Archive for the ‘The Pretty Things’ Category
Friday, January 14th, 2011
Listen: Substitute / The Who
Substitute / The Who
I missed the junior prom because of this record. My childhood sweetheart girlfriend Marianne was an Anglophile like me, most kids were back then really. But the two of us, we were hardcore.
Basically, as soon as I’d get home from school on Fridays I would head to Smith’s Records in Oneida, either on my bike or my Dad would drive me, bless him. Mrs. Smith gave me her week old Billboard magazines like clockwork, and I’d always buy something as well. Occasionally, one of the special orders we’d put through would actually show up. And every time, she’d buy two extras for the shop. Usually either my two friends, Mark or Denny, or Marianne, would buy those copies. Some pretty great things ended up in our collections that way, like The Pink Floyd ‘The Gnome’, The Yardbirds ‘Ten Little Indians’ or The Pretty Things ‘Don’t Bring Me Down’.
On this particular day in May ’66, I was shocked to discover that ‘Substitute’ had come in, only a week after placing the special order. Most records never did turn up as Mrs. Smith was forced to buy from a one-stop, and they’d pretty much stick to the mainstream hits. You had to be set up direct with the major labels to get their obscure non-hits. Being a tiny Mom & Pop store, she could never do enough business for them to be opened up as a direct client. Hence always a surprise when an obscurity arrived at Smith’s.
I tore into her little listening booth seconds after she handed me the single saying “One of your records came in” upon entering the shop. My insides knotted up. I’d wanted this single so much, having seen it scale the UK charts those previous few weeks. The seconds it took to get it out of the sleeve and onto the thick spindle of the automatic turntable, then waiting for it to drop and the tonearm to connect felt like fucking minutes. Half way through, I was losing it. ‘Substitute’ was so good.
That wasn’t to be the last claustrophobic meltdown I’d have in that little booth let me tell you.
The Who were very left of center to programmers then, not having a US hit until the next year with ‘Happy Jack’. They got no airplay to speak of nationally but our crazy local Top 40, WOLF, played all their singles (click on chart below to enlarge). This US only version has the lyric “I look all white but my Dad was black” swapped out for “I try moving forward but my feet walk back”. ‘Substitute,’ being the only US single by The Who available on Atco (6409), was issued with a far superior mix than any other version ever – hands down.
A year or so later, they re-released ‘Substitute’ (as Atco 6509) although via a safer, not so wild mix. Well I think it’s the mix but it may indeed be a less hot, less bright mastering. Neither version has ever appeared on a compilation that I know of.
I called Marianne from the shop, told her it had come in and we ended up spending that evening listening to the single over and over and over. True. We missed the prom.
Tags: Atco, Radio Charts, The Pink Floyd, The Pretty Things, The Who, The Yardbirds, WOLF
Posted in Atco, Radio Charts, Smith's Records, The Pink Floyd, The Pretty Things, The Who, The Yardbirds, WOLF | No Comments »
Friday, November 19th, 2010
Listen: Tongue Tied Blues / Jack Dupree
Tongue
This was a bizarre discovery from that very first pile of singles I blagged off WMCR, claiming to be from the local Children’s Hospital and needing donations. There were many greats in that stack of about fifty (The Others, The Pretty Things, Inez & Charlie Foxx, The Mickey Finn, The Hullaballoos, Ike & Tina Turner, Jimmy Reed), but this earned an immediate spot.
I played it for everyone, all as baffled as myself on first listen. We were feeling confidently hip to this blues music The Rolling Stones, The Yardbirds and The Kinks claimed as their influences, even though we simply were not. A true and pure example had yet to be served our way until that very first spin of ‘Tongue Tied Blues’. Just listen and you’ll understand.
Tags: Ike & Tina Turner, Inez & Charlie Foxx, Jack Dupree, Jimmy Reed, King, The Hullaballoos, The Kinks, The Mickey Finn, The Others, The Pretty Things, The Rolling Stones, The Yardbirds, WMCR
Posted in Ike & Tina Turner, Inez & Charlie Foxx, Jack Dupree, Jimmy Reed, King, The Hullaballoos, The Kinks, The Others, The Pretty Things, The Rolling Stones, The Yardbirds, WMCR | No Comments »
Monday, November 15th, 2010
Listen: Another Man / Dr. Feelgood DrFeelgoodAnotherMan.mp3
There’s a load of theories about where punk started. I suppose you can slice and dice it back to anywhere you want, Screamin’ Jay Hawkins or The Pretty Things, or endless garage bands from the mid 60′s. Most self appointed, gatekeeping journalists will flatter each other with either The Stooges or The New York Dolls. My vote goes to Suicide in the US and the Canvey Island bands in the UK, of which Dr. Feelgood were the first superstars.
Their live show stoked Eddie & The Hot Rods and together they lit up London fast and raw. It was indeed the speed of sound and the sound of speed all at once. New bands that clutched to the past and stood in their way were mowed down flat. Hustler and Nutz for example. It was a fun time for house cleaning. Labels like Chrysalis had their rosters fossilized overnight. Seemed like the world turned from black and white to color. Every single released was a new high.
Dr. Feelgood: Lee Brilleaux had a vocal style and stage presense not unlike Roger Chapman, and Wilko Johnson religiously perfected Mick Green’s jagged guitar style into his own. Their second album, MALPRACTICE, is a clean, articulate blueprint of the band’s attack and technique. But when Dr. Feelggod unleashed live, it was unstoppable.
Seeing them between late ’75 through mid ’77 really was life changing. If you did, you’ll know how hearing their records now will still sound different to us, as opposed to those who weren’t as lucky. Over three decades later, that hasn’t changed.
