Archive for March, 2010

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The Virgin Sleep

Monday, March 8th, 2010

VirginSleepLoveUKA, Virgin Sleep, Deram, Noel Walker, Keith Mansfield, Rod Buckle

VirginSleepLoveUK, Virgin Sleep, Deram, Noel Walker, Keith Mansfield, Rod Buckle

VirginSleepLove, Virgin Sleep, Deram, Noel Walker, Keith Mansfield, Rod Buckle

Listen: Love / The Virgin Sleep
Love / The Virgin Sleep

For a UK summer ’67 psychedelic snapshot, Deram were a pretty dependable label. Extending Decca, their parent company’s policy of the previous four years (basically grabbing up as many blossoming bands as possible and awarding them a single or two to see if they had something) gave The Virgin Sleep their 15 minutes. ‘Love’ has ranked respectfully among the most sought after period singles, and obviously for good reason. Sounding not unlike The Troggs’ more druggy tunes, the band modelled this after the Buddhist chant ‘Om Mane Padme Hum’ and logically threw in a sitar. ‘Paint It, Black’ beware.

VirginSleepHaliford, Virgin Sleep, Deram, Noel Walker, Keith Mansfield, Rod Buckle

VirginSleepHallifordUK, Virgin Sleep, Deram, Noel Walker, Keith Mansfield, Rod Buckle

VirginSleepHallifordUSB, Virgin Sleep, Deram, Noel Walker, Keith Mansfield, Rod Buckle

Listen: Halliford House / The Virgin Sleep
Halliford House / The Virgin Sleep

Produced by in-house Decca staffer, Noel Walker, both ‘Love’ and it’s B side, ‘Halliford House’ left no psychedelic studio trick untried. The crack ending here being solid proof.

VirginSleepSecrets, Virgin Sleep, Deram, Noel Walker, Keith Mansfield, Rod Buckle

Listen: Secret / The Virgin Sleep
Secret / The Virgin Sleep

Things went a bit more commercial for their second and last swing at the hit parade. Keith Mansfield was brought in to ‘arrange’. His history was incidental music for TV and film. Nice choice. Didn’t work though, as far as chart success went. Sounding not unlike the future classical ideas The Move would explore makes me wonder if Roy Wood was a fan. Still the psychedelic accolades remained intact, as ‘Secret’ has turned up on a few hardcore comps of the genre.

VirginSleepComes, Virgin Sleep, Deram, Noel Walker, Keith Mansfield, Rod Buckle

Listen: Comes A Time / The Virgin Sleep
Comes A Time / The Virgin Sleep

As with ‘Secret’, ‘Comes A Time’ was produced by Rod Buckle. He must not have enjoyed the experience given his name never surfaced again, to my knowledge. Despite some nice Honeybus moments, it’s always ignored. This B side really grew on me, by accident if truth be known. The turntable was on repeat.

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Posted in Deram, Keith Mansfield, Noel Walker, Rod Buckle, Roy Wood, The Honeybus, The Move, The Troggs, The Virgin Sleep | No Comments »

James Brown

Sunday, March 7th, 2010

JamesBrownBoogaloo, James Brown, Smash

Listen: James Brown’s Boo-Ga-Loo / James Brown
James Brown's Boo-Ga-Loo / James Brown

One day, around ’90, I decided to own every last James Brown single from the 60′s and 70′s. It was a most fun challenge, and surprisingly easy. Don’t forget, we were still in the heyday of folks dumping their vinyl for cd. Despite all the unsolvable problems that began with the onset of the cd configuration, it was absolutely a miracle for the vinyl collector. What could be better than the entire world wanting to unload their records?

James Brown’s temporary switch from the King label to Smash lasted a only year or two. Seems he signed one contract before the previous one expired, ultimately settling it all by agreeing to record only instrumentals for Smash. Some fans seem to downplay their interest in the period – not me. Besides, I’m a sucker for any releases from the Mercury Records Group: Philips, Fontana, Blue Rock, Limelight and of course Smash.

The best part of all this being the public tired of his assembly line, contract fulfilling output, so sales declined faithfully with each release. These last few before returning to King became the hardest to find. Good fun in my book.

‘James Brown’s Boo-Ga-Loo’ came and went completely unnoticed. Although the label copy suggested it’s from his NEW BREED album, it’s not. Well, sorta not. The track is actually an edited version of ‘New Breed’ retitled and easily doubles as incidental music for a B movie. No problem.

JamesBrownJimmyMack, James Brown, Smash

Listen: Jimmy Mack / James Brown
Jimmy Mack / James Brown

Equally enamored with muzak renditions of familiar hits meant many of his singles for the label were prime wants like ‘Let’s Go Get Stoned’ plus his own covers of ‘Papa’s Got A Brand New Bag’ and ‘Try Me’ for instance.

The last Smash 7″, and non-LP as well, is a lazy, slightly mundane (and therefore perfect for my tastes) version of Holland-Dozier-Holland’s ‘Jimmy Mack’. As with many of the jazz organists from that period, I bet they all rattled out these one after the other in a day long session, thereby making both recording costs and sales pressure low. Everyone needed a few for party music I guess. Another hard one to find, yet most likely competition is pretty minimal.

