releases were hard enough, being non sellers. And the 70′s singles, selling even less, were a real challenge. Thank God for the many trips I made to the UK on some label’s dime, because I’d have never found them otherwise.

Years later, I stumbled on some hardcore info – the original version of ‘My Friend Jack’ was recorded and made it’s way to acetates, but not issued due to explicitly drug obvious lyrics. The version that did come out being apparently toned down. On a trip to the UK, Howard returned with just that acetate, one of many gems he’d gotten off his uncle, a former Decca Records UK promotion guy. He just handed it over – a serious ass present. There aren’t many like Howard.

Chris Blackwell’s country house in Theale had an amazing dj equipped/record library in the loft overlooking his recreation room – with pool tables and the works down below. I always made my way straight up there at gatherings for the company. He invited Corinne and I to stay a long weekend, and drove us down from London late one Friday night. An always generous host, we had the run of the place. He said graciously, if I found any doubles in the loft, to help myself. This was a dream come true – and despite being tempted to pocket a few on a first visit – it proves honesty is the best policy, or good things come to those that wait…..whatever. He let me take whatever I wanted. Lo and behold, he had an extra of the one and only Island single by The Smoke. This was ’89, by which time I’d still never even seen a copy, not to mention in unplayed condition. Worth the wait. Thank you Chris.

Imagine my shock when finding ‘Dreams Of Dreams’ at the Notting Hill Gate Record & Tape Exchange, in it’s Revolution Records company sleeve, which until that moment, I hadn’t realized even existed. I guess the Revolution Records team expected big success for the imprint, thereby manufacturing stock sleeves. Mind you, the single was in the glass encased upstairs high end section but well worth the lofty price (around 75 GBP). Nice one.

By 1971, The Smoke had stubbornly, and wonderfully, not changed their sound much. As with all bands that began in the mid 60′s, they occasionally let their love of Motown show, as on ‘Ride Ride Ride’. Later still, despite the glam audio techniques poured all over ‘Sugar Man’, their one of a kind, signature sound could not be stifled, thankfully.

April 10th, 2009

Colin Blunstone

Misty Roses / Colin Blunstone

Listen: Misty Roses / Colin Blunstone ColinBlunstoneMisty.mp3

I still obsess about missing the US tour by The Zombies / The Nashville Teens / The Hullaballoos. I lived in a wrong city – one the tour did not play. Long before ODESSEY & ORACLE was recorded, Colin Blunstone established his greatness in my world. The very first Zombies single, ‘She’s Not There’ tells all. Every song that ever followed was instantly recognizable because of Colin Blunstone’s other worldly voice. In hindsight, Colin was – still is – one of the greatest interpretive singers of all time. Up there with Frank Sinatra, Peggy Lee, Scott Walker, Dusty Springfield – name anybody and he will stand equal. If not for him, would Rod Argent’s great songs have succeeded as they did? Who else could do justice to ‘Time Of The Season’?

Mercifully, years later, Rod reconnected with the struggling Colin to spin their partnership together into a dazzling and deserved business – going as far as to reform The Zombies for ODESSEY & ORACLE in it’s entirety. Sharing some of that songwriting wealth to the voice that made it all valuable, Rod will now be allowed into heaven.

Once The Zombies dissolved, and Colin abandoned his three single career as Neil MacArthur, he was back to being Colin Blunstone. Signed to Epic in 1971, he began releasing a series of under appreciated albums. A few spawned the occasional hit in the UK but not here. His version of Tim Hardin’s ‘Misty Roses’ was issued as the US B side to ‘Caroline Goodbye’. How lucky for those owning it. Just listen.

In ’72, he toured The US. Epic made a bit of effort, and presented him at a college radio convention showcase I got to attend in Washington DC. It was stunning. No idea who was in the band, but his voice and persona alone filled the room. Magnificent.