Not one for European pressings, I tell you honestly, my collection has less than a hundred. I make exception for singles like this, when not one but two 7″ worthy songs are issued on a 45. Both ‘Going Back Home’ and ‘Another Man’ (like ‘I Can Tell’, all from MALPRACTICE) were never released as singles in the UK or US. This Dutch pressing being the only exception to my knowledge. In fact, ‘I Can Tell’ has never come out on 7″ anywhere. How did the otherwise faultless Andrew Lauder mess this one up?
Wait. Come to think of it, there were a few numbers from Brinsley Schwarz NERVOUS ON THE ROAD that deserved single status. Andrew Lauder you have some answering to do.
Being an archivist and collector can also mean you’re a pack-rat, depending upon whom you listen to. Ask Corinne for instance and she’ll pick door number three.
Fine, I’m all of them and glad of it, having saved pretty much everything I’ve ever owned, starting with a rock that flew into my hand off my tricycle’s front wheel at about five years old. That’s how extreme, and far back, I can claim the obsession. Good thing, because the records began at age seven. Damn, if only I started at birth.
In the case of this flyer, saving every last item allowed me to pinpoint the exact date and hour when a whole new musical world was revealed behind that invisible curtain. There had been a few jolting revelations before and several after, but that moment when rock as it had been known and loved immediately became the past occured on February 29, 1976. Dr. Feelgood were a blistering no holds barred introduction to pub and punk. Gone was the polish and self indulgence, the bloat and tired outfits. What the music world changed into we all know.
It was a fantastic time to be young and insatiable. And here’s the flyer to stake that very date in my life. Corinne and I, with our dearest friend Karen Kasiner, braved a winter storm to see Dr. Feelgood. I wouldn’t trade that night for anything.
Tags: Andrew Lauder, Brinsley Schwarz, Chrysalis, Columbia, Dr. Feelgood, Eddie And The Hot Rods, Hustler, Karen Kasiner, Lee Brilleaux, Mick Green, Nutz, Roger Chapman, Screamin' Jay Hawkins, Suicide, The New York Dolls, The Pretty Things, The Stooges, United Artists, Wilko Johnson
Posted in Andrew Lauder, Brinsley Schwarz, Chrysalis, Columbia, Dr. Feelgood, Eddie & The Hot Rods, Hustler, Karen Kasiner, Lee Brilleaux, Mick Green, Nutz, Roger Chapman, Screamin' Jay Hawkins, Suicide, The New York Dolls, The Pretty Things, The Stooges, United Artists, Wilko Johnson | No Comments »
Friday, September 24th, 2010
Listen: Come See Me / The Pretty Things PrettyThingsComeSeeMe.mp3
Written about way more times than it ever got played on US radio embarrassingly. ‘Come See Me’ is without question, one of the all time greats. I can’t think of a single that’s cut louder. Seriously, can you? Always on the border of over distorted, but just, I guess it was too good to be a hit. Too good for the average shlump to hear.
And in their 60′s heyday, if they were this good live, it’s no wonder their friends The Rolling Stones never asked them out on tour, even though Brian Jones was their roommate (not that he had much juice apparently). Makes perfect sense.
The Cramps always had the same problem getting support slots. Who in their right mind wanted to go onstage after they played? Nobody.
Although, hold on, to be fair, White Zombie gave them a few slots, like the San Diego Sports Arena. Yep, I saw The Cramps at the San Diego Sports Arena. The front 25% were going bonkers, the remaining 75%, basically silent – not booing, not speaking, just completely baffled. Genius.
Above: Jukebox Tab signed by Dick Taylor
Tags: Brian Jones, Dick Taylor, Fontana, The Pretty Things, The Rolling Stones, White Zombie
Posted in Brian Jones, Dick Taylor, Fontana, The Cramps, The Pretty Things, The Rolling Stones, White Zombie | No Comments »
Friday, September 17th, 2010
Listen: Bo Street Runner / The Bo Street Runners BoStreetBoStreet.mp3
If you recall the period (’64 – ’65), literally every week there were more English and US garage, blues based bands releasing singles, and some of us were twitching increasingly by the day. It was impossible to keep up, and the really obscure singles (like The Bo Street Runners), were probably hard enough to find around the UK, forget about in America and definitely in upstate New York. I’d seen a photo of this band in 16 Magazine – the publication always had one page toward the back with about 8 new band photos per issue, accompanied by a sentence or two (most likely press photos that arrived at the office with a record/bio).
The Bo Street Runners’ blurb mentioned winning a READY STEADY GO competition and releasing ‘Bo Street Runner’ via UK Decca as a result. Little did I know that years later RSG producer Vicki Wickham would become a close friend and gift me her entire record collection. True story. Good thing, I’d have been one of the first kids, in his single digits, to keel over from a heart attack.
Up there with some of the better tracks from The Yardbirds, Them, The Downliners Sect or The Pretty Things. ‘Bo Street Runner’, surprisingly an original song, is pure blue eyed RnB, right down to the maracas and obligatory tambourine keeping time with the beat.
Listen: Baby Never Say Goodbye / The Bo Street Runners BoStreetBabyNever.mp3
In hindsight, some signature names passed thought the ranks of their lineup, including a few guys from both Timebox and Patto, as well as Mick Fleetwood. His timeline is right up there with Ron Wood’s, having been with not only The Bo Street Runners, but also The Peter B’s, John Mayall’s Bluesbreakers and the original Peter Green’s Fleetwood Mac.
Although a rather long standing BSR member, he only ever played on ‘Baby Never Say Goodbye’, the competitive cover of the Unit 4 + 2′s original and charting composition.
