Posts Tagged ‘Moby Grape’

The Merry-Go-Round

Tuesday, October 18th, 2011

Listen: Live / The Merry-Go-Round
Live

I think summer ’67 was the sunniest ever. I remember it like yesterday, and can still feel the angst of wanting every last record that was being released. I was insatiable, riding my bike daily, many times twenty miles each way on the back country roads either between Canastota and Oneida, or into Syracuse. Every night as I lay in bed with the transistor under my pillow, listening to AM broadcasts from far away places in the Midwest or way up into the Northeast via Boston or Maine, I’d be scheming out tomorrow’s plan of where to go, looking for, asking for records.

Back then, at dusk, AM stations were required to switch from broad, local signals, to limited radius and directional. This meant those directional beams would make local broadcasts from hundreds and hundreds of miles away sound down the street. And with many of the looser US Top 40′s playing the latest underground and psychedelic releases overnight, new discoveries became a daily occurrence. Whether it be Country Joe & The Fish, The Pink Floyd, Moby Grape, The Move, The Magic Mushrooms, Tim Hardin, The Lewis & Clark Expedition, The Flowerpot Men or The Peanut Butter Conspiracy, I was hearing it all and my want list was endless.

So off I’d go, to the various shops, blagging promo records, last week’s copies of BILLBOARD, CASHBOX and RECORD WORLD, music surveys from the local Top 40′s, inventory check lists the distributors would leave with the store buyers, I hoarded them all.

Wednesdays were when the national record label reps would hit the Syracuse stations promoting their wares. None of my friends dared join me, so I’d wait alone on my bike in the parking lots for them to pull up, and got good at talking singles out of these guys, handing my high school newspaper record reviews to them in exchange for a dig through their latest releases. I’ll tell you truthfully, I’ve tried just about every drug out there, but never have I found a high near the one a free for all through a promotion man’s trunk full of 1967 promo 45′s could provide.

What became known as sunshine pop surfaced amongst the sub genres and regional music scenes during that summer. God, I hated the term and generally cringe when having to admit liking music tagged as such. Along with The Third Rail, Sagittarius, Eternity’s Children, Colours and The Sunshine Company, I guess The Merry-Go-Round’s ‘Live’ inhabited a slot. Their obvious British looking haircuts caught my eye, and when ‘Live’ started to pick up a lot of daytime play quickly, I was hooked. Critics claim a similarity to The Beatles, I don’t hear it. I preferred to associate them closer to The Hollies or The Tremeloes, they certainly looked the part.

‘Live’ almost made it nationally, but stalled just short of Top 50, which was ultimately a real shame.

You know those songs that take you right back? This is one for me.

Moby Grape

Tuesday, July 19th, 2011

Listen: Bitter Wind / Moby Grape
Bitter Wind / Moby Grape

Somewhere during the making of their second album, Moby Grape recorded a previously unreleased, very noisy rock version of ‘Bitter Wind’. That, along with said album and this single version, were included on the short lived double cd VINTAGE: THE VERY BEST OF MOBY GRAPE Columbia released about ten years back. Litigation or some such problem required it be withdrawn. Not sure exactly why, but seems this band is forever haunted by their questionable early business dealings.

Boy am I happy this original album track made it to the 7″ instead of that alternate version. It’s by far my preferred choice.

When they released that second album, WOW, the one with the free second studio jam disc, their sound and the recordings seemed to thin out compared to the first album’s messy collision of guitars. There was more space, and the stark emptiness, I guess you could say, really appealed to me. ‘Bitter Wind’ was the standout, I’d listen to Side One, from which it came, repeatedly.

Couldn’t have been more pleased to find it on the B side of ‘Can’t Be So Bad’, and in the originally released version. Despite the vocals pushing my tolerance ever so slightly, ‘Bitter Wind’ exemplifies the remnants of San Francisco’s summer of love exactly as I recall it.

Johnny Winter And

Monday, November 1st, 2010

Listen: Jumpin’ Jack Flash (Mono) / Johnny Winter And JohnnyWinterAndFlash.mp3

Please remember, this came out at a time when blistering acid blues guitar solos were still pretty new and defiant. Mix that up with a skinny, skinny, skinny albino, silky straight white hair, a bloodless complexion, blue velvet jacket and voila: recipe.

Having made a few tame, more traditional blues recordings for labels like Imperial, Johnny Winter signed to Columbia during their great late 60′s renaissance. A time period that saw Big Brother & The Holding Company, The Chambers Brothers, Moby Grape, Al Kooper and Pacific Gas & Electric added to it’s roster.

The first two Columbia albums were pretty much in that trad blues vein, a touch more electrified. The touring to support them included making the rounds of Fillmore type venues in the US.

By album three, Johnny Winter, the artist, became Johnny Winter And. By infusing more Little Richard style wildness and covering a handful of RnR standards, they band and idea blew up.

They were so powerful live, that for a short time, I’m not sure anyone could top them at their game. Despite being consistently out of tune on stage (a result of the mania specific to this live show), no one cared. It was a tornado of sound and action. You couldn’t take your eyes off them nor sit still.

JOHNNY WINTER AND LIVE became the time tested true documentation of that period. Definitely one of the most exciting live recordings in my collection. The mono 7″ excerpt of ‘Jumpin’ Jack Flash’ edits out the second solo, a real shame. Definitely check the full length for that. Meanwhile, a single, like the live show from which it came, has rarely been hotter.