Posts Tagged ‘Deram’

The Amen Corner

Sunday, June 21st, 2009

amencornerginuka, the amen corner, deram, decca, andy fairweather low

amencornerginusa, the amen corner, andy fairweather low, deram, decca, immediate, roy wood

Listen: Gin House Blues / The Amen Corner AmenGin.mp3

amencornerworlduka, the amen corner, andy fairweather low, deram, decca, immediate, roy wood

amencornerworldusa, the amen corner, andy fairweather low, deram, decca, immediate, roy wood

Listen: The World Of Broken Hearts / The Amen Corner AmenWorld.mp3

amencornerhighuka, the amen corner, andy fairweather low, deram, decca, immediate, roy wood

amencornerhighusa, the amen corner, andy fairweather low, deram, decca, immediate, roy wood

Listen: High In The Sky / The Amen Corner AmenHigh.mp3

It’s interesting that despite today’s technology, and all the immediacy of it, things in 1967 were happening pretty fast too. ‘Gin House Blues’, released on July 21 (according to the above hand written test pressing) actually charted 6 days later on July 26, peaking at #12. Almost as unlikely a mainstream hit, it’s followup, ‘The World Of Broken Hearts’ spent six weeks in the UK Top 50, reaching #24. Singer Andy Fairweather Low’s strangled delivery didn’t initially appear to have mass appeal, but subsequent singles, like the near US hit ‘High In The Sky’ proved otherwise. Indeed, The Amen Corner took Roy Wood’s (should-have-been-a-single for his band The Move) ‘Hello Suzie’, to a UK #1 in ’69, the band having left Deram for Immediate by then. Their album only (except in Holland) version of The Soul Survivors’ hit, ‘Expressway To Your Heart’, apparently became a much played track in the Northern Soul clubs.

For the record, let me share some factual information: all promotional A labels from UK Decca and it’s subsidiaries (Deram, London, etc), up until mid-’69, were shipped in white sleeves. As tempted as you may be to put a company stock bag on them – it’s just not correct. Hence, any of the records I post in white sleeves are there for authenticity. The UK promo of ‘The World Of Broken Hearts’ pictured above is the ’69 reissue, by then being shipped in the Deram company sleeve. Oh, in the US, Deram promo singles shipped in Deram sleeves by the label’s second release (The Move ‘Night Of Fear’). Only the very first US Deram promo 7″ (Beverley ‘Happy New Year’) came in a plain brown sleeve. What can I say, I am completely obsessed with having my records in their correct covers.

The Fortunes

Saturday, April 4th, 2009

Here It Comes Again / The Fortunes

Here It Comes Again / The Fortunes

Listen: Here It Comes Again / The Fortunes FortunesComes.mp3

Back in the 70′s, many record stores bought direct from each label. Only the really small shops were forced to buy via a one stop, which were distributors that represented all the labels, a kind of middle man. I worked for Discount Records in ’74-75. Although a chain owned by CBS, they were deep catalog stores and centered around college towns and campuses, hence their two Syracuse locations. And each of these shops would buy direct from the various labels. Every Tuesday all the reps would stop by, bring the staff hot drinks and donuts, plus stacks of promos, T shirts and posters. It was heaven. One summer day, I went to the Syracuse University library, having been alerted to their complete bound collection of BILLBOARD magazines from the 60′s, to sit for hours and pour through them. I took a new marble notebook and dated each page to the corresponding issue then listed any facts of interest. Chart entries, new releases with catalog numbers, etc. Years later, I managed to find a magazine dealer selling a complete run of issues from ’64 – ’68. Perfect, I bought them all.

A few days later, I got this ‘why not’ idea. I ordered about one hundred long out of print 7″ titles on the London family labels from our rep, one copy each, using the newly acquired catalog numbers from my day of research.

I’d actually blanked and didn’t even think more about the order, being sure they’d never turn up. I mean how could they? This was ’75 and some of them had come and gone, most were flops, some ten years prior. But lo and behold, about a week later, the London order arrived, and one of the boxes was chock full of many, many of those very titles. Oh man, I was flying. Amongst them were all the Press singles from The Fortunes, not to mention The Small Faces, Los Bravos, The Pudding, The Gibsons and loads more. And those was just the ones on Press. I won’t even get into the Deram, London, Tribe, Hi and Parrot selections on this post. My immediate reaction was to order five copies of many that had turned up, which I did, but no more ever came. Obviously, these had been sitting on the shelves for literally a decade.

I think most kids considered The Fortunes sound to be manufactured, over orchestrated, adult leaning, the music your parents would like too. All true I guess, but I did love those big, ballad-y Greenaway/Cook and/or Les Reed boomers. ‘Here It Comes Again’ was a decent hit here, #27 in Nov ’65.

This Golden Ring / The Fortunes

This Golden Ring / The Fortunes

Listen: This Golden Ring / The Fortunes FortunesGolden.mp3

But the followup, ‘This Golden Ring’ struggled slowly, and perfectly, to a problem #82 in February ’66. The Fortunes were burned into my psyche as a wintertime sound. Most of their records remind me of the freezing cold walks to and from school with my little red transistor radio clamped to my ear, pre ear buds by decades.

Gone From My Mind / The Fortunes

Gone From My Mind / The Fortunes

Listen: Gone From My Mind / The Fortunes FortunesGone.mp3

‘Gone From My Mind’, despite it’s confident delivery, didn’t make a ripple. Never heard it on the radio in my life, and therefore really excited to find it amongst the others in that London shipment. No surprise, it’s ended up as my favorite.