Posted in 16 Magazine, Columbia UK, Decca, Fleetwood Mac, John Mayall's Bluesbreakers, Mick Fleetwood, Patto, Ready Steady Go, The Bo Street Runners, The Downliners Sect, The Peter B's, The Pretty Things, The Yardbirds, Them, Timebox, Unit 4 + 2, Vicki Wickham | No Comments »
Tuesday, August 17th, 2010
Listen: I’m Gonna Love You Too / The Hullaballoos
HullaballoosGonna.mp3
Do not mistake this British band as the resident pop group on the US HULLABALOO show from ’65 – ’66. They did appear, six times to be exact, but were only coincidentally sharing a similar name. Admittedly their second album, THE HULLABALLOOS ON HULLABALOO would confuse even the most attentive. Alas, the band’s name was indeed spelled differently than the program’s. So no – they were not the house band.
As with just about every group in those days, we saw their pictures way before getting to hear the music. I was too young to be aware of all the Buddy Holly similarities they shared, so to me, they were completely original. I vividly remember seeing the sleeve to ‘I’m Gonna Love You Too’ in a local shop and being instantly smitten. Bleach blond, all four – this was even more radical than The Pretty Things, who had the longest hair yet. Hullaballoos’ drummer Harry rivaled any member of The Pretty Things to date, not only in hair length but color too, hence out doing them in my book. My parents were aghast to find I planned to bleach my hair as well. It never happened – not yet that is.
Despite endless stories of infamous thievery directed toward Roulette Records, they did get their singles distributed and heard. ‘I’m Gonna Love You Too’ got played a bunch initially.
Listen: Did You Ever / The Hullaballoos
HullaballooosDidYouEver.mp3
The followup, ‘Did You Ever’ was played slightly less, but performed more than any other song on US television.
Listen: Learning The Game / The Hullaballoos
HullaballoosLearning.mp3
Unfortunately, ‘Learning The Game’, my favorite of the four, was not played at all in my hometown. The single made it to the Bubbling Under Billboard Hot 100 chart, peaking at #121 during a short two week run, so some play obviously was achieved. Once I got my copy, I cherished it all the more.
Listen: I Won’t Turn Away Now / The Hullaballoos
HullaballoosWontTurn.mp3
The very hard to get fourth single and sleeve, ‘I Won’t Turn Away Now’ is classic British beat. Little Steven played The Hullaballoos recently. I was in the car and thought, justice after all these years. God bless Sirius.
In the early 80′s, when I started working at Elektra, the lure of free phone calls to the UK were too much to pass up. I called Hull directory information, and secured two of the four Hullaballoos’ phone numbers. Ultimately, I only spoke with Andrew Woonton. Initially our conversation proceeded as follows:
“Hi is this Andrew Woonton?”
“Yes, who’s calling?”
“My name is Kevin, from Elektra Records in New York and I was wondering, were you once a member of The Hullaballoos?”
“Uuuuuum, aaaaah, yes why?”
I launched into being a fan, but later in the conversation he revealed his initial hesitation. Turns out he was still getting calls from creditors wanting payment for hotels, vehicles and other expenses obligated some 20 years prior by Roulette on behalf of The Hullaballoos.
Did this band get what they deserved in any way. No. In fact, their youtube footage recently had the audio removed, apparently by the song publishers. Come on, cut these guys a break.
And I’m still miffed at not seeing the shows they shared with The Zombies and The Nashville Teens back in ’65 at the Brooklyn Paramount.
Below my postcard from their fan club:
Posted in Andrew Woonton, Bubbling Under The Hot 100, Columbia, Elektra, Hullabaloo, Roulette, The Hullaballoos, The Nashville Teens, The Pretty Things, The Zombies | No Comments »
Friday, July 23rd, 2010
Listen: The Hunter Gets Captured By The Game / The Marvelletes MarvelettesHunter.mp3
I loved The Supremes, who didn’t? But there’s something about the underdogs that make them even more appealing to me. Happens every time.
I guess The Rolling Stones (who I always preferred) were considered second to The Beatles for a while there; and then The Pretty Things to The Stones. Or as I mentioned in an earlier post, Inez & Charlie Foxx to Ike & Tina Turner.
Like Martha & The Vandellas, The Marvelettes were certainly playing second fiddle, at best, to The Supremes over at Motown. There’s a terrific book CALLING OUT AROUND THE WORLD / A MOTOWN READER by Kingsley Abbott, detailing (and I mean detailing) those heydays of Motown. It describes the songwriting rivalries, struggles for priorities, everything. It’s a fascinating read. According to Kingsley, William Robinson, or Smokey as we know him, was always under appreciated by Berry Gordy. Even when coming off of a hit, Smokey’d be starting over. Marvin Gaye too. The girl groups were in a constant struggle to get first dibs on the strongest new songs. It’s why Mary Wells left the fold – well at least according to this book.
In the case of The Marvelettes, there were few occasions when they got those gems. Like ‘The Hunter Gets Captured By The Game’ (another Smokey composition), many of The Marvelettes releases had a slight darkness to them – not quite as glistening with all the pop flash that those Supremes singles packed, hence their cult appeal? Probably.
Listen: I’ll Keep Holding On / The Marvelletes MarvelettesHoldingOn.mp3
Let’s face it – The Marvelettes were hip. Hats off to The Action for the brave and triumphant cover of ‘I’ll Keep Holding On’
Listen: My Baby Must Be A Magician / The Marvelettes MarvelettesMagician.mp3
And thank you to Tony King for generously giving me the UK promocopy of ‘My Baby Must Be A Magician’ pictured above.