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Posted in Blue Rock, Fontana, Holland-Dozier-Holland, James Brown, King, Limelight, Mercury, Philips, Smash | No Comments »

Sly & The Family Stone

Saturday, March 6th, 2010

SlyStay, Sly & The Family Stone, Epic

Listen: If You Want Me To Stay / Sly & The Family Stone [audio:

http://www.somanyrecordssolittletime.com/records/SlyWant.mp3]

Time for some trainspotting, courtesy Duane Reade. I stopped by to pick up a prescription, and what’s playing over the sound system but ‘If You Want Me To Stay’. Used to be this one was heard everywhere, all the time. That repeated exposure eroded over the years, now it’s a big treat on the occasional occasion, like tonight. It just stood out against all the other overplayed oldies, the intentional lo-fi recording giving it alien character. It was a nice change.

As it was eventually confirmed, Sly Stone scrapped the first version of FRESH, from which this came. He decided to re-record the whole thing: sometimes the instrumental track, others the vocal takes and even others, both; making all the songs noticeably different to the astute fan, but probably not even turning a head amongst the casual listeners.

Listen: If You Want Me To Stay (Scrapped Version) / Sly & The Family Stone [audio:

http://www.somanyrecordssolittletime.com/records/SlyWantOuttakes.mp3]

Proof of the fairly secret first recording came way back, via the album’s first single, ‘If You Want Me To Stay’, as the initial 7″ stock were pressed using that wrong master. It’s visually impossible to tell it from the much more common official version, by the label that is (read on). I didn’t even realize I had a copy of anything particularly rare for years.

At the time, I was working for a one stop record distributor, the whole front half of the warehouse dedicated to 7″ singles. Both store buyers and jukebox operators populated the place constantly, it was a most fantastic hubbub of activity, every last person focused on records. Having grabbed a copy as soon as they arrived from the plant, it was clearly in hindsight that I discovered owning a first pressing. Even at the time, I just assumed it was an intentionally different version for the single. Actually, not until a month or so after getting it did I even notice the version on Top 40 radio sounding different than mine. Then I realized everyone’s copy had a different version from mine. I was baffled for ages.

The only way to tell, as every last detail of the label copy is identical on both pressings, being created for the official version – is to scour the run off groove. Official pressings read: ZZS 158443, whereas the mistake copies read: ZZS 158431.

Happy hunting.

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Posted in Duane Reade, Epic, Sly & The Family Stone, Sly Stone | No Comments »

John Lee Hooker / Georgie Fame & The Blue Flames

Tuesday, March 2nd, 2010

I really do appreciate Van Morrison for many reasons. He toured about 10 years back, maybe more, with Georgie Fame & The Blue Flames as his band, and John Lee Hooker supporting. I figured the Georgie Fame bit would mean more cohesive song structure as opposed to some of the free form shows he’d done. True, it did. But not before giving Georgie and his band a 4 song spotlight set, whereby they played his biggest US successes (‘Get Away’, ‘Yeh Yeh’, The Ballad Of Bonnie And Clyde’ and remarkably ‘Daylight’). In addition Van did ‘Gloria’ much to everyone’s surprise, especially as he and Georgie kept it pretty close to the original.

JohnLeeHookerBoom, John Lee Hooker, Vee Jay, Columbia UK

Listen: Boom Boom / John Lee Hooker JLHookerBoomUKA.mp3

Up first was John Lee Hooker, during possibly his last tour. What an unexpected treat. There was none of that new material stuff to endure, instead the classics, played raw and fluidly, all the while seated. No surprise for him to play ‘Boom Boom’, ‘I Love You Honey’ and ‘Dimples’.

JLHookerBigLegs, John Lee Hooker, Vee Jay, Columbia UK

Listen: Big Legs, Tight Skirt / John Lee Hooker JLHookerBigLegs.mp3

Most surprising was when pulling out a more obscure favorite ‘Big Legs, Tight Skirt’. Not only was hearing the song a thrill, but the set up story was hysterical beyond belief. You can just imagine.

GeorgieFameYehUKA, Georgie Fame & The Blue Flames, Imperial, Columbia UK

GeorgieFameYehUSA, Georgie Fame & The Blue Flames, Imperial, Columbia UK

GeorgieFameYehUS, Georgie Fame & The Blue Flames, Imperial, Columbia UK

Listen: Yeh Yeh / Georgie Fame & The Blue Flames GeorgieFameYehYeh.mp3

To be honest, I hadn’t realized Georgie Fame was even involved until a few days prior. Nor did I expect a solo set. To say it was a treat is vastly understating the moment. Voice still perfectly intact, players easily replicating the groove.

But the most unexpected bonus of the night: a jukebox tab.

It was originally set up for Van Morrison to do the honors via management. Rumored to be difficult, I was pretty shocked when a confirmation call came through with instructions to meet stage door right post show, and get escorted in to see Van, which I promptly adhered to. In a small dressing room, Van was standing waiting. This seemed rather bizarre. Why was I so lucky? He’d been briefed on my request, so when he inquired about song choice, I asked would he do one for Them as well. “Sure, just show me what to write and where”. ‘Richard Cory’ was my choice, I indicated clearly where to write what, Van took the penned signed his name (see tab below) and huffed from the room. Although disappointed at being so close to a signed jukebox tab for Them, I thought it was pretty interesting that this signature, and the accompanying story, was how he wanted to be remembered:

VanMorrisonJukeboxTab, Van Morrison

Georgie Fame, on the other hand, was just the opposite, even recalling the B side, which I hadn’t had the chance of researching prior to the show:

GeorgieFameJukeboxTab, Georgie Fame

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Posted in Columbia UK, Georgie Fame & The Blue Flames, Imperial, John Lee Hooker, Jukebox Tab, Stateside, Van Morrison, Vee Jay | No Comments »

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