Wonderful / Colin Blunstone

Listen: Wonderful / Colin Blunstone ColinBlunstoneWonderful.mp3

I heard ‘Wonderful’ on BBC’s Radio 1 just before leaving England to return home after an extended London stay in ’73. It was one of the last singles I bought before boarding the plane. The 7″ version clocks in at 3:20, proving the power of editing. I think it works much better than the five minute plus album track.

April 7th, 2009

Little Beaver

little-beaver

Listen: Party Down (Part 1)/ Little Beaver
LittleBeaver.mp3

Anything that lifted that ‘Why Can’t We Just Live Together’ groove sold me first listen. Seems TK and their subsidiaries patented it – and recycled the pattern with continual results (Gwen McCrae, George McCrae). I decided around ’75 that I loved playing records so much that a dj slot in an after work singles bar would be just fine, even if it was required the music be dance/disco/Top 40. Other than ‘Party Down’ and ‘Lady Marmalade’, I had no clue what to play. And everything I did play was met with an empty floor. It was like getting a job now on a mainstream Top 40 station like New York’s Z100 (yes they still are limping along grasping for air) and trying to figure out what that lowest form of life listener would want to hear. No thank you.

The sleaze of Little Beaver, right down to his name, has nicely lived on.

April 4th, 2009

The Fortunes

Here It Comes Again / The Fortunes

Here It Comes Again / The Fortunes

Listen: Here It Comes Again / The Fortunes FortunesComes.mp3

Back in the 70′s, many record stores bought direct from each label. Only the really small shops were forced to buy via a one stop, which were distributors that represented all the labels, a kind of middle man. I worked for Discount Records in ’74-75. Although a chain owned by CBS, they were deep catalog stores and centered around college towns and campuses, hence their two Syracuse locations. And each of these shops would buy direct from the various labels. Every Tuesday all the reps would stop by, bring the staff hot drinks and donuts, plus stacks of promos, T shirts and posters. It was heaven. One summer day, I went to the Syracuse University library, having been alerted to their complete bound collection of BILLBOARD magazines from the 60′s, to sit for hours and pour through them. I took a new marble notebook and dated each page to the corresponding issue then listed any facts of interest. Chart entries, new releases with catalog numbers, etc. Years later, I managed to find a magazine dealer selling a complete run of issues from ’64 – ’68. Perfect, I bought them all.

A few days later, I got this ‘why not’ idea. I ordered about one hundred long out of print 7″ titles on the London family labels from our rep, one copy each, using the newly acquired catalog numbers from my day of research.

I’d actually blanked and didn’t even think more about the order, being sure they’d never turn up. I mean how could they? This was ’75 and some of them had come and gone, most were flops, some ten years prior. But lo and behold, about a week later, the London order arrived, and one of the boxes was chock full of many, many of those very titles. Oh man, I was flying. Amongst them were all the Press singles from The Fortunes, not to mention The Small Faces, Los Bravos, The Pudding, The Gibsons and loads more. And those was just the ones on Press. I won’t even get into the Deram, London, Tribe, Hi and Parrot selections on this post. My immediate reaction was to order five copies of many that had turned up, which I did, but no more ever came. Obviously, these had been sitting on the shelves for literally a decade.

I think most kids considered The Fortunes sound to be manufactured, over orchestrated, adult leaning, the music your parents would like too. All true I guess, but I did love those big, ballad-y Greenaway/Cook and/or Les Reed boomers. ‘Here It Comes Again’ was a decent hit here, #27 in Nov ’65.

This Golden Ring / The Fortunes

This Golden Ring / The Fortunes

Listen: This Golden Ring / The Fortunes FortunesGolden.mp3

But the followup, ‘This Golden Ring’ struggled slowly, and perfectly, to a problem #82 in February ’66. The Fortunes were burned into my psyche as a wintertime sound. Most of their records remind me of the freezing cold walks to and from school with my little red transistor radio clamped to my ear, pre ear buds by decades.

