Posts Tagged ‘The Syn’

Acid Gallery / The Outer Limits / Roy Wood

Friday, April 6th, 2012

Dance Round The Maypole / Acid Gallery

Listen: Dance Round The Maypole / Acid Gallery
Dance

It was December 2000, and I was stranded in England for a few days of Sony meetings. Actually, I was jamming to get home on the Friday, when early that morning I got a call from Will Botwin, then president at Columbia, asking very nicely if I could stay through Monday night for an Emiliana Torrini showcase. Will was always the greatest guy, awesome boss. How do you say no? I mean, he could have just told me I needed to do it. Period. But it was never his way.

So I suddenly found myself with three full days/nights on my hands. Reading the latest MOJO on the flight over, I was annoyed to be missing The Roy Wood Christmas Extravaganza Tour. I should have juggled the trip to take it in but by then it was too late. Now that I was there for a few days extra, I rechecked his schedule.

Sure enough, that evening Roy Wood was a couple hours away, in Wolverhampton. Jackie Hyde in the touring/artist relations department at Sony got me tickets and passes God love her. And I was on the 6 pm train heading north I think, alone. No one was interested in joining me. Grass is always greener.

I get there around 8, and decided to try speaking with Roy Wood. The band/crew etc are all around and tell me Roy has gone down the road to the pub. Ok. I wander off down the wet, deserted streets and find said establishment. Walk in, there propped up against the bar is a lone Roy Wood, nursing a pint. I proceed over, and no problem, he’s as friendly as I’d hoped. All talk about the past welcomed. Really fun guy.

I was always curious about the Acid Gallery single. He wrote and produced it, but it sure did sound like The Move to me. Was it? He confirmed his participation but no, it wasn’t The Move. Instead it was “some guys who were on Deram back then, name escapes me”.

Well was it The Syn, or The Eyes Of Blue, um, Tintern Abbey?

“No, these guys had a hit a few years later with ‘Yellow River’ “.

Bingo: The Outer Limits.

“That’s them” he confirms.

Just One More Chance / The Outer Limits

Listen: Just One More Chance / The Outer Limits
Just

Actually The Outer Limits changed their name to Christie and had that smash with ‘Yellow River’. Main writer in both bands was Jeff Christie and he’d originally written ‘Yellow River’ for The Tremeloes but decided to record it himself after they dragged their feet. The rest is history, I guess. I loved that Outer Limits single, ‘Just One More Chance’ at the time, summer ’67.

Great Train Robbery / The Outer Limits

Listen: Great Train Robbery / The Outer Limits
Great

But the follow up, ‘Great Train Robbery’, holy whatever, talk about British sounding. And on Immediate’s subsidiary imprint, Instant. Even better. Now why Immediate needed another in house label is pretty funny actually. Still very nice label and stock sleeve from Andrew Loog Oldham.

The Roy Wood Christmas Extravaganza was a total treat that night. Twelve piece, all female band. Sounding full scale, Phil Spector live. Reproducing all those Wizzard hits flawlessly. Roy dressed in black teddy boy jacket, purple lapels, purple streaks in the infamous hair and a lavender Strat. Once a star, always a star.

The finales, ‘Blackberry Way’ and ‘I Wish It Could Be Christmas Everyday’ being sung along loudly by a full theater audience with fake snow falling on the stage, well it doesn’t get much better.

One last closing bit to the Roy Wood pub conversation:

Will you fill out my juke box tab?

“Sure. No problem”.

The Move Blackberry Way Jukebox Tab

Above: Jukebox Tab signed by Roy Wood

Chris Farlowe & The Thunderbirds

Tuesday, April 19th, 2011

Listen: Dawn / Chris Farlowe & The Thunderbirds
Dawn / Chris Farlowe & The Thunderbirds

A perfectly beautiful late Sunday afternoon in London during November to me is cold, damp and drizzly, with plenty of grey. It was one such day in ’07 that Roger and I made our way to the long standing Agra Indian Restaurant on Whitfield Street just near the Warren Street tube station after a long day at his big wooden kitchen table, rigged up with a turntable, his 45 library room at arm’s reach, post that morning’s Record Fair on Great Portland Street.

