Posts Tagged ‘Justin Hines & The Dominoes’

Justin Hines & The Dominoes

Thursday, December 8th, 2011

JustinHinesCarryUKA, Justin Hines & The Dominoes, Jack Ruby, Island

JustinHinesCarryUK, Justin Hines & The Dominoes, Jack Ruby, Island

JustinHinesCarryUS, Justin Hines & The Dominoes, Jack Ruby, Island

Listen: Carry Go, Bring Come / Justin Hines & The Dominoes
Carry

Back in ’76, when Howard Thompson was still a junior A&R scout at Island UK, we struck up a quick friendship. Well it happened quick but it’s still going today and as strong a friendship as one can have. The first package he sent over, and a big one at that, included the compilation THIS IS REGGAE MUSIC (Volume 3). His accompanying note implored me to listen, citing the ‘almost psychedelic’ nature of the songs and their production. More accurate words have never been written. That sampler changed my life.

I couldn’t get down the phone fast enough to him. The call was quickly followed by a box, a fucking box, jammed with full length LP’s from just about every act on that comp: Aswad, Jah Lion, Burning Spear, Junior Murvin, Max Romeo & The Upsetters and Justin Hines & The Dominoes’ JEZEBEL – plus a slew of 7 and 12″ singles from all the above and more (Lee Perry, Fay Bennett, The Skatalites, Leroy Smart, Rico, Lord Creator, Millie, Dillinger, Augustus Pablo) each with that vital dub B side. A treasure trove if ever, ever, ever there was one. I’ll never forget ripping that one open. Can you imagine how it blew my mind and my friend’s minds too? Well it did.

There were a couple of singles in there from Justin Hines & The Dominoes. A then current reggae remake of his very own decade old Jamaican ska hit (then listed as Justin Hinds & The Dominoes) ‘Carry Go, Bring Come’. This newer version being my preferred choice.

JustinHinesJezebelUKB, Justin Hines & The Dominoes, Jack Ruby, Island

JustinHinesJezebelUK, Justin Hines & The Dominoes, Jack Ruby, Island

JustinHinesJezebelUS, Justin Hines & The Dominoes, Jack Ruby, Island

Listen: Jezebel / Justin Hines & The Dominoes
Jezebel

It’s flip, ‘Jezebel,’ a confusingly titled non-LP track from the JEZEBEL album, stay with me here, is actually a very nice dub of the A side ‘Carry Go, Bring Come’. Give it a listen and see for yourself.

To my knowledge, it’s never appeared on a reissue of any sort.

JustinHinesFireUKA, Justin Hines & The Dominoes, Jack Ruby, Island

Listen: Fire / Justin Hines & The Dominoes
Fire

‘Fire’ still reminds me vividly of that summer ’76 when Corinne worked the night shift and I had the place to myself, with not a responsibility in the world between semesters but doing a bunch of play whatever you want radio shows. So I’d spend all night spinning records and drinking tea, then sleeping the morning away once she got back home. Ah the joys of being young.

‘Fire’ in particular was the well worn 7″, a perfect song to overlay onto the backdrop of an alarmingly silent city, all asleep, not even a mouse was creeping on the deserted streets – quite eerie. Jack Ruby, the record’s producer, was indeed known for just such a haunting production quality. I still prefer to think of him as Reggae’s Joe Meek. We’d listen to it at least a few times, religiously, every morning before passing out.

JustinHinesNatty, Justin Hines & The Dominoes, Jack Ruby, Island

Listen: Natty Take Over / Justin Hines & The Dominoes
Natty

There’s not a bad track on that JEZEBEL album, yet there is a favorite: ‘Natty Take Over’. A most obvious A side to me, yet relegated as a B, I was just happy it was on a 7″ at all.

It fit in perfectly with the Island promo shirts announcing these reggae releases. The shirts came in many colors. I preferred the purple one with sky blue lettering that said quite simply, REGGAE on the front, with that palm tree Island logo on it’s sleeve. What better thing to wear almost daily during a nice hot summer. I still have that shirt.

Justin Hines & The Dominoes

Saturday, October 9th, 2010

Natty Take Over / Justine hines & The Dominoes

Listen: Natty Take Over / Justin Hines & The Dominoes 01 Natty Take Over.mp3

Justin Hines & The Dominoes, another of the classic reggae bands on THIS IS REGGAE MUSIC (Volume 3). Every song a classic, bringing me right back to the thrill and tingle of discovering the druggy new genre of reggae even as punk was simultaneously taking over everyone’s life.