The Brotherhood Of Man

Thursday, April 2nd, 2009

Reach Out Your Hand / The Brotherhood Of Man

Listen: Reach Out Your Hand / The Brotherhood Of Man BrotherhoodReach.mp3

No question about it, THE ESSENTIAL NORTHERN SOUL PRICE GUIDE is one of the best books ever. It’s my idea of what to read by the fireplace on a snowy winter afternoon. But I really do have one complaint. This single is not included. Clearly authors Martin Koppel, a particularly nice fellow who ran Toronto’s Kop’s Collectabiles for ages nd Tim Brown know what they’re talking about. I know Martin is English, as I’ve bought many a single from him through the years, and I guess Tim is too. So understandably, sometimes the Brits have their heads in spaces other than their own backyard, yet all is forgiven. Basically, this fits really nicely into any mix of Northern I’ve ever done. Plus it’s on Deram. I like anything on Deram, even the schmaltziest stuff, which The Brotherhood Of Man would dependably deliver on a regular basis. Keith Mansfield was involved in this one, he did some great stuff for The Love Affair too.

If you’re in New York, go now to Bleeker Street Records. There’s a ton of 7″ warehouse fresh finds in the basement 3 for $1.00. Mike Goldsmith alerted me to them. Been twice, between the two of us, we’ve lightened their load by a few hundred. Returned today and picked up three more copies of this, and plenty are left. Have fun.

The Attack / The Syn

Friday, March 6th, 2009

Hi Ho Silver Lining / The Attack

Listen: Hi Ho Silver Lining / The Attack
Hi

If ever you wanted to hear the ultimate English group sound, you are on the right post. Two examples being The Attack and The Syn.

Originally known as The Soul System, the group signed to Decca UK in late ’66, changing their name to The Attack. Despite various line-up changes, which included David O’List and John Du Cann, then soon to be members of The Nice and Atomic Rooster respectively, as well a future founder of The Marmalade, Alan Whitehead, the band spawned four class singles. Their second in the UK, and lone US release on Decca’s US imprint, London, ‘Hi Ho Silver Lining’, lost out in the British charts to Jeff Beck’s version, which reached #14 in ’67, then #17 in ’72 and yet again #62 in ’82. Embarrassingly, his version peaked here at #123 in ’67 due to very little airplay, a pathetically common tale known as the sewer of US radio. The competing version also gave The Attack controversial attention in the British press claiming Jeff Beck had stolen the song from them.

Created By Clive / The Attack

Listen: Created By Clive / The Attack
Created

Created By Clive / The Syn

Listen: Created By Clive / The Syn
Created

Amazingly, despite having been damaged by the Jeff Beck fiasco, Decca jumped into a similar fire and chose to release the terrific follow-up, ‘Created By Clive’ on the very same day as it’s in-house subsidiary label, Deram, issued The Syn’s version of exactly the same song. It unknowingly predates Clive Davis’ eventual destruction of the record business with frightening accuracy by some forty years.

Neville Thumbcatch / The Attack

Listen: Neville Thumbcatch / The Attack
Neville

The Attack’s fourth and final single, ‘Neville Thumbcatch’ seems to mix The Kinks ‘Big Sky’ with the sound of LSD.

Wayne Bickerton Productions: World Of Oz / Clyde McPhatter / The Rubettes

Monday, December 29th, 2008

The Muffin Man / World Of Oz

Listen: The Muffin Man / World Of Oz
The Muffin Man / World Of Oz

Seems the labels had a stable of in-house producers back in the 60′s. And many times they’d be given the new signings to whip into shape, and record in those infamous four or six hour windows. I’m guessing these producers were either on staff, or had production deals, similar to today’s consultancies. People like Denny Cordell and Mike Hurst come to mind, as does Wayne Bickerton.

I first noticed his name on Decca and Deram releases. A very favorite was ‘The Muffin Man’ by World Of Oz. It got a lot of Top 40 play in the US for a few weeks during summer ’68. Years later, in the Notting Hill Record & Tape Exchange, I stumbled on a copy with this very rare UK sleeve pictured above. My heart just about stopped. I’d no idea it existed as it’s not mentioned in any of the price guides and I’d never seen another. ‘The Muffin Man’ was part of their rather lavish album, lavish for the time that is, apparently requiring a huge budget. I was lucky enough to meet Wayne about four years ago on a New York trip, and meant to ask that budget detail. I had many questions, and he was fantastic about filling in so many blanks, but that one slipped my mind. Always an admirer of his work, it was a fascinating hour or two.

Baby You've Got It / Clyde McPhatter

Listen: Baby You’ve Got It / Clyde McPhatter
Baby You've Got It / Clyde McPhatter

Although an original member of The Drifters, Clyde McPhatter oddly moved to England, and even odder, signed to Deram. Come on, The Drifters were the definition of Harlem Doo Wop and such. Why did this guy pick up and go to London? Was he a closet Anglophile? Luckily, Wayne Bickerton was put in charge and produced his Northern Soul hit ‘Baby You’ve Got It’. Applying his trademark orchestration, the song became Clyde McPhatter’s strongest single ever.

Sugar Baby Love / The Rubettes

Listen: Sugar Baby Love / The Rubettes
Sugar Baby Love / The Rubettes

Occasionally I hear The Rubettes ‘Sugar Baby Love’ and it jumps out every time. A perfect combination of glam and maybe doo wop meets Four Seasons or something. Not only did he produce it, but co-wrote the song as well.