Gone From My Mind / The Fortunes

Gone From My Mind / The Fortunes

Listen: Gone From My Mind / The Fortunes FortunesGone.mp3

‘Gone From My Mind’, despite it’s confident delivery, didn’t make a ripple. Never heard it on the radio in my life, and therefore really excited to find it amongst the others in that London shipment. No surprise, it’s ended up as my favorite.

April 3rd, 2009

The Cramps

Seeing is believing.

Courtesy: Lindsay Hutton

April 2nd, 2009

The Brotherhood Of Man

Reach Out Your Hand / The Brotherhood Of Man

Listen: Reach Out Your Hand / The Brotherhood Of Man BrotherhoodReach.mp3

No question about it, THE ESSENTIAL NORTHERN SOUL PRICE GUIDE is one of the best books ever. It’s my idea of what to read by the fireplace on a snowy winter afternoon. But I really do have one complaint. This single is not included. Clearly authors Martin Koppel, a particularly nice fellow who ran Toronto’s Kop’s Collectabiles for ages nd Tim Brown know what they’re talking about. I know Martin is English, as I’ve bought many a single from him through the years, and I guess Tim is too. So understandably, sometimes the Brits have their heads in spaces other than their own backyard, yet all is forgiven. Basically, this fits really nicely into any mix of Northern I’ve ever done. Plus it’s on Deram. I like anything on Deram, even the schmaltziest stuff, which The Brotherhood Of Man would dependably deliver on a regular basis. Keith Mansfield was involved in this one, he did some great stuff for The Love Affair too.

If you’re in New York, go now to Bleeker Street Records. There’s a ton of 7″ warehouse fresh finds in the basement 3 for $1.00. Mike Goldsmith alerted me to them. Been twice, between the two of us, we’ve lightened their load by a few hundred. Returned today and picked up three more copies of this, and plenty are left. Have fun.

March 31st, 2009

Dusty Springfield

Spooky / Dusty Springfield

Listen: Spooky / Dusty Springfield DustySpooky.mp3

This is an easy one. Everyone agrees Dusty’s immortal and timeless. We all know her many classics. It’s these two very overlooked, almost forgotten B sides that are worth visiting.

‘Spooky’ from 1970 has been compiled occasionally. A hit for The Classics IV, it was a superb cover choice as was it’s A side, The Rascals ‘How Can I Be Sure’.

I Am Your Child / Dusty Springfield

Listen: I Am Your Child / Dusty Springfield DustyIAm.mp3

‘I Am Your Child’, a beautiful Barry Manilow co-write, from exactly ten years later, is a much harder one to grab. The A side, ‘Your Love Still Brings Me To My Knees’ was not a hit and it would be another seven years before Dusty returned to the charts. Both are exquisite showcases for that shimmering, delicate craftmanship of a voice.

March 30th, 2009

Syl Johnson

Come On Sock It To Me / Syl Johnson

Listen: Come On Sock It To Me / Syl Johnson SylJohnsonComeOnSock.mp3

Take Me To The River / Syl Johnson

Listen: Take Me To The River / Syl Johnson SylJohnsonTakeMeRiver.mp3

Sock it to me. A teen catch phrase in the late 60′s that was immortalized via Syl Johnson’s first hit single. Despite only one week at #97 in Billboard, not unlike Screamin’ Jay Hawkins ‘I Put A Spell On You’ (which sold over a million singles but never charted…hmmm), everyone knew this song at the time. Everyone.

A few years later, he joined Hi Records roster and his output was flawless. Often overshadowed by label mate Al Green’s chart success, it’s actually Syl who had the hit with ‘Take Me To The River’. Everything that came out of Hi’s studios, particularly when Willie Mitchell produced, sounded very linear, almost identical but it never mattered. It was an insatiable sound and is as equally signature to Memphis as Stax.

March 29th, 2009

Ultravox

 Dangerous Rhythm / Ultravox UK

 Dangerous Rhythm / Ultravox UK

Listen: Dangerous Rhythm / Ultravox UltravoxDangerousRhythm.mp3

It was March ’77, Corinne and I had perfectly timed, as it turns out, our first trip to London. As chronicled in previous posts, Howard jammed what seemed like a year’s worth of record shopping and live shows into a fourteen day window. It was only a month prior that he’d sent the debut 7″ from Ultravox ‘Dangerous Rhythm’ pictured above, release date sticker still intact. We were ready.

