Listen: Tall Paul / Annette & The Afterbeats
Who were The Afterbeats? I’ve never been able to find out.
Being 1959, I’m guessing studio musicians the lot. But it’s nice to think that maybe soon-to-be members of The Standells or some such band, that five or so years later would try posing as teenagers during the crossover from Surf to English Invasion, were actually the players.
Annette was my first crush, probably like every other little kid who watched THE MICKEY MOUSE CLUB. Her singles are some of my earliest memories of owning records, once I graduated from those 5″ yellow shellac nursery rhyme jobs. It wasn’t long before I’d move on to Phyllis McGuire, I can now see where it was all heading. Meanwhile, ‘Taul Paul’ had to have driven my parents mad. Who knows how many millions of times I played it.
Not a singer with any power or confidence, it was Disney staff producer Tutti Camarata who coaxed her into recording stardom, according to Annette herself. Having worked with Billie Holiday, among others, his greatest innovation may have been the creation of what became ‘The Annette Sound’. His solution to the limitations of her teenage voice was to record her vocals twice, the second time with large amounts of echo thrown in; a technique apparently so successful that others like Connie Francis, Shelley Fabares and even The Beatles began to borrow it.
Correct, George Martin did not invent the wheel. More importantly, he destroyed The Action with his shit production. See my post on that one.
Tell me, do you ever, ever hear Annette on oldies radio, bar Sirius?
Listen: First Name Initial / Annette & The Afterbeats
Predating the surf craze that seems to have musically started around ’61/’62 by about two years, you can definitely detect ‘First Name Intital’ moving into that direction. Sounding undeniably RnR 50′s style, it still reaked of sock hops and malted shakes, but in a good way.