Posts Tagged ‘Marc Lessner’

Propellerheads / Les Rythmes Digitales

Monday, April 25th, 2011

Listen: Take California / Propellerheads
Take California / Propellerheads

In ’96, Wall Of Sound released Propellerheads ‘Take California’. The label had been set up by Mark Jones and Marc Lessner not long before, and had quickly become dependable.

‘Take California’ was one of many singles Gary Crowley played me at his Maida Vale apartment on that London trip. His place was a favorite stop as he gave the best crash course when it came to anything new and worthwhile.

Located literally across the street from the studios used by the BBC to record their live sessions ever since the 50′s, I’d stand in his front bay windows and in my head flip through the almost endless list of acts that walked through those very doorways ahead, as he’d spin his favorite recent releases, always a bit mesmerized by both.

Mind you, it was a pretty good time for dance and electronic music 1996. Much like punk in it’s heyday, there were loads of fun singles coming out weekly. On that visit, Gary played me ‘Take California’ really loud, and it was a jolt. Bless him, I hardly finished asking, before he promptly rang and set me up. Seriously, about an hour later, I was in a cab making my way toward South London to meet Mark Jones at Wall Of Sound’s Farm Lane office. The next night, Gary and I were at Ministry Of Sound to meet Marc Lessner, and see the Propellerheads live. It all happened that fast.

Jonesy, as he likes to be called and we all like to call him, hoisted a stack of records my way, talked for a good two hours and made plans to try working Wall Of Sound into a deal through Columbia for America. I couldn’t wait to take “Take California’ back home and play it for everyone, including Donnie Ienner, our chairman.

His response: “There’s no vocal.”

“Well, that’s the point.” But in fairness, Donnie wanted to explore the idea of representing the label in the US, and we proceeded to try.

Never did succeed, and Jonesy never did find a US partner.

Listen: Kontakte / Les Rythmes Digitales
Kontakte / Les Rythmes Digitales

One of those early Wall Of Sound acts were Les Rythmes Digitales. In essence, it was one guy, Stuart Price. Nice kid, great writer, great producer, great head of spiked out bright red dyed hair. Known professionally at the time as Jacques Lu Cont, as with Les Rythmes Digitales, both names were initially an attempt at attaching to the then current vogue for French house. Stuart went on to great success.

‘Kontakte’ traded on the darker side of dance, similar to Dr. Octagon, and the track would have probably suited 4hero’s ‘Mr. Kirk’s Nightmare’ better as it’s musical bed.

A very nicely packaged, and scarce, 7″ this.

Air

Monday, July 13th, 2009

airsexy, Air, Source

Listen: Sexy Boy / Air AirSexy.mp3

airkelly, Air, Source

Listen: Kelly Watch The Stars / Air AirKelly.mp3

airradio, Air, Source

Listen: Radio #1 / Air AirRadio.mp3

Marc Lessner at Soul Trader in London was a most dependable source when it came to the latest, greatest dance and club releases back in the late 90′s. It was Marc who insisted I pay attention to Air, and gave me their first UK EP, LE SOLEIL EST PRESCE MOI. Despite a French aversion resulting from a few bad trips to Paris, I found Air irresistable. ‘Modular’ on Mo Wax followed and then came ‘Sexy Boy’, with an intro riff shockingly similar to New Math’s ‘They Walk Among You’, which was played down the phone to me by Howard quite early. But it was indeed the song’s similarity to Pink Floyd’s ‘Julia Dream’ that really grabbed my interest. All these years later, and I still don’t think I’ve even heard one mention of Pink Floyd when it comes to Air. Oh, and I do cherish my promo only UK single pictured above, one of many gems from the hands of Lessner. He always had my back when it came to promos bless him.

I excitedly went to see an early, maybe first, New York show at Town Hall soon after ‘Sexy Boy’ became an underground hit. It was very, very disappointing. I was shocked at how dull the whole event was. It put me off ever buying a ticket again, but not from loving the recordings.

Conveniently, despite their club royalty status, many of the singles were issued on UK 7″ vinyl. Both ‘Kelly Watch The Stars’ and ‘Radio #1′ were radio and chart hits in the UK, unlike here in the US. Once again, our programmers chose to grind their tired sounding stations to a cultural halt – I heard today that Boston’s WBCN bit the dust – put themselves right out of business with their stubborn musical policies. Good riddance.

Seems to me the excellent Animal Collective have quite good tastes – the influence Air have had on their records is worn very visibly on their sleeves. All good.