They were playing The Nashville, we’re there. Visually a mix of New York, London punk and Berlin. Sonically jagged, metallic, white noise in parts yet cold and stark all at once. That early Ultravox lineup, their first album and a bunch of the singles following are never spoken of enough. In fact the whole John Foxx era is under appreciated. They were a great live band and a catalyst towards my appreciation of Neu, Can and many things German that I had previously overlooked.

March 25th, 2009

Derek & The Dominoes / Duane Allman / Elton John / Toe Fat

Why Does Love Got To Be So Sad (Mono Edit)/ Derek & The Dominoes

Listen: Why Does Love Got To Be So Sad (Mono Edit)/ Derek & The Dominoes DerekWhyDoesLove.mp3

Bad Side Of The Moon / Toe Fat

Listen: Bad Side Of The Moon / Toe Fat ToeFat.mp3

Toe Fat US Picture Sleeve
US Picture Sleeve: Front (above) / Back (below)


Toe Fat US Picture Sleeve

On December 2, 1970, Derek & The Dominoes/Elton John/Toe Fat played the Syracuse War Memorial. Truth be told, I went to this show more to see Toe Fat than either Derek & The Dominoes or second on the bill, Elton John. It was all about those obscure UK bands for me, and with Cliff Bennett on lead vocals, Toe Fat, despite the dreadful name, were of big interest.

It was Elton John’s first US tour and to be fair, I was pretty curious. He was great by the way, just a three piece then with Nigel Olsson and Dee Murray. He proceeded to do ‘Bad Side Of The Moon’, despite it being the current single for Toe Fat, who played it as well just before his set. Still remember John Glascock on bass, later in Chicken Shack when I booked them at my college in December 71 and eventually joining Jethro Tull. He had a definite groove to his style and probably made the band swing the way they did.

This show, reviewed below, was one of only two that Duane Allman played live with Derek & The Dominoes. Like the poorly written recap, journalist Terry Lee clearly had no clue about this major moment, despite the roar of the audience when Eric Clapton brought Duane Allman out for the second song onwards. I recall an interview with Duane whereby he mentioned doing Syracuse and Tampa only. Despite his participation on LAYLA, it was one of the lucky moments to see it all live. Years later I quite appreciated the whole Delaney & Bonnie & Friends/Leon Russell feel, and admittedly this show was spectacular despite walking in as a Toe Fat fan. Probably the world’s only.

Derek, Elton, Toe Fat Review

March 18th, 2009

Edwin Starr

Agent Double-O-Soul / Edwin Starr

Listen: Agent Double-O-Soul / Edwin Starr EdwinStarrDouble.mp3

An original talcum powder classic and way before ‘War’.

March 17th, 2009

Wheatus

BMX Bandits / Wheatus

Listen: BMX Bandits / Wheatus WheatusBMXBandits.mp3

I spent a day with Brendan a few Saturdays back. We hadn’t seen each other in ages, and were long overdue. He turned me on to a nice little vinyl shop in his neighborhood and great vegetarian cafe as well. A highlight was the 7″ single of ‘BMX Bandits’ that Wheatus had issued in the UK. Wow – is it great!

I was always annoyed that ‘Teenage Dirtbag’ hadn’t come out on a 7. Despite it being a worldwide (3 million units) smash – it never did make it to the proper jukebox friendly format. Go see Wheatus anytime, anywhere. They’re the real deal. I love them.

March 14th, 2009

Junior Tucker

Some Guys Have All The Luck / Junior Tucker

Listen: Some Guys Have All The Luck / Junior Tucker JuniorTuckerSomeGuys.mp3

This is plain and simple a great single. I seem to recall someone once referring to him as the Michael Jackson of reggae, no doubt due to a similar vocal tone. I got to put together a couple of THIS IS REGGAE MUSIC volumes while at Island and included this on #5, basically a collection of hits done in a reggae style. Even Rod Stewart’s mainstream success of the song did it justice.