It was sonic overload, and I loved every second of it. Both THIS IS REGGAE MUSIC (Volume 3) and Justin Hines & The Dominoes’ JEZEBEL, from which this single comes, are totally worth the effort to find and money needed to acquire – get them both.

But having the singles, hmmm, even better. By ’76, most reggae singles were backed with dub version B sides. This was an exception. ‘Natty Take Over’ is actually the B side to ‘Fire’, but it was ‘Natty Take Over’ that graced that compilation, and so forever burned in my memory.

Besides, to me it’s an A side. Thank God this made it onto a seven inch single, unlike the equally great ‘Uptown Babies’ by Max Romeo & The Upsetters from WAR IN A BABYLON, released during that same era.

Aswad

Friday, July 9th, 2010

Back To Africa / Aswad

Listen: Back To Africa / Aswad AswadBack.mp3

Don’t dismiss Aswad because they were an English reggae band. I can understand you confusing them with the generic Steel Pulse based on origin, but Aswad indeed were roots. And the hits they had years later, well, they were great singles. I still love ‘Don’t Turn Around’.

Howard turned me on to them back in ’76. He put them out with Eddie & The Hot Rods. Remember when reggae and punk happily co-existed? Well that tour may indeed be the one that gave Joe Strummer the idea to take The Clash reggae a year or so later – I mean he was copying everything else so why leave this idea on the table?

I initially had no idea Aswad were English, having been part of those 45 packages Howard would send along from Island: Augustus Pablo, Justin Hines & The Dominoes, Max Romeo & The Upsetters, Rico, Burning Spear and Junior Murvin. They sounded so authentic, I couldn’t tell the difference from their initial few singles, of which this was the first.

Linton Kwesi Johnson

Monday, May 31st, 2010

Listen: Di Black Petty Booshwah / Linton Kwesi Johnson LKJBlackPetty.mp3

I recollect LKJ’s FORCES OF VICTORY and BASS CULTURE albums suddenly being of great interest amongst our whole crowd. For whatever reason, they seemed like the first full lengths after that initial introductory (to us) influx of ’76 and ’77 releases (Max Romeo & The Upsetters, Justin Hines & The Dominoes, Peter Tosh, The Mighty Diamonds, Jah Lion, Dillinger), and they were both non stop favorites for months. It never occurred to me some singles might actually be pulled from them, given they were such ‘album’ albums. I still thank the decision makers who chose to proceed otherwise.

The Sly & Robbie Taxi productions combined with acts like Steel Pulse and Inner Circle that raced toward a clean, syndrum, soul-less era of early 80′s reggae was just about to begin. FORCES OF VICTORY and it’s follow up, BASS CULTURE, bar a few others like Black Uhuru, basically ended my hardcore infatuation with most reggae music that followed, due to this new sound twist, uncomfortably merging expensive modern equipment with one of the only non flash earthiest genres left.

From BASS CULTURE, ‘Di Black Petty Booshwah’ was a nice example of LKJ’s countless A1 tracks. I still don’t get why so many songs ended up gracing 7″ singles that seemed to have no hope for airplay. I’m guessing in the case of reggae, the pockets of Jamaican communities around London might have been the target – but they weren’t exactly singles buyers like in the 60′s, where they?

My money would’ve been ‘Inglan Is a Bitch’ as the choice. If you’re going to end up being struck down at BBC playlist music meetings, you might as well make an unsettling statement.

But I’m well content to own the promo and stock of ‘Di Black Petty Booshwah’, complete with custom sleeve. It sounds just that tiny bit better than the album, given the nice wide grooves and the revved up speed of 45.

Listen: Straight To Madray’s Head / Linton Kwesi Johnson LKJBlackPetty Dub.mp3

Misleading title for the actual dub of this A side. I double checked via INDEPENDENT INTAVENSHAN – THE ISLAND ANTHOLOGY, a comprehensive double cd encompassing his work for the label, complete with dub versions of just about every song. And guess what – this isn’t included. So to the best of my knowledge, one needs to track down the 7″ if adding it to the collection is required.

While on the subject earlier of mischosen LKJ A sides, it’s worth wishing history had dictated a 7″ release of ‘Independent Intavenshan’ and it’s priceless extented dub version which can be found on the above anthology.