Posted in Berry Gordy, Inez & Charlie Foxx, Kingsley Abbott, Marvin Gaye, Mary Wells, Motown, Smokey Robinson, The Action, The Marvelettes, The Pretty Things, The Rolling Stones, The Supremes, Tony King | No Comments »
Wednesday, July 7th, 2010
Listen: Get Down With It / Little Richard
Get
It has been written, by Charles White, that this is the greatest rock and roll record ever recorded in England. Who is Charles White? Good question.
The answer: he’s aka Dr Rock, is the official biographer to Little Richard and author of the books ‘The Life And Times Of Little Richard’ and ‘Killer – The Jerry Lee Lewis Biography’. All of the preceding info I lifted from the liner notes of the cd reissue GET DOWN WITH IT – THE OKEH SESSIONS. But beware.
I was well excited when I saw this one on the Sony release schedule back in 2004. The packaging turned out great. The detail being particularly good. Unfortunately, it’s all the stereo versions which have been restored, remastered, cleaned, polished, shined with every bit of dirt, grime, filth and slime removed. Little Richard without the dirt, grime, filth and slime is just not…very appealing. Try finding the vinyl singles, especially ‘Poor Dog’ and ‘I Don’t Wanna Discuss It’, and the LP, THE EXPLOSIVE LITTLE RICHARD, all on the Okeh label instead. If you do buy this cd, keep the booklet but toss the disc.
Even if you accomplish all the above, you won’t be done, because during Little Richard’s tenure with Okeh, he recorded that aforementioned ‘greatest rock and roll record’ in London during December ’66. It was called ‘Get Down With It’. The cd was quite rightly titled after it and that particular single was only ever released in the UK on Columbia, Okeh’s British distributor. God knows why. So basically, to really complete your journey, you’ll need to own this UK 7″. Good luck. I do wish you it, but don’t wait up. It’s a pretty hard one to locate.
Unexpectedly, ‘Get Down With It’ was produced by EMI’s Norman Smith, who also took on said chore for both The Pink Floyd’s PIPER AT THE GATES OF DAWN and The Pretty Things’ SF SORROW albums. This track perfectly documents that intoxicating and lost in history delta, chitlin’ circuit, sweat and liquor drenched roadhouse sound. To think, this studio version never saw the light of day in the US until the cd came out in ’04. I wonder why they didn’t issue this at the time, and why the mono version of ‘Get Down With It’ wasn’t included as a cd bonus track at least?
As for Charles White’s statement that this is the greatest rock and roll record ever recorded in England, he just might be right.
Tags: Columbia UK, Little Richard, Norman Smith, Okeh, The Pink Floyd, The Pretty Things
Posted in Columbia UK, Little Richard, Norman Smith, Okeh, The Pink Floyd, The Pretty Things | No Comments »
Monday, July 5th, 2010
Listen: You Can Make It If You Try / Solomon Burke01 You Can Make It If You Try.mp3
A Philadelphia native, and trained in gospel, Solomon Burke had his biggest success during the ’60′s in the south, where they coined his sound ‘river deep country fried buttercream soul’. Who on earth would not want to hear this guy after a description like that?
I found out about Solomon Burke like every other white kid in the day, through the English groups covering all the classic blues and RnB hits. Yes, the originals were right here in my own back yard. Occasionally one of these would slip into the pop stations’ playlists, but not near enough. At the time, I would have probably dismissed the original anyways, preferring all the hepped up excitement of the British Invasion version and how that movement was changing my culture, my haircut and my clothes.
But on further investigation in the early 70′s, it was fantastic to find a whole world of great records yet to own and cherish. The Rolling Stones were clearly Solomon Burke fans, covering a bunch of the songs he had RnB success with. Those covers were spread out over the first 5 US albums including this one ‘You Can Make It If You Try’ (on their debut, ENGLAND’S NEWEST HIT MAKERS). So really, it’s through The Rolling Stones that I discovered him. The flip side of this single is equally great: ‘If You Need Me’, also recorded by them and included on 12 X 5 (as is his ‘Everybody Needs Somebody To Love’). OUT OF OUR HEADS included ‘Cry To Me’, although The Pretty Things’ version is true to Solomon’s exactly.
Listen: The Price / Solomon Burke 01 The Price.mp3
The covers of Solomon Burke’s catalog are many, from Dr. Feelgood’s ‘Stupidity’ to The Herd’s ‘Goodbye Baby (Baby Goodbye)’. So fierce was his vocal bite, that certain songs were just not even tried by others. One such favorite of mine, ‘The Price’, arranged by Northern Soul great Teacho Wilshire and produced by Bert Berns, could certainly have been served well at that time by Janis Joplin or maybe Chris Farlowe, but no other white voices that I know of. Great news: Solomon Burke is still alive. Go see him sing and get ready to lose it.
Tags: Atlantic, Bert Berns, Chris Farlowe, Dr. Feelgood, Janis Joplin, Solomon Burke, Teacho Wilshire, The Herd, The Pretty Things, The Rolling Stones
Posted in Atlantic, Bert Berns, Chris Farlowe, Dr. Feelgood, Janis Joplin, Northern Soul, Solomon Burke, Teacho Wilshire, The Herd, The Pretty Things, The Rolling Stones | No Comments »
Tuesday, June 8th, 2010
Listen: Happy Jack / The Who WhoHappyJack.mp3
Pull this out and give it a spin. You’re bound to say, “Man I have not heard this in ages”. Well, my guess is you’ll say that. I loved all the singles up through and including ‘Pictures Of Lily’. Then came ‘I Can See For Miles’. Something about that one, it was good but didn’t hit dead center. Was a first real understanding of my body’s reaction to music. ‘I Can See For Miles’ may have been the record that set the template for an A&R career years later: if I didn’t love it – chances were good it’d be a huge hit. Hey, as long as you know how to read the indicators, that’s all that really matters. ‘I Can See For Miles’ was in fact their only ever US Top 10. Hard to believe I know.