March 11th, 2009

Billy Stewart

Summertime / Billy Stewart

Listen: Summertime / Billy Stewart BillyStewartSummertime.mp3

This is one of the songs, well versions, you do NOT hear anymore. On the rare occasion when it’s gets a ‘solid gold’ spin, it’s the unedited, different, cleaned up one. I bet they don’t know any better.

All the fussy, remastered, newly found stereo takes that infest artist compilations and box sets have virtually eliminated many original mono versions. Those are the ones able to truly bring the listener back to that place in time. Heard the original of ‘The Sounds Of Silence’, ‘Good Vibrations’ or ‘Dancing In The Streets’ lately. No.

Well here’s the hit version, from booming, deep groove Chess vinyl. There’s just no comparison.

March 10th, 2009

John Lee Hooker / Miles Davis / Taj Mahal

Bank Robbery / John Lee Hooker / Miles Davis /Taj Mahal

Listen: Bank Robbery / John Lee Hooker, Miles Davis & Taj Mahal HotSpot.mp3

This couldn’t have a more politically correct cast of characters. In addition to the players, there’s Jack Nitzsche and Dennis Hopper. One could confuse this as a tasty, well hip selection to post. But let me tell you, not only is this a great single regardless who’s on it – it’s amazing that it’s a single at all. Not many labels in the 90′s would’ve pressed this onto a 7″. I cherish my copy, and with a picture sleeve to boot.

From the soundtrack to THE HOT SPOT, Chris Blackwell picked it up for release when the cult film was doing the Sundance circuit. I remember him asking me if I thought he’d overpaid for it. Not one person in the office could stop listening to it for weeks. Overpaid? No way.

March 9th, 2009

Marianne Faithfull

Is This What I Get For Loving You? / Marianne Faithfull

Is This What I Get For Loving You? / Marianne Faithfull

Listen: Is This What I Get For Loving You? / Marianne Faithfull MarianneIsThis.mp3

WNDR 3-20-67

They all wanted to produce like Phil Spector back then – even Andrew Loog Oldham. I’m not quite sure if Andrew ever really produced despite his label credits, and this comes from both conversations with him and his press, not necessarily my observation. As this single clearly demonstrates, there was more than good intention required in order to reproduce Phil’s special sound.

Having said that, I still love Marianne and Andrew’s version. It got some play in my hometown (see chart), always sounded great on the radio and I must have played this baby 500 times in the day.

More on Marianne down the road. We became close friends during my days at Island, made some great albums together and found time to have some fun rides. Soon come.

March 8th, 2009

The Frankie Miller Band / Frank Miller’s Full House

A Fool In Love / The Frankie Miller Band

Listen: A Fool In Love / The Frankie Miller Band FrankieMillerFoolInLove.mp3

Loving You Is Sweeter Than Ever / Frankie Miller's

Listen: Loving You Is Sweeter Than Ever / Frankie Miller's FrankieMillerLovingYou.mp3

I saw Ray LaMontagne on SNL last night. I’d heard endless raves about the guy. With an 10 piece band, and an exhausting ‘mean it’ delivery, I realised I’d already seen it back in ’76 from Frankie Miller. I didn’t bother watching his second song, but instead went to the record library.

Often sighted as a blue eyed, gravel voiced soul legend, Frankie Miller successfully survived punk during the late 70′s, being nicely accepted along with Thin Lizzy and Jess Roden as ‘ok to like’ – well he was really good so not such a surprise.

I was interested in just about anything from Chrysalis back then. Must have been the lime green generic sleeves, but being a hip indie of the day was a plus. Yes, I was an indie snob in my youth too. Between The Winkies, Blodwyn Pig, Tir Na Nog, early Jethro Tull, Steeleye Span and Robin Trower – they were fine label.