Agra has been around for decades, and by many standards, needs a proper remolding. Not mine though. A half step down off the sidewalk onto the tatty, sticky carpet, the main room complete with that old England smell, convinces me the place has serious history. It’s too close to hundreds of historic music landmarks not to. Capitol Radio was just the other side of the tube, Jonathan King’s UK Records office on Warren at Whitfield, University College where David Bowie & The Lower Third, The Riot Squad, and Timebox amongst so many others played, not to mention the square adjacent, the precise spot where The Syn did their photo shoot on the tarmac of Whitfield Place.

Yikes.

Oh yeah, the food is great too. Not all fusion fussy and overly decorated. Not decorated at all really, just old fashioned home style Indian. Despite being about two blocks from where I lived that summer ’73, it wasn’t until decades later that Roger introduced me to the place. We took our time, covered a lot, as we do.

Upon our exit, what better than to find Chris Farlowe at that very first table, right near the doorway, sitting in front of a spread fit for three people. Apparently, he lives with his Mom just down the block. More history in the making.

Whistling Jack Smith

Wednesday, May 19th, 2010

WhistlingKaiser, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

WhistlingKaiserUSA, Unit 4 + 2, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

Listen: I Was Kaiser Bill’s Batman / Whistling Jack Smith WJSKaiser.mp3

I know exactly what you’re thinking. Why in the hell is he writing about Whistling Jack Smith? Do I really need to bother visiting this blog again?

Well Billy Moeller aka Whistling Jack Smith (brother of Tommy Moeller who’s band, Unit 4 +2, Billy sometimes roadied for) was on Deram. All things cool in ’67 were on Deram, even The Les Reed Orchestra and Chim Kothari were hip by association – not to mention of course The Syn, The Move, Timebox, The Eyes Of Blue, The Crocheted Doughnut Ring, Tintern Abbey, Warm Sounds, The 23rd Turnoff…you get the point. And I was only too pleased that it had become a hit (#20 Billboard) in the States. I wanted Deram to stay in business, so to me this was good. Plus it was downright fun to hear it on the radio. Harmless, laugh along, don’t be so fucking serious music – nothing like droning funeral parlour label mates Procol Harum.

So yes, I liked Whistling Jack Smith.

And they released an album as well. This was crazy fun now.

WhistlingLittleMiss, Unit 4 + 2, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

Listen: Hey There Little Miss Mary / Whistling Jack Smith WJSMary.mp3

Next, the followup. Well a growth in sound was clearly in line if the career was to build the way Decca chairman, and apparently iron clad ruler, Sir Edward Lewis must have decided it should, given an LP was approved in short order, when hitmakers The Move or hipsters The Syn were not so fortunate. Within months of the ‘I Was Kaiser Bill’s Batman’s spring/summer UK/US run, seems the public was inexplicably not following WJS’s musical moves and ‘Hey There Little Miss Mary’ was ignored by radio, press as well as said consumers – this despite regrouping the original hit making team, writers Roger Cook and Roger Greenaway with arranger Ivor Raymonde and producer extraordinaire (and he seriously did a LOT of great records) Noel Walker (not to be confused with Scott Walker of course).

Uh oh.

WhistlingJaDa, Unit 4 + 2, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

Listen: Ja-Da / Whistling Jack Smith WJSJada.mp3

No worries. There is proven truth to the ‘if it ain’t broken, don’t fix it’ theory- hence back to a hysterically fun, basic re-write of ‘I Was Kaiser Bill’s Batman’. ‘Ja-Da’ so ridiculously similar, I’m surprised Cook/Greenaway didn’t chase the publishing. I’m glad I own it though, cause it is both fun and funny to play on occasion.

Again, not a blip, bubble or hint toward potential success. Sir Edward was not about to let this talent just wither on the branch.

WhistlingLarf, Unit 4 + 2, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

Listen: Only When I Larf / Whistling Jack Smith WJSLarf.mp3

Then along comes a big break, just what the label needed and was hoping for, a 60′s version of an iPod commercial: the theme to a movie. The potential box office melter ,’Only When I Larf’.