Back then, The Who weren’t much different than The Small Faces or The Move when it came to US radio. You never heard them. Yeah radio was much better in the 60′s, but still fairly narrow. These bands just didn’t get national airplay – if they were lucky, regional exposure was usually the extent of it and then maybe a crossover….leads me to an interesting memory about The Who.
I and my Anglophile friends religiously bought every single by The Who. My teenage girlfriend and I missed our junior prom the night I got ‘Substitute’ it was so good – we just played it over and over and fiddled about, as someone once coined. It was the plan anyways.
There were a few shops around town that would get two to five copies of the non hits, or hopeful to be hits – like Walt’s Records or Smith’s Records or that huge record department in WT Grant’s on Salina Street in Syracuse. So starting with ‘I Can’t Explain’, we bought ‘Anyway, Anyhow, Anywhere’, every single right through and including the immaculate ‘Substitute’, ‘I’m A Boy’, ‘The Kids Are Alright’ and this one, the psychedelic ‘Happy Jack’, which actually did crack the Billboard chart peaking at #24 in ’67. A few years later when TOMMY was released, everyone noticed a rock opera similarity between that and it’s predecessor, The Pretty Things S.F. SORROW, still we listened to them both regularly during several weekend Parcheesi matches. The Who finally made a return visit after opening for Herman’s Hermits a few years earlier. Even though in my opinion the glow of those earlier singles had dimmed down noticeably, of course I went along. TOMMY admittedly wasn’t bad.
After the show, a few of us waited around for autographs, brought albums, singles, the works. I wasn’t quite as fussed and brought nothing, but seriously, was there something better to do in Syracuse as a teenager than possibly say hello to The Who? When my best friend Denny went up to Pete Townshend proudly with his MY GENERATION album to get signed, the guy turned his nose away, dismissiveley refusing to sign anything. He proceeded to make his way toward their station wagon with band members including Keith Moon and Roger Daltry already inside waiting. Even Keith Moon jumped out of the car to oblige, looking at Pete with a ‘you asshole’ glare, I couldn’t resist. So I spoke up.
“Pete, you know those few copies of the older singles you used to sell in towns like this prior to your hits, we were were the kids that bought them.” As the car pulled away, plain as day, I recall him hanging out the window, wearing a coat that looked like a piece of ghastly ornate drapery, middle finger on both hands projecting at me and shouting “you got a show for your $6 prick”.
Hmm. Not really, you didn’t play any of the aforementioned songs I came to hear. Not one. Still it was rude, certainly embarrassing and I never bought another record by The Who. Big deal, basically my bitterness toward he and unfairly the other guys in The Who went unnoticed and I’m sure Pete Towshend never lost a wink of sleep because of me.
About thirty years later, his keepers were doing the rounds of labels trying to hawk a new, not very good Pete Townshend album. I was at Columbia then but decided to pass on the record, or more specifically on him, his talent to write those gems long ago withered in my opinion. Still, it was a very hard call. You’d be a fool to not want to work with Pete Townshend. Honestly, he is a higher form of life but I’d experienced his temper. Once bitten, twice shy.
‘Happy Jack’ really is a terrific single.
Tags: Billboard, Decca, Herman's Hermits, Kit Lambert, Pete Townshend, Smith's Records, The Creation, The Marquee, The Move, The Pretty Things, The Small Faces, The Who, Track Records, Walt's Records, WT Grants
Posted in Decca, Herman's Hermits, Pete Townshend, Smith's Records, The Move, The Pretty Things, The Small Faces, The Who, Walt's Records, WT Grants | No Comments »
Sunday, March 21st, 2010
Listen: The Cisco Kid / War WarCisco.mp3
Today is the first full day of spring, according to my neighbor who knows all these things. Actually it started yesterday at around 1:15, so that didn’t count. Whatever. When it’s about 70°, no humidity with clear blue skies, and I find myself digging through boxes of doubles stockpiled for some 15 years back out in the garage, I know it’s spring. It’s the first thing I do, having itched to get at something or other all winter – and that’s exactly how yesterday was spent. The place is actually a scene from that new TV show about hoarding, the latest condition a doctor will give you tablets for. Corinne went in to get something, and being her first time for a couple of years, and just flipped out on me. So I needed to do some shuffling around anyways.
Brought one of those portable suitcase record players out with me. I bought this one for a steep $20 sometime in the late 80′s when those two parking lots on 6th Ave and 26th St had the weekly junk sales, dealers of everything covering the two spaces. I got into a habit of getting there at dawn, and found records even I can’t believe. One time, I got it into my head I needed a wlp of The Faces debut on Warner Brothers, and found it that very day. Like I willed it to be there. True story.
The player still works, perfectly in fact. It’s one of my favorite pieces, complete with interchangeable 45 adapter spindle. So off I go to the garage to dig and spin. First box, first handful, I find a copy of ‘Cisco Kid’. I’d forgotten Island UK licensed their catalog off Jerry Goldstein around ’75, and proceeded to be his English outlet for War, although quite why United Artists there didn’t hold on to his Far Out Productions was probably a mistake in hindsight.
I freaking love ‘Cisco Kid’. It reminds me of April ’73, when I took my pal and college radio rep for United Artisits in LA, Rich Fazekas, up on his offer to come on out and visit Easter week. The Pretty Things were making their US debut at the Whisky Au Go Go. Did I need more reason? We tooled around non-stop. He turned me on to Mexican food – there was no Mexican food in my college town of Rochester. I’d never had a taco, and given Rich is Mexican, he knew the real deal places to go.