I remember Tommy Nast, then the overnight DJ on WBBF, playing this as his first song of 1976, just after midnight on New Year’s morning. Why I was listening baffles me – I think we were in the car. I couldn’t believe what I was hearing. They were a strict mainstream Top 40 station with a dependably wretched playlist – but I did hear this happen. Tommy had previously been with WSAY, a twisted AM progressive rock anomaly – and his taste plus knowledge of music were a logical path to playing Frankie Miller. He must’ve gotten shit for it.

March 8th, 2009

Buddy Rich

The Beat Goes On / Buddy Rich

Listen: The Beat Goes On / Buddy Rich BuddyRichBeatGoesOn.mp3

Cathy Rich, Buddy’s then teenage daughter provided vocals for his 1967 remake of the Sonny & Cher hit. A highly sought after acid jazz, hipster, trust fund, bohemian lifestyle staple. So if you’re in the mood for such a listen – here you go.

March 7th, 2009

The Crickets Featuring Buddy Holly

Maybe Baby / The Crickets Featuring Buddy Holly

Listen: Maybe Baby / The Crickets Featuring Buddy Holly CricketsMaybeBaby.mp3

Once THE BUDDY HOLLY STORY film hit, summer ’78, I started my obsession with his many great singles. How I’d not really paid attention prior is baffling. I never noticed that most of my favorite singles by The Hullaballoos were actually his hits. Never mind, I began the amassing of his Coral and Brunswick output. Now at first this was a bit confusing. Hits that are all referred to as ‘Buddy Holly’ now were actually issued as either Buddy Holly or The Crickets back in the day (’57 – ’59). Not unlike say, The Ramones, turns out he didn’t have anywhere near the placements chart-wise his impact deserved – or that history has proven him to have achieved. In fact, he only graced Billboard’s Top 10 three times, and all in ’57.

Possibly the confusion of issuing records under two names – even more oddly – by the same parent company Decca’s two subsidiary imprints (Coral and Brunswick) contributed.

One of my many favorites is ‘Maybe Baby’. All Crickets singles were issued on Brunswick – while all Buddy Holly’s were on Coral. As a final pain in the ass complication, this Crickets record is on Coral. Go figure.

March 6th, 2009

The Attack / The Syn

Hi Ho Silver Lining / The Attack

Listen: Hi Ho Silver Lining / The Attack
Hi

If ever you wanted to hear the ultimate English group sound, you are on the right post. Two examples being The Attack and The Syn.

Originally known as The Soul System, the group signed to Decca UK in late ’66, changing their name to The Attack. Despite various line-up changes, which included David O’List and John Du Cann, then soon to be members of The Nice and Atomic Rooster respectively, as well a future founder of The Marmalade, Alan Whitehead, the band spawned four class singles. Their second in the UK, and lone US release on Decca’s US imprint, London, ‘Hi Ho Silver Lining’, lost out in the British charts to Jeff Beck’s version, which reached #14 in ’67, then #17 in ’72 and yet again #62 in ’82. Embarrassingly, his version peaked here at #123 in ’67 due to very little airplay, a pathetically common tale known as the sewer of US radio. The competing version also gave The Attack controversial attention in the British press claiming Jeff Beck had stolen the song from them.

Created By Clive / The Attack

Listen: Created By Clive / The Attack
Created

Created By Clive / The Syn

Listen: Created By Clive / The Syn
Created

Amazingly, despite having been damaged by the Jeff Beck fiasco, Decca jumped into a similar fire and chose to release the terrific follow-up, ‘Created By Clive’ on the very same day as it’s in-house subsidiary label, Deram, issued The Syn’s version of exactly the same song. It unknowingly predates Clive Davis’ eventual destruction of the record business with frightening accuracy by some forty years.

Neville Thumbcatch / The Attack

Listen: Neville Thumbcatch / The Attack
Neville

The Attack’s fourth and final single, ‘Neville Thumbcatch’ seems to mix The Kinks ‘Big Sky’ with the sound of LSD.