‘Goldfinger’, ‘To Sir With Love’ and ‘A Hard Day’s Night’ move aside.

Instead trip, stumble, fall. A flop.

The writing was on the wall. Poor Billy should have never left the steady work of moving Unit 4 +2′s gear around. Now not only was he finished, they were between third base and home too, so no going back.

Can you imagine how awesome it would be if Whistling Jack Smith’s career had been allowed grow as it deserved to. He would have been at Live Aid, whistled on ‘We Are The World’, been remixed by Moby, collaborated with super talent MIA, not to mention help global leaders talk through their issues, met the Pope and gotten to put on well deserved weight. Yes he could have been Bono, and I don’t mean Sonny.

Except for one other small detail, he never whistled once on his records, instead The Mike Sammes Singers were brought in for the recordings.

The Syn

Thursday, December 17th, 2009

SynFlowerman, The Syn, Chris Squire, Deram, Pete Banks

SynPS, The Syn, Chris Squire, Deram, Pete Banks

Listen: Flowerman / The Syn SynFlowerman.mp3

In January ’06, original members Steve Nardelli (vocals), Gerard Johnson (keyboards) and Chris Squire (bass) put together a lineup (sans Pete Banks) of The Syn and toured America. Huh? Why? I suppose the drawing power via the Yes connection was enough to fill the small clubs they played. It certainly worked in New York. They were great when they clumped together three of the four songs that made up their two lone Deram singles from ’67. They sounded exactly like what the entire audience seemed to have waited almost three decades to hear, and thankfully didn’t try to squeeze into the orginal paisley coats and floral patterned trousers adorned in their youth. Perfect, gave us all tingles.

‘Flowerman’ was properly titled for that summer of ’67. Although perfect from the very start, it does go to eleven at 1:34, when the horn riff adds an unexpected and period piece sonic (a wonderfully typical studio staple from the Decca/Deram production handbook).

I even found the location of the picture sleeve shot: It’s in Fitzroy Square, just off Tottenham Court Road, when walking west toward Cleveland Street, in front of The London School Of Economics residence halls. Just happened to stumble on it one wet, deserted Sunday afternoon in November a few years back. I froze in my tracks.

The Attack / The Syn

Friday, March 6th, 2009

Hi Ho Silver Lining / The Attack

Listen: Hi Ho Silver Lining / The Attack
Hi

If ever you wanted to hear the ultimate English group sound, you are on the right post. Two examples being The Attack and The Syn.

Originally known as The Soul System, the group signed to Decca UK in late ’66, changing their name to The Attack. Despite various line-up changes, which included David O’List and John Du Cann, then soon to be members of The Nice and Atomic Rooster respectively, as well a future founder of The Marmalade, Alan Whitehead, the band spawned four class singles. Their second in the UK, and lone US release on Decca’s US imprint, London, ‘Hi Ho Silver Lining’, lost out in the British charts to Jeff Beck’s version, which reached #14 in ’67, then #17 in ’72 and yet again #62 in ’82. Embarrassingly, his version peaked here at #123 in ’67 due to very little airplay, a pathetically common tale known as the sewer of US radio. The competing version also gave The Attack controversial attention in the British press claiming Jeff Beck had stolen the song from them.

Created By Clive / The Attack

Listen: Created By Clive / The Attack
Created

Created By Clive / The Syn

Listen: Created By Clive / The Syn
Created

Amazingly, despite having been damaged by the Jeff Beck fiasco, Decca jumped into a similar fire and chose to release the terrific follow-up, ‘Created By Clive’ on the very same day as it’s in-house subsidiary label, Deram, issued The Syn’s version of exactly the same song. It unknowingly predates Clive Davis’ eventual destruction of the record business with frightening accuracy by some forty years.

Neville Thumbcatch / The Attack

Listen: Neville Thumbcatch / The Attack
Neville

The Attack’s fourth and final single, ‘Neville Thumbcatch’ seems to mix The Kinks ‘Big Sky’ with the sound of LSD.