‘Cisco Kid’ was easily the soundtrack to the trip. It was being played everywhere, you remember how hits used to be unavoidable. By early summer when I went to London, it had migrated to their airwaves, and I heard it constantly all over again.
So this time of year brings that all back, and to find a copy in that first handful I grabbed does make me feel frighteningly connected to my records. I love those records.
Tags: Island, The Faces, United Artists, War
Posted in Island, Rich Fazekas, The Faces, The Pretty Things, United Artists, War, Whisky A Go Go | No Comments »
Saturday, March 20th, 2010
Listen: Who Are The Mystery Girls? / New York Dolls NYDollsMystery.mp3
It shouldn’t have been possible – that being when The Dolls reformed a few years back, they’d be any good. Let’s face it, only two of them were left by the time the reunion gained any momentum, and the whole point in ’74 was being young and outrageous. But surprise surprise, I saw them at Randells’ Island with a slew of bands (Iggy & The Stooges, The Strokes, The Pretty Things, The Electric Prunes, Bo Diddley, The Creation) all presented in a one day festival setting by Little Steven, and they tore it up.
Seriously, David Johansen, so thin he made an Olympic runner look heavy, but with absolutely no muscle tone, a skirt type pant combination, pearls, red nails and long hair not unlike Harry Dunn out of The Hullaballoos. What more could you ask for? Now, just as in ’74, when they were sandwiched between Mott The Hoople and 3rd on the bill, Aerosmith, opening the show with ‘Who Are The Mystery Girls?’ nearly caused a riot – it was so powerful. On that day, August 14, 2004, The New York Dolls unquestionably put on one of the best live shows I’d ever seen.
Tags: Aerosmith, Bo Diddley, Iggy & The Stooges, Little Steven, Mercury, Mott The Hoople, New York Dolls, Shadow Morton, The Creation, The Electric Prunes, The Hullaballoos, The Pretty Things, The Strokes
Posted in Aerosmith, Bo Diddley, Iggy & The Stooges, Little Steven, Mercury, Mott The Hoople, New York Dolls, Shadow Morton, The Creation, The Electric Prunes, The Hullaballoos, The Pretty Things, The Strokes | No Comments »
Sunday, December 27th, 2009
Listen: Pain In My Heart / Otis Redding
Pain
Leave it to The Rolling Stones, they turned all us really young white kids on to the great RnB and Soul that was right here at home. Yeah it’s the oldest story in the book, but 100% true. I for one, was completely oblivious to Otis Redding until they came along. And so I started to ask for his records at WMCR, the little adult station near my parent’s house that gave me all their unusable Rock and RnB singles. Unfortunately, most of the labels only serviced them with non-RnB stuff, logically as they were playing Eydie Gorme, Dean Martin and such. Atlantic was an example, so I had to buy the occasional one, if I’d find it that is.
The first time I saw The Rolling Stones, see my Alvin Robinson post, they played this. Can remember it like yesterday. I needed this original and within days….it was mine.
Listen: Direct Me / Otis Redding
Direct
His last known TV performance was on Cleveland’s UPBEAT, a weekly pop show that rivaled any national counterpart, in fact preceeded both SHINDIG and HULLABALOO as well as outlasting them (’64 – ’71). Seems everyone passed through town, probably intentionally to get the coverage. I’ve mentioned the show in previous posts, and without question, even a partial list of performers is pretty impressive.
Well it’s hard to forget seeing that episode, watching Otis Redding, knowing what had just happened asit was never broadcast live) Despite being endlessly respected and always name checked, he’s seldom heard. Oldies radio overplaying ‘(Sittin’ On) The Dock Of The Bay’ is almost an injustice. Despite all his classics, ‘Direct Me’ comes in as my favorite. Co-written with Steve Cropper, it may have been a castoff, but I don’t care. Got it in one of those ten for a dollar boxes. Despite the B side status (‘Papa’s Got A Brand New Bag’ was the A), the single just holds a memorable place in time for me. Woolworth’s, summer ’69.
There wasn’t a bad record in that box, which also included The Pretty Things ‘Cry To Me’.
Tags: Atco, Atlantic, Dean Martin, Eydie Gorme, Hullabaloo, Shindig, Steve Cropper, The Pretty Things, The Rolling Stones, Upbeat, Volt, WMCR, Woolworth's
Posted in Atco, Atlantic, Dean Martin, Eydie Gorme, Hullabaloo, Shindig, Steve Cropper, The Pretty Things, The Rolling Stones, Upbeat, Volt, WMCR, Woolworth's | No Comments »
Monday, October 26th, 2009
Listen: October 26 / The Pretty Things PrettyThingsOctober26.mp3
I’ve been unable to even write an entry these past few days due to my loss on eBay. I desperately wanted to win the US Fontana stock copy of The Pretty Things ‘Midnight To Six Man’, which finally appeared for sale last week. In fact, I’ve wanted one my whole life. I have the US wlp, the UK copy etc – but not a US store pressing. Somehow eBay is claiming my user name/password didn’t match – mind you I’ve not changed them in probably ten years since joining. Therefore my $200.00 bid went unplaced, and a lucky fellow in Europe grabbed it for $31.00. I’ve tried emailing him, offering to buy it – but no reply. Not even a sympathy condolence. So I’ve been literally shattered. Anyone know of a copy I could buy? Name your price.
