Posts Tagged ‘Roger Cook’

Whistling Jack Smith

Wednesday, May 19th, 2010

WhistlingKaiser, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

WhistlingKaiserUSA, Unit 4 + 2, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

Listen: I Was Kaiser Bill’s Batman / Whistling Jack Smith WJSKaiser.mp3

I know exactly what you’re thinking. Why in the hell is he writing about Whistling Jack Smith? Do I really need to bother visiting this blog again?

Well Billy Moeller aka Whistling Jack Smith (brother of Tommy Moeller who’s band, Unit 4 +2, Billy sometimes roadied for) was on Deram. All things cool in ’67 were on Deram, even The Les Reed Orchestra and Chim Kothari were hip by association – not to mention of course The Syn, The Move, Timebox, The Eyes Of Blue, The Crocheted Doughnut Ring, Tintern Abbey, Warm Sounds, The 23rd Turnoff…you get the point. And I was only too pleased that it had become a hit (#20 Billboard) in the States. I wanted Deram to stay in business, so to me this was good. Plus it was downright fun to hear it on the radio. Harmless, laugh along, don’t be so fucking serious music – nothing like droning funeral parlour label mates Procol Harum.

So yes, I liked Whistling Jack Smith.

And they released an album as well. This was crazy fun now.

WhistlingLittleMiss, Unit 4 + 2, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

Listen: Hey There Little Miss Mary / Whistling Jack Smith WJSMary.mp3

Next, the followup. Well a growth in sound was clearly in line if the career was to build the way Decca chairman, and apparently iron clad ruler, Sir Edward Lewis must have decided it should, given an LP was approved in short order, when hitmakers The Move or hipsters The Syn were not so fortunate. Within months of the ‘I Was Kaiser Bill’s Batman’s spring/summer UK/US run, seems the public was inexplicably not following WJS’s musical moves and ‘Hey There Little Miss Mary’ was ignored by radio, press as well as said consumers – this despite regrouping the original hit making team, writers Roger Cook and Roger Greenaway with arranger Ivor Raymonde and producer extraordinaire (and he seriously did a LOT of great records) Noel Walker (not to be confused with Scott Walker of course).

Uh oh.

WhistlingJaDa, Unit 4 + 2, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

Listen: Ja-Da / Whistling Jack Smith WJSJada.mp3

No worries. There is proven truth to the ‘if it ain’t broken, don’t fix it’ theory- hence back to a hysterically fun, basic re-write of ‘I Was Kaiser Bill’s Batman’. ‘Ja-Da’ so ridiculously similar, I’m surprised Cook/Greenaway didn’t chase the publishing. I’m glad I own it though, cause it is both fun and funny to play on occasion.

Again, not a blip, bubble or hint toward potential success. Sir Edward was not about to let this talent just wither on the branch.

WhistlingLarf, Unit 4 + 2, Whistling Jack Smith, Billy Moeller, Noel Walker, Ivor Raymonde, Deram

Listen: Only When I Larf / Whistling Jack Smith WJSLarf.mp3

Then along comes a big break, just what the label needed and was hoping for, a 60′s version of an iPod commercial: the theme to a movie. The potential box office melter ,’Only When I Larf’.

‘Goldfinger’, ‘To Sir With Love’ and ‘A Hard Day’s Night’ move aside.

Instead trip, stumble, fall. A flop.

The writing was on the wall. Poor Billy should have never left the steady work of moving Unit 4 +2′s gear around. Now not only was he finished, they were between third base and home too, so no going back.

Can you imagine how awesome it would be if Whistling Jack Smith’s career had been allowed grow as it deserved to. He would have been at Live Aid, whistled on ‘We Are The World’, been remixed by Moby, collaborated with super talent MIA, not to mention help global leaders talk through their issues, met the Pope and gotten to put on well deserved weight. Yes he could have been Bono, and I don’t mean Sonny.

Except for one other small detail, he never whistled once on his records, instead The Mike Sammes Singers were brought in for the recordings.

MADELINE BELL / BLUE MINK

Friday, January 29th, 2010

Randy / Blue Mink

Listen: Randy / Blue Mink 07 Randy.mp3

She made good pop records with Blue Mink in the late 60′s/early 70′s as one of their two lead singers (songwriter Roger Cook was the other). Anyone into the happening music of the day would turn their nose to them, preferring prog or glam; writing off mainstream radio music as with every generation. Their ‘By The Devil I Was Tempted’ is a great period piece and sounds fine still.

‘Randy’ was a summer ’73 UK smash, it was always on the radio, and I vividly remember it blaring out of the market stalls on Wardour and Rupert Street while trolling for records.

Picture Me Gone / Madeline Bell

Listen: Picture Me Gone / Madeline Bell 01 Picture Me Gone.mp3

Before, during and after the Blue Mink run, Madeline Bell continually released her own solo stuff which soul nuts seem to appreciate, although most of those singles were heavily A&R’d with attempts at pop/RnB crossover. A cult artist she was not being tailored into. In the end, that’s what she became. Partially due to her lack of any chart hits, (‘I’m Gonna Make You Love Me’ was a Top 40 success here in the US), for being a backup voice on many a Dusty Springfield record (and Dusty on hers); but mainly for ‘Picture Me Gone’ which became a Northern Soul collectable. A few others recorded it, but her’s became the official version. It was actually relegated to the B side of ‘I’m Gonna Make You Love Me’ in America. Most US shops have no idea it’s valuable, therefore plan to find it for $1 or so. I did that just the other day at Academy here in New York, and this one probably brings the number of copies within 1000 feet of me to ten.

Sunny

Tuesday, July 28th, 2009

sunnydoctors, Sunny, Sue & Sunny, The Brotherhood Of Man, Roger Cook, Roger Greenaway, Geoff Stephens, CBS

Listen: Doctor’s Orders / Sunny SunnyDoctors.mp3

Basically Sunny has loads of history. Solo artist, one half of Sue & Sunny (both of whom were also members of The Brotherhood Of Man) and background voice on many, many, many hit singles (Dusty Springfield, Elton John, The Love Affair, Lulu, Mott The Hoople, T. Rex, Tom Jones, and Joe Cocker to name but a few bigger ones). She’s probably on more records than even she can remember – let alone you or me.

Often associated with the Cook & Greenaway writer/producer team, it was their song ‘Doctor’s Order’ (co-written with Geoff Stephens, himself claim to a long list of song credits: The Applejacks, Manfred Mann, Scott Walker, Dave Berry, Frank Sinatra, The Carpenters) that became a favorite for literally months in ’74. As into rock and soul as I was in ’74, the occasional pop track would bite me hard. I was never comfortable that Sunny’s version didn’t become the US hit version, it was better and smoother than Carol Douglas’. Rest of world though, the crown went to the awesome Sunny. I want to meet her someday.