I always sent off to England for their singles starting around ’68. Lucky for me, I have nice copies of every release. I was a bit disappointed in ‘October 26′ upon arrival. It was tired sounding, and by far their weakest track of the period, logically not finding a place on their PARACHUTE materpiece. I figured just to be clever, I’d post it today, due to it’s namesake.
Listen: Cold Stone / The Pretty Things PrettyThingsColdStone.mp3
However, the B side ‘Cold Stone’ was a whole other story. It made up for the A side’s wimp. Phil May’s addictive vocal in full frontal attack, it couldn’t hide their RnB baby steps. Who the fuck was picking the A sides at Harvest then is what I’d like to know. Peter Jenner….can you answer that question?
Tags: Fontana, Harvest, Peter Jenner, Phil May, The Pretty Things
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Thursday, October 15th, 2009
Listen: Benedictus /The Strawbs StrawbsBenedictus.mp3
I heard ‘Benedictus’ on my local Top 40 station, once, in the middle of the afternoon. It was WNDR, the tight playlisted one as well. Huh? It sounded so out of place – and indeed pretty great. In the mix of then current nastiness, like Three Dog Night and Jim Croce, it made me believe there might be hope for the radio again, for a good couple of months even. Not so. As much as I tried to catch it once more at least, I never did. And I could not find the single – no surprise. I’d seen The Strawbs’ albums in stores, and despite my then soft spot for English folk, I never did spring for one, until now. I had to have this song. Years later I found the above promo. Probably not all that rare, so if you see one, get it.
Listen: Lay Down / The Strawbs StrawbsLayDown.mp3
‘Lay Down’ was starting to indicate these guys just might be churning out some great 7′s consistantly. By now I was nicely ensconced at my college radio station, where everyone only wanted to play, and steal, albums, so the singles were a free for all. A&M would send out stock copies often instead of promos, and I was so happy when one arrived. Released simultaneously in the UK, where it reached #12, meant I had it before I even had to worry about getting it. I was jonesing to live in England by this point. To walk around the house or drive in the car and be able to hear this stuff on the radio – enough reason to figure out a way to get there. That was around the corner.
Listen: Part Of The Union / The Strawbs StrawbsUnion.mp3
“Part Of The Union’ might be one of those songs that folks in the UK still cringe at, simply because it was played everywhere, forever. A #2 in early ’73, it was still a pub singalong by that summer, when I finally made my way to London. Like Jeff Beck’s ‘Hi Ho Silver Lining’, I never did tire of it.
Just a few months prior, in April, I had to make a torturous decision. The Pretty Things and The Strawbs were playing the same night, at different venues. How fucked up was this? I chose The Pretty Things. Til this day, I have never seen The Strawbs.
Tags: A&M, Jeff Beck, Jim Croce, The Pretty Things, The Strawbs, Three Dog Night, WNDR
Posted in A&M, Jeff Beck, Jim Croce, The Pretty Things, The Strawbs, Three Dog Night, WNDR | No Comments »
Sunday, October 11th, 2009
Listen: Havana Anna / The Crocheted Doughnut Ring CrotchedHavanaUKA.mp3
Listen: Happy Castle / The Crocheted Doughnut Ring CrotchedHappyCastle.mp3
Sometimes the great thing about a truly obscure band, one where none of the members went on to bigger fame and success, is just that. You get to keep them as a limited edition, private pleasure. Having changed their name and label in ’67 to fit in with the currant craze, psychedelia, I’m glad to report – or sadly for the fellows I suppose – they kept their obscurity intact despite a nice production from Peter Eden. Sounding similar to Decca’s Toby Twirl (that’s a good thing), they’re honorary members of CHOCOLATE SOUP type collections these days.
Listen: Gee Too Tiger / The Force Five ForceFiveGeeToo.mp3
Before their new found sound, label and name, most of them soldiered forward initially as The Force Five, recording five echo drenched RnB styled singles, this one actually getting a US release. A must for every decent collection, it clearly had high hopes of sitting beside singles from The Yardbirds and The Pretty Things, I’m guessing.
Tags: Ascot, Decca, Deram, Peter Eden, The Crocheted Doughnut Ring, The Force Five, The Pretty Things, The Yardbirds, Toby Twirl
Posted in Ascot, Decca, Deram, Peter Eden, The Crocheted Doughnut Ring, The Force Five, The Pretty Things, The Yardbirds, Toby Twirl | No Comments »
Friday, June 19th, 2009
Listen: Cry To Me / Betty Harris BettyHarrisCryToMe.mp3
Listen: I’ll Be A Liar / Betty Harris BettyHarrisIllBeALiar.mp3
Bert Berns’ classic ‘Cry To Me’ had the luxury of being recorded by some truly seminal acts: Solomon Burke (who cut the classic original RnB chart entry), The Rolling Stones and The Pretty Things (see previous post). Often criminally overlooked when sighting legendary versions, Betty Harris not only belts out a rip roar performance for this A side, but actually out does herself on the flip ‘I’ll Be A Liar’. Also written by Burns, and as with it’s top side, produced by Leiber & Stoller, I’d bet this is the hotter of the two. The sparsity of the arrangement leaves plenty of space for her to shred the lead – pretty much scaring off any female competition. I don’t know of another version.
Betty went on from Jubilee to the Sansu label, recording ten singles there with Allen Toussaint. Although most of her work is collectable to both Deep Soul and Northern fans, my money’s on this essential double sider as the Betty Harris desert island choice.
Tags: Allen Tousssaint, Bert Berns, Betty Harris, Jubilee, Leiber & Stoller, Sansu, Solomon Burke, The Pretty Things, The Rolling Stones
Posted in Allen Toussaint, Bert Berns, Betty Harris, Jubilee, Leiber & Stoller, Northern Soul, Sansu, Solomon Burke, The Pretty Things, The Rolling Stones | No Comments »
Thursday, June 18th, 2009
Listen: Cry To Me / The Pretty Things PrettyThingsCry.mp3
I don’t need much prompting to give The Pretty Things a shout out. Phil May is one of music’s greatest vocalists. When I was running The Medicine Label at Warner Brothers in the 90′s, I asked then chairman Mo Ostin, during casual hallway conversation, if he’d let me reissue their 1973 FREEWAY MADNESS album, which was ripe for CD format. No problem.
Mo was the ultimate executive, they literally don’t make them that way any more. Prior to getting the green light to set up Medicine, I had a memorable meeting/job interview with him. I wanted details of when he signed both The Kinks and Family, which he ever so graciously recounted. And that was only the beginning of the many fascinating stories.
FREEWAY MADNESS, one of those Mo signings, holds some serious sentimental placemarks. Plus it afforded the band their first US tour. How insane is that? Despite their legendary status almost instantly, it wasn’t until spring ’73 that The Pretty Things played their initial US show, at LA’s Whisky A Go Go. I up and flew to California in April, like the senseless Anglophile that I was. Turned into a fantastic trip. Rich Fazekas, then part of United Artists hip college radio department, put me up for the week and introduced me to old Hollywood. UA had Family, Hawkwind, Ian Whitcomb, Man, The Move, Wizzard, endless Blue Note acts. It was the place to be. We raided, with Greg Shaw, UA’s publishing office, then anxious to dispose of their 7″ library. Talk about timing. We saw Tim Buckley at The Troubadour and of course The Pretty Things at The Whisky several nights straight. One month later, I booked them back at my college. May 19, 1973 to be exact.
Fast forward to last night. At a friend’s for dinner, I became engrossed in THE ROLLING STONES ALBUM FILE & COMPLETE DISCOGRAPHY, by Alan Clayson, that was meant to be casual coffee table glancing. I intended taking a quick look, then couldn’t put it down. Learn something every day – and with this book you’ll learn many somethings. For instance, March 7, 1965. Manchester. Following a stopped Rolling Stones show at The Palace Theater, Keith and Mick taxied across town to leap onstage with The Pretty Things (Brian Jones was a room mate of The Pretty Things at the time) at The Manchester Cavern that evening. Among the songs that Mick duetted with Phil May: ‘Cry To Me’.
Tags: Alan Clayson, Family, Fontana, Greg Shaw, Hawkwind, Ian Whitcomb & Bluesville, Mo Ostin, Phil May, Rich Fazekas, The Medicine Label, The Move, The Pretty Things, The Rolling Stones Album File & Complete Discography, Tim Buckley, Troubadour, Whisky A Go Go, Wizzard
Posted in Alan Clayson, Fontana, Greg Shaw, Hawkwind, Phil May, Rich Fazekas, The Move, The Pretty Things, The Rolling Stones Album File & Complete Discography, Tim Buckley, Troubadour, United Artists, Whisky A Go Go, Wizzard | No Comments »
Wednesday, May 20th, 2009
Listen: Jelly Roll Gum Drop (Mono) / Ruben & The Jets
Jelly
Proof positive that those mono mixes back in the 60′s were approached very differently than their stereo counterparts. Word has it the importance of the 7″ single, and early indifference towards albums, many times resulted in leaving the stereo mix to one of the studio engineers, while the band and producer focused only on mono. Might explain the radical difference in mono/stereo versions of The Pink Floyd’s PIPER AT THE GATES OF DAWN and A SAUCERFUL OF SECRETS. Not to mention The Pretty Things S. F. SORROW or The Small Faces OGDEN’S NUT GONE FLAKE. If you’re lucky enough to have both versions, a/b them sometime. You’ll hear different vocal takes and even additional instruments throughout.
No exception is this mono version of ‘Jelly Roll Gum Drop’. Like other early mono releases by The Mothers Of Invention, who were one in the same with Ruben & The Jets, this too is radically different, and therefore much desirable in it’s mono 7″ issue.
Tags: Frank Zappa, Ruben & The Jets, The Mothers Of Invention, The Pink Floyd, The Pretty Things, The Small Faces, Verve
Posted in Frank Zappa, Ruben & The Jets, The Mothers Of Invention, The Pink Floyd, The Pretty Things, The Small Faces, Verve | No Comments »
Monday, February 16th, 2009
Listen: I’m Bored / Iggy Pop
IggyPopImBored.mp3
Iggy’s been on more labels than Sparks, and has had more career comebacks than Cher. And just like those two examples, he’s one of the greats. What can I tell you about Iggy Pop except for: if you’ve never seen him live, it is not too late. He’s the real deal, and still can wipe the floor with 99% of the competition. The other 1% he equals.
This single had an important moment. When Ric Ocasek hosted The Midnight Special in the early 80′s, his guests were Suicide and Iggy Pop. Both were way too much for bad rock radio controlled America, but The Cars were huge and Ric had the clout to bring real art to late night viewers. It was one of the songs he performed, and has yet to make it on to you tube.
I never much cared about The Stooges. I’m sorry, forgive me. My initial experience with Iggy Pop was at LA’s Whisky A Go Go, in May ’73. I flew out, all on my own, to see The Pretty Things first ever US show. How crazy is that? I did have a friend to stay with at least. Iggy turned up in a blue mini skirt and white fur jacket – dressed identical to his girlfriend, both sporting bleached yellow hair. It was cool.
Posted in Arista, Cher, Iggy Pop, Midnight Special, Ric Ocasek, Sparks, Suicide, The Cars, The Pretty Things, The Stooges, Whisky A Go Go | No Comments »
